Two weeks ago, our Sony projector officially screened its last film. We’re back up and running with a brand new 4K projector, but at a tremendous and completely unexpected cost. We need your help!
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Frida volunteer Dani Leard takes a look at the social undertones and messaging of Paul Thomas Anderson’s Licorice Pizza.
Read MoreFrida writing team member Josh Green shares his initial impressions of Sergio Corbucci’s The Great Silence before it screens this week.
Read MoreFrida writing team member Josh Green shares his initial impressions of Sergio Corbucci’s The Great Silence before it screens this week.
Read MoreFrida writing team member Anthony McKelroy wraps up his multi-part examination of the sartorial stylings of Wes Anderson and Paul Thomas Anderson.
Read MoreFrida writing team member Anthony McKelroy tries to get to the bottom of just how high “Doc” Sportello is in Paul Thomas Anderson’s Inherent Vice.
Read MoreFrida intern Melisa Rybaltowski explores several thematic threads running through the work of Kurt Vonnegut, the subject of Robert B. Weide’s documentary Kurt Vonnegut: Unstuck in Time.
Read MoreFrida writing team member Anthony McKelroy continues his examination of the sartorial styles of Wes Anderson and Paul Thomas Anderson throughout the 2000’s.
Read MoreFrida writing team member Mick Nguyen examines the ways Paul Thomas Anderson’s There Will Be Blood, The Master, and Inherent Vice portray different periods of American history and culture.
Read MoreFrida writing team member Josh Green reflects on the work of Nobuhiko Obayashi, the late great director of the surreal horror comedy House.
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