Mark Jenkin (Bait, Enys Men) is back with his latest mind-trip, Rose of Nevada, starring Callum Turner and George MacKay! 

A mysterious boat returns to a village 30 years after vanishing. Two men join its crew hoping for better fortune. After one voyage, they find themselves transported back in time, mistaken for the original crew.

One of the most distinctive voices in contemporary UK art cinema, Mark Jenkin has made quite the name for himself for his handmade aesthetic, and Rose of Nevada looks to be more of that strange, melancholy folk-horror hybrid that we continue to be fascinated by.

Our Bogie Fest series begins to wind down with The Big Sleep, Howard Hawks’ noir adaptation of Raymond Chandler’s iconic novel.

Private detective Philip Marlowe (played by Humphrey Bogart) is hired by the wealthy General Sternwood to investigate a blackmail scheme involving his daughter, Carmen. What begins as a straightforward case unravels into a clustermess of murder and corruption, as Marlowe discovers connections to organized crime. Along the way, he encounters the General’s other daughter, the sharp-witted and enigmatic Vivian (portrayed by Lauren Bacall) with whom he shares a smoldering chemistry.

Known for its moody cinematography and the world famous Bogie and Bacall on-screen chemistry, The Big Sleep remains a defining work of the noir genre, celebrated for its stylish complexity.

We’ve added encores of the deliciously catty 1930s gem The Women, a glammed-up showcase of all-out social warfare!

Society wife Mary Haines (Norma Shearer) seems to have it all, until whispers start circulating that her husband is having an affair with a predatory perfume clerk. What follows is a cluster-mess through high society circles as Mary navigates the uniquely cutthroat support system of her all-female friend group, including the sharp-tongued Sylvia Fowler (Rosalind Russell) and the endlessly naive Peggy (Joan Fontaine).

Directed by George Cukor, The Women is famous for its entirely female cast—no men appear on screen—and its dazzling blend of biting dialogue and high-fashion spectacle, including a legendary Technicolor fashion show sequence. Adapted from Clare Boothe Luce’s hit play, the film remains a masterclass in ensemble performance and unapologetic melodrama, where every line lands like a perfectly aimed dart.

Did somebody say…”more Audrey, please”?

Join us for some encores of The Children’s Hour, William Wyler’s haunting adaptation of Lillian Hellman’s scandalous stage play about the potentially devastating consequences of forbidden desire.

Reuniting screen legends Audrey Hepburn and Shirley MacLaine as Karen Wright and Martha Dobie, two women running a private girls’ school whose lives are destroyed after a malicious student accuses them of being lovers, the film unfolds as a quietly radical portrait of queer longing under siege.

Shot in stark black-and-white with Wyler’s elegant precision, and anchored by MacLaine’s extraordinary portrayal of self-recognition and heartbreak, The Children’s Hour remains a landmark of coded queer Hollywood cinema.

Our Spielberg Summer series is kicking off exactly where you’d think: with July 4th weekend screenings of his industry-changing, pop culture-shifting, era-defining masterpiece Jaws!

When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town’s chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.

The film that invented the modern Summer blockbuster remains just as crowd-pleasing as ever over 50 years later. Powered by nerve-shredding suspense and Steven Spielberg’s astonishing command of tone and performance (especially for only being 27 years old at the time of production), Jaws is a masterclass in modern American filmmaking.

A lethal secret arsenal was left behind in the jungle of Vietnam. Their job: find it and destroy it!

Legendary actor-director Sammo Hung delivers a bazooka blast of pure adrenaline with Eastern Condors, an exemplar of Hong Kong action cinema at its most entertaining.

Drawing inspiration from Hollywood war films like The Dirty Dozen, Eastern Condors follows a ragtag band of Asian American prisoners dropped into Vietnam on a secret suicide mission to prevent a cache of weapons from falling into the hands of the Viet Cong, who are more than ready for a fight. Propelled by a dynamic ensemble cast that includes the ever-charismatic Yuen Biao as a black-market trader and a superhuman Yuen Wah as a giggling martial-arts monster, this rip-roaring spectacle offers a nonstop barrage of turbocharged set pieces that defy gravity itself.

Our Hong Kong Action Essentials series explores the time from the mid-’80s through the early ’90s, where Hong Kong filmmakers rewrote the grammar of action cinema forever. Directors like John Woo, Tsui Hark, Jackie Chan, Sammo Hung, Ringo Lam, and Lau Kar-Leung fused balletic gunplay, risky stunts, martial arts virtuosity, and raw emotional intensity into a new cinematic language that would be oft-imitated but never replicated. (sorry, The Matrix, we love you too!) Join us every month in 2026 as we explore this golden age where style and emotion collided to change movies forever.