Genre: Documentary

The award-winning documentary The Shepherd And The Bear is coming to The Frida Cinema! And stick around after the film as we have an in-person discussion with the director of the film, Max Keegan!

Set high in the majestic French Pyrenees, The Shepherd And The Bear explores a conflict provoked by the reintroduction of brown bears in the midst of a traditional shepherding community. The film follows an aging shepherd who struggles to find a successor as bears prey on his flock, and a teenage boy who becomes obsessed with tracking the bears. Through its breathtaking cinematography and immersive storytelling, the film is a modern folktale about tradition, community, and humanity’s relationship with a vanishing natural world.

The Shepherd And The Bear won the Living with Wildlife Award at the 48th International Wildlife Film Festival and played at Margaret Mead Film Festival in the American Museum of Natural History, Santa Barbara, Big Sky Documentary, Visions du Réel, Full Frame, Sydney Film Festival, Salem Film Fest where it was nominated for the American Cinematography Magazine Award.

Join 18th & Grand and FanMail Cinema Club in a special event screening and the Santa Ana Premiere of 18th & Grand: The Olympic Auditorium Story. The documentary delves into the history and cultural significance of an infamous downtown Los Angeles arena through first-hand accounts from attendees and stars of the Olympic’s ring, rink, and stage!

The Olympic was a hub of outrageous entertainment for generations, where heroes and villains often came from the neighborhoods of the city. 18th & Grand was the closing film for Slamdance, lauded in Hyperallergic and Film Threat, and the inspiration for a major museum exhibition at LA Plaza de Cultura y Artes. 

Told through the distinctive voices of wrestlers, boxers, punks and skaters, 18th & Grand: The Olympic Auditorium Story remembers a lost, and more interesting L.A. Featuring John Doe (X), Julio César Chávez, Carlos Palomino, Mando Guerrero, The Destroyer, Gene LeBell, Roddy Piper and more!

Enjoy a post-film Q&A, meet World Champion boxer Carlos Palomino and shop from themed-vendors, including Keely’s Cake Studio, VideoHero VHS, facepainting from La Rainbow Fiesta, and take photos in our boxing-themed photo-op.

Q&A to follow the film including World Champion Boxer Carlos Palomino, Boxing Historian Gene Aguilera, family of luchador Mando “Superstar” Lopez!

Moderated by LA Times Columnist and Reporter Gustavo Arellano!

Doors: 1:00PM

Vending: 1:00PM-6:00PM

Film: 2:00PM

Q&A: Right after the film!

This program is a venue rental engagement. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff. 

Just Our Heart collects rituals and stories of human, ecological and colonial grief in order to set the experience of loss in a context of meaning for us who remain. Please join us for a special screening of the film, introduced by director Maartje Nevejan, on February 19th at 5:30PM!

This feature documentary by Amsterdam-based filmmaker Maartje Nevejan dives into the deep waters of grief—not only personal, but ecological, colonial, and spiritual. Sparked by the loss of her partner and the grief of her children in the face of ecological collapse, Nevejan resists centering her own story. Instead, she opens a space for something larger: a cinematic ritual that gathers four remarkable women—grief doulas, ritualists, spiritual disruptors—who guide others not toward closure, but transformation.

In collaboration with visionary ecologist Dr. Monica Gagliano and Zen priest and grief pioneer Roshi Joan Halifax, Just Our Heart expands the mourning room. It invites voices that are usually silenced: the dead, the exploited, the Earth herself. This is a film that doesn’t offer answers—it invites participation in something older than language: ritual as a way of relating to loss, and as a method of resistance.

This program is a venue rental engagement. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff.

The Last Class is a nuanced and deeply personal portrait of master educator Robert Reich teaching his final course and reflecting on a period of immense transformation, personally and globally. It is a love letter to education. The former Secretary of Labor might be famous for his public service, best-selling books, and viral social media posts, but he always considered teaching his true calling. Now, after over 40 years and an extraordinary 40,000 students, Reich is preparing for his last class.

Over the course of the film, Reich confronts the impending finality, and his own aging, with increasing candor, introspection, and, ultimately, emotion. He displays a rawness of feeling he has never shared publicly before. Drawing on his lifetime in politics, he uses his class, “Wealth and Poverty,” to offer us all a deeper look at why inequalities of income and wealth have widened significantly since the late 1970s, and why this poses dangerous risks to our society. One thousand students fill the biggest lecture hall on the UC Berkeley campus, the last class to receive Reich’s wisdom and exhortations not to accept that the world has to stay the way it is. His belief in the next generation’s ability to take on the fight is inspiring.