Frida writing team member Austin Jaye dives into the digital rabbit hole of Jane Schoenbrun’s Sundance breakout, We’re All Going to the World’s Fair.
“Much more than an enigma to be cracked, Mulholland Drive takes as its subject the very act of solving: the pleasurable and perilous, essential and absurd process of making narrative sense, of needing and creating meaning. Whether or not they explicitly pose the question, Lynch’s late films ponder the role of story at times when reality itself can seem out of joint.” — Dennis Lim, ‘The Man From Another Place’, 2015
Where do I even start? This is probably the only question one can ask when they have just watched Batman Returns for the first time only two hours ago, and it’s gradually becoming more difficult to imagine returning to the version of myself who had somehow spent 24 years unaware of the operatic, relentlessly Gothic, kink-laden masterwork that Tim Burton dove headfirst into creating.