Super Yaki and Mise en Scènt are invading The Frida to celebrate the 25th anniversary of McG’s Charlie’s Angels with a totally free screening! Join us for exclusive merch, movie magic, and a brand-new scent drop!
Come for the slow-mo hair flips and killer soundtrack, stay for the giveaways, exclusive merch, and the in-person debut of our brand-new Concession Stand Candle 3-Pack. This 3-pack features scents inspired by our favorite cinematic snacks—popcorn, cherry slushy, and chocolate bar—and will be available exclusively at the screening, ahead of its online release. A portion of proceeds from this event (and the full week of programming) will go directly to our host theaters, in support of the independent venues that keep film culture thriving.
Saddle up, Angels—it’s time to celebrate 25 years of sexy struts, fierce female leads, and summertime moviegoing!
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Film Movement Classics is bringing a brand new 4K restoration of Masayuki’s Suo 1996 charmer Shall We Dance? to The Frida Cinema!
Shohei Sugiyama (Koji Yakusho) seems to have it all – a high-paying job as an accountant, a beautiful home, a caring wife and a doting daughter he loves
dearly. However, he feels something is missing in his life. One day while commuting on the train he spots a beautiful woman staring wistfully out a
window and eventually decides to find her. His search leads him head-first into the world of competitive ballroom dancing.
A box office sensation in North America upon its initial release (which led to a Hollywood remake with Richard Gere), Film Movement Classics is presenting the original 137-minute film, available uncut for the first time in North America.
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Join us for the heart and soul of our Fireworks At The Frida series, Frank Capra’s Mr. Smith Goes To Washington!
Sent to fill a Senate seat as a political pawn, Smith instead uncovers a web of graft and greed. What follows is a political trial by fire—and one of the most legendary speeches in film history. But for all its soaring speeches and small-town sentiment, Capra’s film is no naïve civics lesson; it’s a clear-eyed look at how power distorts purpose, and how standing alone can still mean something.
With brilliant support from Jean Arthur, Claude Rains, and a gallery of weary insiders and hopeful outsiders, Mr. Smith Goes To Washington is both timeless and timely—especially in a week devoted to wrestling with American identity.
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Celebrate 50 years of Robert Altman’s 1975 magnum opus, Nashville, as part of our Fireworks At The Frida series!
With unforgettable performances from Lily Tomlin, Karen Black, Keith Carradine, Ronee Blakley, and Henry Gibson, the film skips between recording studios, campaign buses, traffic jams, and concert stages—capturing a cross-section of American life that feels both impossibly specific and disturbingly timeless. It’s more than a musical. More than a satire. More than a political drama.
Nominated for five Academy Awards and still a towering achievement in ensemble storytelling, Nashville holds up a cracked mirror to American identity—how we perform it, profit from it, and try to hold onto it even as it slips away.
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Even having just played it a few months ago, we felt that no Val Kilmer Tribute could truly be complete without showcasing his brilliant comedic work in the goof-fest that is Top Secret!
Kilmer stars as Nick Rivers, an Elvis-style American pop star sent to East Germany, where he becomes entangled in an underground resistance, a scientist’s mysterious daughter, and an increasingly deranged plot involving cows, underwater bar fights, backwards bookshelves, and ballet-dancing Nazis. It makes no sense—and that’s exactly the point!
Equal parts homage and satire, Top Secret! fires visual gags and one-liners with a machine gun’s rhythm. But it’s Kilmer—singing his own songs, keeping a straight face through total nonsense, and completely owning the camera—who turns it into something iconic, as he often did.
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Jackie Chan’s Police Story is turning 40 years old—and we’re bringing it back to the big screen at The Frida Cinema for a limited run!
Before CGI, before Hollywood figured out who Jackie Chan was, and before every action hero pretended to risk their life for the shot—there was Police Story. Directed by and starring Chan at the absolute height of his powers, this Hong Kong masterpiece redefined the genre with bone-breaking stunts, insane choreography, and a perfect blend of comedy, chaos, and pure cinematic adrenaline.
Chan plays Inspector Chan Ka-Kui, a cop framed for murder who takes on a corrupt system with nothing but fists, loyalty, and an unbreakable moral code. What follows: exploding shanty towns, bus-top chases, and one of the most legendary mall-set finales in action history. (Yes, that glass-shattering pole-slide.)
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One role. Two twins. A thousand iconic moments. Lindsay Lohan’s star-making double debut The Parent Trap is finally coming to The Frida Cinema!
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, discover each other for the first time at Summer Camp and make a plan to bring their wayward parents back together.
The Parent Trap into a generation-defining family film. Whether you grew up quoting the handshake, dreaming of Napa Valley, or wondering how one actress could pull all that off, this movie owns a piece of your childhood. Directed with charm and sparkle by Nancy Meyers, this endlessly rewatchable reimagining of the 1961 Disney classic features a delightful supporting cast: Natasha Richardson, Dennis Quaid, and Elaine Hendrix as the perfectly wicked Meredith Blake—a villain so stylish, we all kinda rooted for her?
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Licorice Pizza closes out our Paul Thomas Anderson retrospective at The Frida—young, wild, and stumbling into love.
The year is 1973. The streets of the San Fernando Valley are paved with shag carpet, gas lines, and impossible dreams. And in the middle of it all: Gary Valentine (Cooper Hoffman), child actor and hustle king, and Alana Kane (Alana Haim), adrift and electric, unsure of what she wants—except, maybe, everything.
Licorice Pizza is PTA at his loosest and most lovingly chaotic—a meandering and utterly sincere coming-of-age epic that captures the awkwardness of growing up and falling in love. With a supporting cast that includes Bradley Cooper as a deranged Jon Peters, Benny Safdie as a local politician, and every storefront in The Valley as a supporting character, the film is a mixtape of growing up in Southern California.
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Paul Thomas Anderson’s shaggy dog detective story in flip-flops and a denim jacket, Inherent Vice adapts Thomas Pynchon’s psychedelic noir into a deliriously funny trip through the fogged-out tail end of the 1960s.
Joaquin Phoenix is Doc Sportello—private eye, deeply stoned romantic, and very possibly the last good man in Los Angeles—as he stumbles through a tangled conspiracy involving real estate developers, surf saxophonists, runaway girlfriends, and something called the Golden Fang.
With a killer cast (Josh Brolin! Katherine Waterston! Owen Wilson! Reese Witherspoon! Martin Short!), a dreamy Jonny Greenwood score, and PTA’s most straight-up goofy film to date, Inherent Vice is a smokey ode to things slipping away one step at a time.
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Back by popular demand, Punch-Drunk Love—Paul Thomas Anderson’s strangest, sweetest, and most unexpectedly explosive film, is back at The Frida Cinema for one night only. Starring Adam Sandler in the performance of his career, this isn’t just a love story—it’s a pressure cooker disguised as a rom-com, wrapped in harmonium chords and shimmering blue light.
Sandler is Barry Egan, a painfully lonely novelty toilet plunger salesman with seven sisters, a hair-trigger temper, and a secret stash of pudding cups he’s collecting to hack a frequent flyer program. Enter Lena (Emily Watson), and suddenly, Barry’s life teeters from implosion to unlikely redemption—while being chased by phone sex scammers and Philip Seymour Hoffman at full “shut up shut up shut up” intensity.
Punch-Drunk Love is PTA at his most deceptively small, strangely romantic, and vibrantly unhinged.
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