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Wong Kar-Wai Month comes to an end the only way we know how: screening the iconic filmmaker’s year 2000 masterpiece In The Mood For Love.

The story follows Chow Mo-wan (Tony Leung) and Su Li-zhen (Maggie Cheung), neighbors who discover that their spouses are having an affair. As they grapple with this betrayal, they form a bond over their shared pain, reenacting their spouses’ infidelity in a bid to understand it. Despite their growing feelings for each other, they remain bound by societal expectations and their own moral codes, creating a story brimming with unspoken emotions and unfulfilled desires.

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Wong Kar-Wai Month winds down with the director’s neon-soaked dramedy Fallen Angels.

The film intertwines two loosely connected stories: a disillusioned hitman who contemplates leaving his dangerous profession and his enigmatic female partner who silently yearns for him, and a mute ex-convict who runs an unconventional business and finds himself entangled with a free-spirited woman searching for her own purpose. Through its fragmented narrative, kinetic cinematography, and surreal atmosphere, the story captures the yearning for human connection amid the alienation of urban life

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Our second January Volunteer of the Month is Alexander Canellos, who has chosen Wong Kar-Wai’s 2046 as his VOTM pick! 

The film follows Chow Mo-wan (Tony Leung Chiu-Wai), a writer grappling with heartbreak and longing as he navigates a series of fleeting romances in 1960s Hong Kong. His experiences inspire a futuristic, allegorical novel about a train to the year 2046, a place where passengers go to recover lost memories but from which no one ever returns. Chow’s relationships—with enigmatic women like the glamorous Bai Ling (Zhang Ziyi), the mysterious Su Li-zhen (Gong Li), and others—mirror his internal struggles with love and detachment.

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Our Wong Kar-Wai Month series continues with Chungking Express, the director’s timeless 1994 romance.

The film weaves together two distinct yet thematically linked stories of two lovelorn policemen. In the first, He Qiwu (Takeshi Kaneshiro), reeling from a breakup, becomes infatuated with a mysterious woman in a blonde wig (Brigitte Lin), who is entangled in the criminal underworld. The second story follows Cop 663 (Tony Leung Chiu-Wai), whose heartbreak over a flight attendant ex-girlfriend is softened by the quirky and free-spirited Faye (Faye Wong), a café worker who secretly transforms his life.

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Up next in our Wong Kar-Wai Month series is the 1988 crime drama As Tears Go By.

Set in the underworld of Hong Kong’s triads, the film follows Wah (Andy Lau), a small-time gangster torn between loyalty and love. Wah must navigate his turbulent relationship with his reckless, self-destructive protégé, Fly (Jacky Cheung), whose impulsive behavior repeatedly draws them into dangerous conflicts. Meanwhile, Wah finds solace in a tender romance with his cousin Ngor (Maggie Cheung), a woman from a quieter world who offers him a glimpse of redemption and a life beyond violence.

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Wong Kar-Wai Month continues with Days of Being Wild, the director’s 1990 Hong Kong drama.

The film centers on the enigmatic and emotionally detached Yuddy (Leslie Cheung), a charming drifter who seduces and abandons women, leaving emotional devastation in his wake. He becomes romantically involved with the reserved Su Lizhen (Maggie Cheung) and later with the free-spirited dancer Mimi (Carina Lau), yet remains emotionally distant as he grapples with his troubled past and his search for his biological mother. Meanwhile, Lizhen finds solace in a kind-hearted policeman, Tide (Andy Lau), who harbors feelings for her. Through interwoven lives and fleeting connections, Wong crafts a lyrical exploration of love’s impermanence and the yearning for belonging.

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Our Wong Kar-Wai Month opens with Happy Together, the director’s 1997 LGBT romance!

The film follows the turbulent relationship of Ho Po-wing (Leslie Cheung) and Lai Yiu-fai (Tony Leung Chiu-wai), a gay couple from Hong Kong who travel to Argentina in hopes of repairing their fractured bond. Struggling with cycles of passion, jealousy, and heartbreak, their relationship becomes a metaphor for the broader search for identity and connection. As Lai finds solace in a quiet friendship with a co-worker, Chang (Chang Chen), and Ho drifts further into self-destructive behavior, the narrative captures their struggles against the backdrop of Argentina’s stunning landscapes.

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It’s time again for our Marketing Director Bekah to spread some holiday cheer with her annual tradition: Bekah’s Cozy Christmas Classics! This year, she’s curating a double dose of holiday cheer with the unforgettable pairing of Meet Me In St. Louis and Christmas In Connecticut!

First up, let Judy Garland’s unforgettable performance in Meet Me In St. Louis sweep you away in this heartwarming musical transports you to the early 1900s, where the Smith family’s lives are filled with love, laughter, and a touch of nostalgia. With unforgettable songs like “Have Yourself a Merry Little Christmas,” this film is a celebration of family, home, and the magic of the holidays.

And then after that, get ready for some romantic holiday fun with Barbara Stanwyck in the delightful holiday comedy Christmas In Connecticut! When a war hero is invited to spend Christmas at the home of a food writer, a series of charming misunderstandings lead to cozy chaos, romance, and a whole lot of holiday cheer. It’s the perfect mix of laughter, love, and Christmas spirit.

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A Kubrick Christmas continues with Barry Lyndon, a visually stunning period drama that chronicles the rise and fall of an ambitious Irish rogue in 18th-century Europe.

The film follows Redmond Barry (Ryan O’Neal), a charming but unscrupulous young man who climbs the social ladder through duels, deception, and a strategic marriage to a wealthy widow, Lady Lyndon (Marisa Berenson). As he ascends to aristocratic privilege, Barry’s greed, vanity, and lack of foresight ultimately lead to his downfall, exposing the fragile nature of wealth and power.

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Bewitch yourself with Bell, Book and Candle, Robert Quine’s 1958 romantic comedy

Kim Novak stars as Gillian Holroyd, a glamorous and independent witch who becomes smitten with her handsome upstairs neighbor, Shep Henderson (James Stewart). Using her magical powers, Gillian casts a love spell on Shep, only to face unexpected complications when genuine feelings emerge, threatening her supernatural abilities. Featuring a stellar supporting cast, including Jack Lemmon as Gillian’s mischievous brother and Elsa Lanchester as her eccentric aunt, the film dazzles with its whimsical atmosphere, witty dialogue, and enchanting performances.

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