The second film presented by Cinematic Void as part of this year’s January Giallo at The Frida is a free screening of A Hyena In The Safe, now with a brand new 4K restoration courtesy of Celluloid Dreams!
One safe. Six keys. Six robbers, each expecting their cut of a diamond heist when they finally meet to divide their spoils after months in hiding. But before they can open the safe that guards their glittering hoard, they are mysteriously killed, one by one. With fear and suspicion growing among the shrinking group of survivors, it becomes clear that one of them is trying to take all the diamonds for themselves!
Thank you to Celluloid Dreams for letting us present this beautifully restored version, bringing the film in high definition to the big screen for the first time!
This event is being co-presented by the fine folks at the American Cinematheque!
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From Chinese filmmaker Diao Yinan (Black Coal, Thin Ice), The Wild Goose Lake is a sleek, moody neo-noir that is headlining our Lost Films Of Covid series.
The story follows a gangster that ends up making a mistake that causes every gun on both sides of the law to point at him. While on the run, he comes across a mysterious woman who might get him out of trouble or make things worse.
The Wild Goose Lake is a fatalist love sotry that’s also a portrait of outcasts looking for a way out in a city that won’t stop closing in. Back in 2020, we streamed it online at our website during lockdown. But now is finally the time to see it on the big screen.
Thank you to our friends at Filmbot for their support in presenting this amazing series.
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A brand new 4K restoration of High And Low is coming to The Frida Cinema as part of fourteen film retrospective on the films of Akira Kurosawa! Thank you to Janus Films for restoring this masterpiece and allowing us to play it.
The story of High And Low follows an executive of a Yokohama shoe company becomes a victim of extortion when his chauffeur’s son is kidnapped by mistake and held for ransom.
This highly influential domestic drama, adapted Ed McBain’s detective novel King’s Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society.
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Akira Kurosawa kicked off the 1960s with his underrated film noir piece The Bad Sleep Well, screening at The Frida Cinema as part of our ongoing retrospective on the works of the legendary Japanese director.
The story is simple: a vengeful young man marries the daughter of a corrupt industrialist in order to seek justice for his father’s suicide. What follows is a film that combines elements of Hamlet and noir to chilling effect in exposing the corrupt boardrooms of postwar corporate Japan.
Continuing his legendary collaboration with Toshiro Mifune, The Bad Sleep Well is a lesser-known stroke of genius in the filmmaker’s canon, but great nonetheless. See it on the big screen, where it rarely plays!
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Celebrate 75 years since the original release of Akira Kurosawa’s 1950 masterpiece Rashomon with a new 2K restoration from Janus Films!
A riveting psychological thriller that investigates the nature of truth and the meaning of justice, Rashomon is widely considered one of the greatest films ever made. Four people give different accounts of a man’s murder and the rape of his wife, which director Akira Kurosawa presents with striking imagery and an ingenious use of flashbacks.
This eloquent masterwork and international sensation revolutionized film language and introduced Japanese cinema—and a commanding new star by the name of Toshiro Mifune—to the Western world.
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Kick off our epic fourteen film retrospective on the works of legendary director Akira Kurosawa with his 1949 crime thriller Stray Dog, now restored in a brand new 4K restoration thanks to Janus Films!
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
Starring Toshiro Mifune, as the rookie cop, and Takashi Shimura as the seasoned detective who keeps him on the right side of the law, Stray Dog goes beyond a crime thriller, probing the squalid world of postwar Japan and the nature of the criminal mind.
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Our final Volunteer Of The Month pick was picked by Emma, as she has chosen Orson Welles’s singular adaptation of Franz Kafka’s chilling The Trial!
When bank clerk Josef K. (Anthony Perkins) is arrested on his thirtieth birthday—never told what he’s charged with, never shown his accusers—his attempt at normal life fractures into a surreal labyrinth of law offices, dark corridors, and anonymous verdicts. The law doesn’t need to explain itself, and neither does Welles’ camera—it obsesses over angles, shadows, and the hollowness of bureaucracy.
With its stark black-and-white visuals, towering architecture, and a sense of dread that feels both grand and intimate, The Trial is Welles’ most personal film—a nightmare built not for a moment, but for an eternity.
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Murder. Lust. Insurance. The perfect crime? Billy Wilder’s Double Indemnity, the film that defined film noir, is our Page To Screen pick for November!
Fred MacMurray stars as Walter Neff, a slick insurance salesman whose routine pitch turns deadly when he meets Phyllis Dietrichson (Barbara Stanwyck, all anklet and ice). Together they hatch a plan to kill her husband and collect on his policy—simple on paper, until suspicion, guilt, and one relentless claims adjuster (Edward G. Robinson) start to close in.
Written by Wilder and Raymond Chandler from James M. Cain’s pulp novel, Double Indemnity is a razor-sharp descent into desire and doom, crackling with hard-boiled dialogue and the most lethal femme fatale in film history.
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Our friends at See It On 16mm are back to spool up another screening of John Waters’ infamous cult classic Pink Flamingos.
In a twisted contest to determine “the filthiest person alive,” underground icon Divine stars as a criminal anti-heroine living in a trailer with her oddball family, battling a pair of jealous rivals for the title. What follows is an unholy parade of crime, perversion, and pop-art anarchy that rewrote the rules of independent cinema—and left censors reeling.
After 50 year since its initial release, Pink Flamingos is filthier and funnier than ever. An exercise in bad taste or a masterpiece of transgressive art? We’ll let you decide!
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Place your bets. Paul Schrader’s The Card Counter returns to The Frida as our first Volunteer Of The Month pick—this one courtesy of Jonathan!
William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk. But keeping Cirk on the straight-and-narrow proves impossible, dragging Tell back into the darkness of his past.
Produced by Martin Scorsese and written and directed by Schrader (First Reformed, Hardcore, American Gigolo), The Card Counter is a simmering psychological thriller where every move feels like penance.
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