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Architecton

Join us as we present the new documentary from A24 titled Architecton, directed by Viktor Kossakovky.

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Filmmaker Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?

This simultaneously epic and intimate documentary is a meditation on architecture and how the design of buildings from the ancient past reveal our destructive tendencies.

Join us as we present the new documentary from A24 titled Architecton, directed by Viktor Kossakovky.
An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Filmmaker Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
This simultaneously epic and intimate documentary is a meditation on architecture and how the design of buildings from the ancient past reveal our destructive tendencies.

  1. 12:00 pm

Cloud

Cloud,  the stylish and subversive new thriller from suspense-maverick Kiyoshi Kurosawa (Cure, Pulse) has finally arrived at The Frida Cinema!

The story follows Yoshii, an ambitious, yet directionless, young factory worker from Tokyo who side hustles in the murky realm of black market reselling, cheating buyers and sellers alike. After swindling his way into loads of cash, Yoshii gradually attempts to disconnect from humanity, moving out of the city, shunning his girlfriend, and entrusting duties to his new, devoted assistant.

Before long his life is plagued by a series of mysterious, sinister incidents that threaten to upend his success and bring about a most violent demise. A master of carefully simmering tension to a bloody crescendo, Kurosawa delivers a searing portrait of digital greed and vengeance.

Cloud,  the stylish and subversive new thriller from suspense-maverick Kiyoshi Kurosawa (Cure, Pulse) has finally arrived at The Frida Cinema!
The story follows Yoshii, an ambitious, yet directionless, young factory worker from Tokyo who side hustles in the murky realm of black market reselling, cheating buyers and sellers alike. After swindling his way into loads of cash, Yoshii gradually attempts to disconnect from humanity, moving out of the city, shunning his girlfriend, and entrusting duties to his new, devoted assistant.
Before long his life is plagued by a series of mysterious, sinister incidents that threaten to upend his success and bring about a most violent demise. A master of carefully simmering tension to a bloody crescendo, Kurosawa delivers a searing portrait of digital greed and vengeance.

  1. 12:15 pm

A Zed & Two Noughts

This August, The Frida Cinema proudly presents Greenaway & Nyman, a film series celebrating four of the most iconic collaborations between filmmaker Peter Greenaway and composter Michael Nyman.  Our second film in the series is 1985’s A Zed and Two Noughts, a beautifully disturbing and darkly humorous take on erotic obsession and death.

When a swan causes a car accident in front of the Rotterdam Zoo, two women die and a third, Alba (Andrea Ferréol), loses her leg. Their two grieving husbands, twin zoologists Oliver and Oswald (Eric and Brian Deacon), fixate on their wives’ bodies, and slowly become obsessed with evolution and decomposition, even going as far as to meticulously craft exquisitely morbid time-lapsed films of decaying creatures. As the film evolves into an increasingly bizarre scientific fantasia, things get even stranger when a mad surgeon schemes to use Alba as a subject for his own experiments in animal symmetry. Highlighted by painterly compositions inspired by Vermeer, a hypnotic score by Nyman, and Greenaway’s signature dark comedy, A Zed and Two Noughts is a stylish and unsettling exploration of mortality and the limits of control.

This August, The Frida Cinema proudly presents Greenaway & Nyman, a film series celebrating four of the most iconic collaborations between filmmaker Peter Greenaway and composter Michael Nyman.  Our second film in the series is 1985’s A Zed and Two Noughts, a beautifully disturbing and darkly humorous take on erotic obsession and death.
When a swan causes a car accident in front of the Rotterdam Zoo, two women die and a third, Alba (Andrea Ferréol), loses her leg. Their two grieving husbands, twin zoologists Oliver and Oswald (Eric and Brian Deacon), fixate on their wives’ bodies, and slowly become obsessed with evolution and decomposition, even going as far as to meticulously craft exquisitely morbid time-lapsed films of decaying creatures. As the film evolves into an increasingly bizarre scientific fantasia, things get even stranger when a mad surgeon schemes to use Alba as a subject for his own experiments in animal symmetry. Highlighted by painterly compositions inspired by Vermeer, a hypnotic score by Nyman, and Greenaway’s signature dark comedy, A Zed and Two Noughts is a stylish and unsettling exploration of mortality and the limits of control.

  1. 2:30 pm
  2. 7:45 pm

Misericordia

The teasingly entwined ambiguities of love and death are explored in Misericordia, now coming to The Frida Cinema for a limited engagement!

Set in an autumnal, woodsy village in his native region of Occitanie, his latest follows the meandering exploits of Jérémie (Félix Kysyl), an out-of-work baker who has drifted back to his hometown after the death of his beloved former boss, a bakery owner. Staying long after the funeral, the seemingly benign Jérémie begins to casually insinuate himself into his mentor’s family, including his kind-hearted widow (Catherine Frot) and venomously angry son (Jean-Baptiste Durand), while making an increasingly surprising—and ultimately beneficial—friendship with an oddly cheerful local priest (Jacques Develay).

In director Alain Guiraudie’s quietly carnal world, violence and eroticism explode with little anticipation, and criminal behavior can seem like a natural extension of physical desire. The French director is at the top of his game in Misericordia, again upending all genre expectations.

The teasingly entwined ambiguities of love and death are explored in Misericordia, now coming to The Frida Cinema for a limited engagement!
Set in an autumnal, woodsy village in his native region of Occitanie, his latest follows the meandering exploits of Jérémie (Félix Kysyl), an out-of-work baker who has drifted back to his hometown after the death of his beloved former boss, a bakery owner. Staying long after the funeral, the seemingly benign Jérémie begins to casually insinuate himself into his mentor’s family, including his kind-hearted widow (Catherine Frot) and venomously angry son (Jean-Baptiste Durand), while making an increasingly surprising—and ultimately beneficial—friendship with an oddly cheerful local priest (Jacques Develay).
In director Alain Guiraudie’s quietly carnal world, violence and eroticism explode with little anticipation, and criminal behavior can seem like a natural extension of physical desire. The French director is at the top of his game in Misericordia, again upending all genre expectations.

  1. 2:45 pm
  2. 5:00 pm

Le Bonheur

Agnes Varda’s Le Bonheur is celebrating its 60th anniversary this year, and we’re honored to be running it for a few screenings in August!

Though married to the good-natured, beautiful Thérèse (Claire Drouot), young husband and father François (Jean-Claude Drouot) finds himself falling unquestioningly into an affair with an attractive postal worker. One of Agnès Varda’s most provocative films, Le Bonheur examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world.

Agnes Varda’s Le Bonheur is celebrating its 60th anniversary this year, and we’re honored to be running it for a few screenings in August!
Though married to the good-natured, beautiful Thérèse (Claire Drouot), young husband and father François (Jean-Claude Drouot) finds himself falling unquestioningly into an affair with an attractive postal worker. One of Agnès Varda’s most provocative films, Le Bonheur examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world.

  1. 5:15 pm

Rebecca

Last night I dreamt that I was at Manderlay again…

Our Classic Movie Nights series celebrates Alfred Hitchcock’s birthday by screening his only film ever to win Best Motion Picture at The Oscars–Rebecca!

A masterclass in shadowy suspense (what else did you expect?), this gothic romance cloaked in elegance, obsession, and secrets that refuse to stay buried is not just a ghost story—it’s a story about the ghosts we create, the ones we inherit, and the ones we try to escape.

Joan Fontaine stars as the shy, unnamed heroine who marries the wealthy widower Maxim de Winter (Laurence Olivier), only to find herself haunted by the legacy of his late wife, Rebecca—a presence that lingers over the mansion of Manderley like perfume in a locked room. Judith Anderson is unforgettable as Mrs. Danvers, the icy housekeeper whose devotion to Rebecca tips from unsettling to unhinged.

Make sure to get to the screening early, as our Marketing Director Bekah will be doing a very informative and entertaining presentation on the film before it starts!

Last night I dreamt that I was at Manderlay again…
Our Classic Movie Nights series celebrates Alfred Hitchcock’s birthday by screening his only film ever to win Best Motion Picture at The Oscars–Rebecca!
A masterclass in shadowy suspense (what else did you expect?), this gothic romance cloaked in elegance, obsession, and secrets that refuse to stay buried is not just a ghost story—it’s a story about the ghosts we create, the ones we inherit, and the ones we try to escape.
Joan Fontaine stars as the shy, unnamed heroine who marries the wealthy widower Maxim de Winter (Laurence Olivier), only to find herself haunted by the legacy of his late wife, Rebecca—a presence that lingers over the mansion of Manderley like perfume in a locked room. Judith Anderson is unforgettable as Mrs. Danvers, the icy housekeeper whose devotion to Rebecca tips from unsettling to unhinged.
Make sure to get to the screening early, as our Marketing Director Bekah will be doing a very informative and entertaining presentation on the film before it starts!

  1. 7:30 pm

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