Please note: the McManus Brothers will no longer be joining us for this screening! Sorry for any inconvenience this might cause.
Revenge is a vicious cycle.
The slick sci-fi multiverse revenge action thriller Redux Redux is coming to The Frida Cinema for one night only!
In an attempt to avenge her daughter’s death, Irene Kelly travels across parallel universes, killing her daughter’s murderer again and again. As she becomes consumed by her quest for revenge, her humanity begins to slip away—until the cycle is disrupted when she rescues Mia, a sharp-witted teenager already marked by the killer.
The film received great reviews hot off of its premiere at SXSW in 2025 and sports an insanely impressive 98% on Rotten Tomatoes!
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A group of college students attend a watch party for their friend’s newest independent film. The night takes a dark turn when a masked killer starts brutally killing the partygoers one at a time. With each death time resets and we see the events of the night through the eyes of the next attendee.
Amateur student filmmaker, Sean Davis, invites five friends over for the premiere of his overlong short film he made entirely on his own. Not only is Sean’s movie awful, but things just keep getting worse as the screening party attendees are stalked by a ruthless killer in a mask.
Over a single night, the mystery unfolds through the eyes of Wes, Mark, Kris, Anna, Peter, and Sean, changing between their distorted individual perspectives. With each perspective, more answers are revealed as characters generally live longer and see more than the last. Time resets over and over, seeing the party through all their perspectives. Plans go wrong, romance blossoms unexpectedly, the body count rises, and the Killer’s identity and motives are revealed. The subversive final perspective hilariously pays off everything set up in the previous ones.
This program is a venue rental engagement. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff.
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Your luck just ran out.
Celebrate St. Patrick’s day at The Frida Cinema with a special screening of Leprechaun, presented by our friends at Nostalgic Nebula! Arrive early for a retrospective pre-show video, Leprechaun trivia with prizes, a spooky photo op, chocolate gold coins! But beware of the Leprechaun…try as you may, try as you might, who steals his gold won’t live through the night!
As a special treat, there will be a tele-Q&A with actor Mark Holton at the start of the show, so prep those Leprechaun questions!
Dan O’Grady (Shay Duffin) steals 100 gold coins from a leprechaun (Warwick Davis) while on vacation in Ireland. The leprechaun follows him home, but Dan locks him in a crate, held at bay by a four-leaf clover. Ten years later, J.D. Redding (John Sanderford) and his daughter, Tory (Jennifer Aniston), rent O’Grady’s property for the summer. When their new neighbors accidentally release the leprechaun, he goes on a murderous rampage to reclaim his gold.
Doors open and pre-show begins at 7:15PM! Movie and Q&A starts at 7:30PM!
This program is a venue rental engagement. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff.
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Only monsters play God.
Guillermo Del Toro’s Frankenstein, the movie he was born to make, is finally coming alive at The Frida Cinema starting on February 27th!
The story follows a brilliant but egotistical scientist (played by Oscar Isaac) who brings a monstrous creature to life in a daring experiment that ultimately leads to the undoing of both the creator and his tragic creation.
The film has now received 9 Academy Award nominations for the 98th Academy Awards (2026), including Best Picture, Best Adapted Screenplay, and Best Supporting Actor for Jacob Elordi’s transformative performance as The Monster. The film also scored major technical nominations for cinematography, original score, costume design, makeup/hairstyling, production design, and sound.
Thank you to Netflix for allowing us to play this gorgeous creation where it belongs to be seen: on the big screen.
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Our Hallucinations series heads to the seaside one final time (for this sub-series, at least) for director Jerzy Skolimowski’s The Shout!
Adapted from Robert Graves’ short story, The Shout follows a mysterious traveler, Crossley, who takes advantage of a young couple’s hospitality. Claiming to have learned an Aboriginal ‘terror shout,’ Crossley threatens the couple’s safety and sanity.
Skolimowski’s film is dreamlike and disorienting, playing out like a hallucination (see what we did there?). It’s not a conventional horror movie by any means, using fractured timelines and the barren English coastal to slowly create an existential nightmare.
Hosted by Polygon’s editor-in-chief Chris Plante, Hallucinations is a monthly event that spotlights movies that challenge our expectations of story, style, and “good taste”. We invite guests to bond over films that change what we expect from the medium, the world, and themselves. So come early, stay late, make friends, and watch something strange, surprising, or just shamelessly sick.
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Our seaside horror Hallucinations mini series continues with a brand new 4K restoration of the 1961 gem Night Tide!
Night Tide presents a world in which undefined realms float around, blurring boundaries between reality and fantasy. Dennis Hopper is profoundly charming in his portrayal of Johnny, a young sailor who is spellbound by Mora, an enigmatic woman who performs as a mermaid at the Santa Monica Pier carnival.
Set near the water in Santa Monica and Venice Beach, Night Tide dives into the purgatory domain of dreamy love, which is cursed by doomed imagination, like a beautiful nightmare underwater.
Hosted by Polygon’s editor-in-chief Chris Plante, Hallucinations is a monthly event that spotlights movies that challenge our expectations of story, style, and “good taste”. We invite guests to bond over films that change what we expect from the medium, the world, and themselves. So come early, stay late, make friends, and watch something strange, surprising, or just shamelessly sick.
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Echoing everything from Herk Harvey’s Carnival Of Souls to Mario Bava’s Kill, Baby…Kill!, Messiah Of Evil is a swirling vortex of Lovecraftian terror and grisly bloodshed from the team who’d later go on to make Howard The Duck! That perfect storm of madness makes it a perfect entry into our Hallucinations series!
After receiving a string of unsettling letters from her father, Arletty arrives in a sleepy California coastal town called Point Dune. Dad is nowhere to be seen. Instead, Arletty finds a town full of drugged-out burnouts, barren shopping centers, and…something else.
Marianna Hill (High Plains Drifter), Michael Greer (Fortune And Men’s Eyes), and Elisha Cook Jr. (The Maltese Falcon) star in this unjustly overlooked major work of independent American horror that’s primed for (re)discovery.
Hosted by Polygon’s editor-in-chief Chris Plante, Hallucinations is a monthly event that spotlights movies that challenge our expectations of story, style, and “good taste”. We invite guests to bond over films that change what we expect from the medium, the world, and themselves. So come early, stay late, make friends, and watch something strange, surprising, or just shamelessly sick.
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Our Hallucinations series kicks off its four film sub-series of Seaside Horror with the 1981 shocker Dead & Buried!
The story follows a small town sheriff (James Farentino from The Final Countdown) who is baffled by a sudden series of grisly murders. A familiar plot to some, but director Gary Sherman ups the creepiness factor with a spooky setting and uniquely morbid sense of humor.
Unfairly ignored during its original theatrical release, Dead & Buried is one of those movies that was lucky enough to find a second life in the home-video market and is now considered a cult classic. Nearly forty years later, Blue Underground has released a brand new 4K restoration for us to enjoy on the big screen!
Hosted by Polygon’s editor-in-chief Chris Plante, Hallucinations is a monthly event that spotlights movies that challenge our expectations of story, style, and “good taste”. We invite guests to bond over films that change what we expect from the medium, the world, and themselves. So come early, stay late, make friends, and watch something strange, surprising, or just shamelessly sick.
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In 1993, invited by David Lynch to come up with a low-budget genre movie, filammaker Michael Almereyda recombined characters from Bram Stoker and set them loose in contemporary New York. The result? A cult classic known simply as Nadja.
Nadja (Elina Löwensohn) is a disillusioned “young” vampire who imagines herself liberated by the death of her father, Count Dracula, but the unhinged Dr. Van Helsing (Peter Fonda) wants to destroy her as well, interrupting her reunion with twin brother Edgar (Jared Harris) and pursuing them into “a netherworld of shadows” (J. Hoberman).
Part seductive reverie, part spoof, Nadja is a delirious mashup of Andre Breton’s 1928 surrealist novel of the same name and Universal Pictures’ Dracula’s Daughter (1936). Simon Fisher Turner’s ethereal score is offset by propulsive pop songs from My Bloody Valentine, The Verve, and Space Hog.
Executive producer Lynch fully financed the film when other investors faded out and even has a cameo as a hypnotized morgue attendant. This 4K restoration was generated from the print in the collection of New York’s Museum of Modern Art, the version of the film that premiered at the Toronto International Film Festival in 1994, three minutes longer than the commercial release.
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Evil takes many forms.
Play It By Fear (@playitbyfear.33) continues their brand new Sunday Scaries series by delving into the dark world of Robert Eggers’ 2016 New England nightmare The VVitch.
In 1630, a farmer relocates his family to a remote plot of land on the edge of a forest where strange, unsettling things happen. With suspicion and paranoia mounting, each family member’s faith, loyalty and love are tested in shocking ways.
Never too far from our programming line, The VVitch has stood the test of time over the past ten years, forever changing the landscape of Indie Horror as we know it.
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