Join us for two screenings of James Wan’s 2004 horror classic Saw, playing this year as part of our Pride Month programming!
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Join us for two screenings of James Wan’s 2004 horror classic Saw, playing this year as part of our Pride Month programming!
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Saw may not wave a rainbow flag, but in the best tradition of horror, it’s deeply, delightfully queer. From its sadomasochistic aesthetics to its fixation on secrets, guilt, and transformation, Saw taps into queer-coded themes of repression and revelation. The entire franchise revolves around hidden lives, bodies under pressure, and moral tests imposed by a voyeuristic authority. Watch it again and make the choice for yourself!
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Our first Volunteer Of The Month pick comes from Ellie, who has chosen Jacques Toureur’s 1948 classic I Walked With A Zombie!
In this haunting reimagining of Jane Eyre by way of Caribbean folklore, Canadian nurse Betsy Connell (Frances Dee) travels to the West Indies island of Saint Sebastian to care for Jessica Holland, the mysteriously catatonic wife of a sugar plantation owner. As Betsy uncovers more about the family’s tragic past, she becomes entangled in an atmosphere thick with secrets, sorrow, and superstition.
Drawn toward the eerie pull of local voodoo rites and emotional tensions within the Holland household, Betsy’s journey becomes one of descent—into both personal obsession and the island’s enigmatic spiritual world. What emerges isn’t just a horror tale, but a ghostly meditation on colonialism, love, and the things that refuse to die.
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Our Technicolor Summer series continues with the Cary Grant-Grace Kelly-Alfred Hitchcock classic To Catch A Thief!
On the sun-drenched French Riviera, retired jewel thief John “The Cat” Robie (Cary Grant) finds his peaceful life interrupted when a string of copycat burglaries threatens to frame him for crimes he didn’t commit. Determined to clear his name, Robie sets out to catch the new thief in action—posing once more as a high-society gentleman among the Riviera’s wealthy elite.
There, he meets Frances Stevens (Grace Kelly), a cool and elegant American heiress who may be more intrigued by Robie’s rumored criminal past than his attempts at innocence. As romance and suspicion intertwine, To Catch a Thief becomes a dazzling game of cat and mouse—full of flirtation, deception, and Hitchcock’s signature suspense.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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Our Pride Month programming takes a dark turn as we venture into the nu-Giallo genre with Yann Gonzalez’s brilliantly bizarre Knife + Heart!
Set in Paris during the summer of 1979, Knife + Heart follows Anne (Vanessa Paradis), a producer and director of gay pornography, who is grappling with the recent departure of her editor and lover, Loïs (Kate Moran). In an attempt to win her back, Anne embarks on creating her most ambitious film yet. However, the production takes a dark turn when one of her actors is brutally murdered, leading Anne into a perilous investigation that intertwines with her professional and personal life.
Exploring themes of love, obsession, and the blurred lines between reality and fiction, Knife + Heart delves deep into the world of 1970s gay pornography, offering a narrative that is both a tribute to and a critique of the Giallo genre.
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Up second in our Santo Sundays series is Santo Vs. Hombres Infernales!
Agent Joaquin recalls his latest mission while lying wounded in an ambulance: Joaquin has infiltrated into a band of smugglers. When the villains learn the truth about him, they kidnap Jouqin’s fiancee. Santo comes to her rescue and fights the band.
Trash-Mex is proud to collaborate with Permanencia Voluntaria Archivo Cinematográfico for a special screening series of Mexican icon El Santo. Join us every other Sunday this Summer for a total of eight of his greatest hits! All films will be presented in Spanish with English subtitles. Admission is $9.
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Up first in our Santo Sundays series is Santo vs. The Diabolical Brain!
In Santo vs. Evil Brain (Santo Conntra Cerebro Del Mal), the dastardly Doctor Campos is kidnapping and brainwashing scientists. When undercover detective Santo falls prey to Campos’ scheme, Lieutenant Zambrano (Enrique Zambrano) and El Incognito (Fernando Osés) must come to his assistance to foil Campos’ plans. Meanwhile, in the same year’s Santo vs. Infernal Men (Santo contra hombres infernales), the trio of Santo, El Incognito, and Zambrano team up once again to fight a band of drug smugglers.
Trash-Mex is proud to collaborate with Permanencia Voluntaria Archivo Cinematográfico for a special screening series of Mexican icon El Santo. Join us every other Sunday this Summer for a total of eight of his greatest hits! All films will be presented in Spanish with English subtitles. Admission is $9.
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Our A24orror series has earned itself another encore, and this time it’s Halina Reijn’s neon-soaked nightmare party Bodies Bodies Bodies!
In an isolated family mansion, a group of rich 20-somethings decides to play Bodies Bodies Bodies, a game where one of them is secretly a “killer” while the rest tries to “escape”. Things take a turn for the worse when real bodies start turning up, setting off a paranoid and dangerous chain of events.
Starring Rachel Sennott, Chase Sui WOnders, Maria Bakalova, Lee Pace, and Pete Davidson, Bodies Bodies Bodies is an updated take on the spooky haunted house murder mystery genre with plenty of twists and turns thrown in along the way!
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Celebrate the endlessly quotable Clue as it marks its 40th anniversary with a special three night limited engagement at The Frida Cinema!
Based on the classic board game, Clue follows six colorful characters—each with their own dark secrets—who gather at the eerie mansion of Mr. Boddy. When he turns up dead, it’s up to the guests (and the audience) to figure out who did it, with what weapon, and in which room. Directed by Jonathan Lynn and starring an all-star cast including Tim Curry, Madeline Kahn, Christopher Lloyd, and Michael McKean, Clue combines slapstick humor, clever dialogue, and a plethora of twists and turns that keep audiences guessing and laughing from start to finish.
Though initially a box office disappointment, Clue has since become a cult classic, praised for its rapid-fire comedy, outrageous performances, and multiple endings that let viewers experience the mystery from different angles. Which ending will you get?
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A young mother, contending with a rare brain condition and desperate to save money for her daughter’s future, takes a risky job from a mysterious woman with a dark past, and gets entangled in a web of revenge, deceit, and murder. Shot in magnificent 16mm and co-written with the magnetic lead actress, Ariella Mastroianni, Gazer gazes fondly back on the masters of the 70s paranoid thriller while keeping itself grounded firmly in the cutting-edge of today’s independent filmmaking.
From Cannes Film Festival to Fantastic Fest, this indie noir is a potent reminder of how exciting American independent filmmaking can be!
“Critic’s Pick! Marrying the manic paranoia of ‘After Hours’ with a ‘Memento’-esque unreliable protagonist and touches of flesh-bending body horror that could be ripped straight from ‘Videodrome,’ ‘Gazer’ is the kind of debut that should restore your lost faith in independent cinema.” -Indiewire
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Our first Volunteer Of The Month screening of April comes from Quinn, as they have chosen the haunting beauty of time and loss with David Lowery’s A Ghost Story from 2017.
The film follows a recently deceased ghost (Casey Affleck), draped in a simple white sheet, as he silently observes his wife (Rooney Mara) navigating life without him. Set in a secluded house, the ghost remains stuck in a liminal space, watching time unfold in unexpected ways, while grappling with his own inability to connect with the world around him.
Director David Lowery’s lyrical and meditative approach to storytelling transforms A Ghost Story into an introspective exploration of the impermanence of life and the eternal nature of memory. With its slow pace, breathtaking visuals, and an evocative score, the film has been highly influential across all genres.
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