Julia Ducournau’s controversial Palme d’Or body horror extravaganza is coming back for our Father’s Day weekend programming as present Titane from 2021!
A woman with a metal plate in her head from a childhood car accident embarks on a bizarre journey, bringing her into contact with a firefighter who’s reunited with his missing son after 10 years.
Unflinching and unforgettable, Titane fuses the visceral with the vulnerable. Ducournau (Raw and the upcoming Alpha) directs with feral intensity, crafting a film that shifts from slasher to surrealist family drama to near-mythic transformation tale all in one.
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Charlotte Wells’ quietly devastating debut masterpiece, Aftersun, is returning to The Frida Cinema for a special 2-day run for Father’s Day weekend.
An 11-year-old girl named Sophie (Frankie Corio) spends a summer holiday at a Turkish resort with her father, Calum (Paul Mescal)—a man young in years but carrying invisible burdens. Seen through Sophie’s sunlit, inquisitive eyes, the trip is tender and ordinary: poolside games, shared meals, camcorder footage, karaoke, and fleeting glimpses of adult sadness she doesn’t yet understand.
Aftersun is more than a coming-of-age story. It’s also a haunting act of remembrance.
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The Red Shoes is dancing back to The Frida with some encores as part of of our Technicolor Summer series. Directed by Powell & Pressburger, every frame is lush and painterly. The film’s 17-minute central ballet sequence remains one of the greatest ever filmed.
In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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Funeral Parade Of Roses is back this June for a one-night-only presentation!
In the neon-lit underworld of 1960s Tokyo, Funeral Parade of Roses follows Eddie (played by gender-nonconforming pop icon Pîtâ), a young transgender nightclub performer navigating love, identity, and rivalry in the city’s queer nightlife scene. As Eddie rises in popularity at a gay bar called Genet, she becomes entangled in a love triangle with Gonda, the bar’s manager, and Leda, her older rival and Gonda’s lover.
An electrifying collision of French New Wave, underground documentary, and psychedelic experimentalism, Funeral Parade Of Roses is perfect for our Pride Month programming series this year.
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RATED NC-17 — No one 17 and under admitted.
Showgirls is coming back to The Frida Cinema as we celebrate its 30th anniversary with a two-night-only spectacular!
Fresh to Las Vegas with no connections, Nomi Malone (Elizabeth Berkley) takes a job as an exotic dancer. Her talents are quickly noticed by Cristal (Gina Gershon), a headlining dancer who senses an opportunity to bolster her own act. But Nomi won’t play second fiddle and soon begins her venomous path to the top, ruthlessly backstabbing anyone who gets in her way.
Three decades after its release, Showgirls stands as a striking example of misunderstood cinema—equal parts satire, spectacle, and critique of American capitalism, it may be the shiniest jewel in our Pride Month programming crown for 2025.
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No Pride Month programming would be complete without a film from Pedro Almodóvar. This year, we’ve chosen All About My Mother!
Manuela (Cecilia Roth), a nurse and single mother, watches her teenage son die tragically in a car accident on his 17th birthday. Grieving and desperate to find closure, she leaves Madrid to search for the boy’s estranged father—now a transgender woman named Lola—who is unaware of ever having a son.
Almodóvar’s signature blend of melodrama, bold color palettes, and layered female characters shines in this emotionally charged and compassionate film. Themes of gender fluidity, chosen family, loss, and rebirth make this one of the definitive LGBTIA+ films of the 90s.
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Our Pride Month programming takes it back to the early-90s queer cinema movement with Gus Van Sant’s My Own Private Idaho!
The film follows Mike Waters (River Phoenix), a vulnerable, narcoleptic street hustler, as he drifts through the Pacific Northwest in search of his estranged mother. Alongside him is Scott Favor (Keanu Reeves), the rebellious, privileged son of a mayor who chooses to live on the streets until he inherits his fortune. Together, they navigate a world of sex work, survival, and fleeting human connection.
Loosely inspired by Shakespeare’s Henry IV plays and infused with a dreamlike sense of melancholy, My Own Private Idaho is a cornerstone of queer cinema.
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Our Classic Movie Nights series hits the stage in June for our highly-anticipated screening the legendarily catty All About Eve!
Long before “gay icon” was a household term, there was Margo Channing—played with fire and majesty by Bette Davis, in this ultimate camp classic of backstage betrayal, biting wit, and theatrical fabulousness. This is the blueprint: a film drenched in glamour, gossip, and the punishment of aging in a world obsessed with youth. Not to be outdone (ever) is Anne Baxter’s Eve, the original ingénue, and George Sanders, delivering high-grade snark as the venomous critic Addison DeWitt. And we could never forget a baby Marilyn Monroe in a scene-stealing early role.
Every glance is loaded, every line is iconic, and every cigarette is smoked like a weapon. Fasten your seatbelts? Darling, we never took them off.
Make sure to get to the screening early, as our Marketing Director Bekah will be doing a very informative and entertaining presentation on the film before it starts!
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We’ve added encore screenings of the Southern Gothic black-and-white masterpiece The Night of the Hunter, one of the most haunting films ever made. The only movie ever directed by actor Charles Laughton, we’re celebrating its 70th birthday this year with a brand new 4K restoration!
Robert Mitchum is unforgettable as Reverend Harry Powell, a preacher with a forked tongue, a switchblade in his pocket, and “LOVE” and “HATE” tattooed across his knuckles. Posing as a man of God, he hunts two children across a dreamlike rural landscape, believing they hold the secret to a hidden fortune. What unfolds is a shadow-drenched tale of survival, spiritual terror, and the strange, luminous resilience of children in a world gone cold.
A box office failure on release, it’s now hailed as one of the most daring American films of the 20th century—an extremely unique vision that has permeated through pop culture until this very day.
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Mary Harron’s pitch-black adaptation of Bret Easton Ellis’s controversial novel turns the horror of capitalism into literal bloodsport with American Psycho, the pick for our Page To Screen series this month!
Set in a world of business cards, designer suits, and haute cuisine no one actually eats, American Psycho is as much a razor-wire satire as it is a psychological thriller. Harron directs with icy precision, peeling back the layers of toxic masculinity, status obsession, and moral decay with wit as sharp as an ax to the face.
Stylish, savage, and deeply quotable, this cult classic remains disturbingly relevant and feature’s a star-making performance from legendary actor Christian Bale.
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