Dan O’Bannon’s The Return of the Living Dead is coming (back from the grave) to The Frida Cinema for its 40th Anniversary as part of our Fireworks At The Frida week!
What if Night of the Living Dead got punk, got louder, and got way, way messier? Enter 1985’s The Return of the Living Dead—the film that gave zombies the power to run, talk, and specifically request brains. A gleefully anarchic horror-comedy that helped redefine the undead for an entire generation, this movie turns graveyards into dance floors and medical supply warehouses into apocalyptic battlegrounds.
Directed by Dan O’Bannon (co-writer of Alien) and featuring a killer soundtrack of ’80s punk and death rock (The Cramps, 45 Grave, T.S.O.L.), the film follows a group of hapless employees and way-too-cool punks as they accidentally unleash a toxic gas that reanimates corpses—starting with a tar-covered nightmare named Tarman and escalating into full-blown zombie chaos.
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July’s Volunteer Of The Month pick is Wes Anderson’s The Grand Budapest Hotel, courtesy of River!
A meticulously crafted tale of murder, theft, pastry, poetry, and polite panic, The Grand Budapest Hotel is Anderson at his most whimsical, melancholic, and madcap. Set in a fictional Eastern European republic between the wars, the film charts the adventures of legendary concierge Gustave H. (a pitch-perfect Ralph Fiennes) and his loyal lobby boy Zero as they’re swept into a plot involving a stolen painting, a greedy family, prison breaks, fascists, and a disappearing world of civility.
Blending Anderson’s signature pastel-perfect aesthetics with a screwball crime caper and a poignant elegy for lost elegance, the film boasts an ensemble bursting at the seams: Tilda Swinton, Adrien Brody, Willem Dafoe, Saoirse Ronan, Jeff Goldblum, F. Murray Abraham, Harvey Keitel, Léa Seydoux, Jude Law, and—of course—Bill Murray.
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Arthouse 101: Japanese Cinema enters the 80’s with Jûzô Itami’s acclaimed Tampopo (original Japanese title: Tanpopo), an award-winning 1985 film that is truly like no other in our series – or in movie history, really. This deliriously inventive comedy follows a widowed ramen shop owner who, with the help of a mysterious trucker (a stoic parody of Clint Eastwood), sets out to create the perfect bowl of noodles. Along the way, we meet an ensemble of eccentric characters whose lives revolve – sometimes absurdly, sometimes erotically – around food.
Nominated for the Best Screenplay and Best Director awards by the National Society of Film Critics, Tampopo is billed as the first “ramen western,” Tampopo is both a genre spoof and a soulful tribute to Japanese cuisine and community. It’s a movie about perfection, pleasure, and the strange, spiritual rituals we attach to what we eat.
Arthouse 101: Japanese Cinema is a curated 12-film trip through the evolution of Japan—from the quiet post-war resilience of the 1940s all the way to the radical reinventions of the 1990s. This July-October, we will explore a new facet of this incredible nation’s cinematic journey throughout the 20th century. All films will be presented in their original Japanese language with English subtitles, at a reduced ticket price of $8.
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Ten years ago, a wildly original, and unapologetically raw movie exploded onto the indie film scene–shot entirely on an iPhone and changing the rules of what independent cinema could look and feel like. This Art House Theater Day, we celebrate the 10th anniversary of Sean Baker’s Tangerine, a landmark in queer and DIY filmmaking. More details are to be announced, but the screening will also include exclusive content with Arthouse Theater Day Ambassador Sean Baker himself!
Set against the sun-soaked, neon-drenched streets of Los Angeles on Christmas Eve, Tangerine follows Sin-Dee and Alexandra–two Black trans sex workers and best friends–as they embark on a chaotic and deeply heartfelt odyssey through Hollywood in search of a little revenge. Kitana Kiki Rodriguez and Mya Taylor give breakout performances that forever redefined representation and visibility on screen.
More than just a technical marvel or an underdog success story, Tangerine remains a vital portrait of friendship and life lived loud on the margins. On its 10th anniversary, it still feels as urgent as ever.
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Join us for a special one-off screening of indie darling Guacamole Yesterdays, and stick around after the show for an in-person Q&A with director Jordan Noel and writer/producer Hudson Phillips!
After a devastating separation, cartoonist Ames (Sophie Edwards, This World Alone) begins therapy with a specialist (Adetinpo Thomas, Hawkeye) who employs an experimental technology that enables Ames to relive and reshape the memories of her relationship with her husband, Franklin (Randy Havens, Stranger Things). As Ames revisits moments from their first date to their final goodbye, the boundaries between memory and reality start to dissolve. To avoid losing herself completely, she must confront the truth she’s been desperately avoiding.
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Our annual Segerstrom at the Frida series showcases films that inspired upcoming stage adaptations at OC’s Segerstrom Center for the Arts! Join us as we conclude our 2025 series by celebrating the 50th Anniversary of a Frida Cinema favorite, Monty Python and the Holy Grail!
Ranked among the top British films of all time by the BFI and various critics’ polls, directors Terry Gilliam and Terry Jones’ irreverent and absurdist reimagining of the Arthurian legend stars the Monty Python comedy troupe as King Arthur and his eccentric band of knights. The film follows their doomed quest for the Holy Grail through a series of loosely connected skits featuring killer rabbits, anarcho-syndicalist peasants, and a castle full of rude Frenchmen. With its low-budget charm, fourth-wall-breaking humor, and endlessly quotable dialogue, the film skewers everything from medieval epics to organized religion to British bureaucracy, all deliciously sandwiched between hilarious opening credits and a climax for the ages.
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This year’s Segerstrom at The Frida series kicks off with Some Like it Hot, Billy Wilder’s hilarious 1959 screwball comedy that follows two down-on-their-luck musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon), who witness a gangland massacre and flee Chicago disguised as women in an all-female band on their way to a Florida resort. On the run, they become Josephine and Daphne, traveling with the enchanting Sugar Kane (Marilyn Monroe), a singer with dreams of marrying a millionaire. Romantic entanglements and mistaken identities spiral out of control in a Florida resort, culminating in what many consider to be one of the funniest comedies of all time.
See the movie. then experience the brand new Tony and Grammy Award-winning stage musical! Running October 7 – 19 at the Segerstrom Center for the Arts, experience the “glorious, toe-tapping, razzle-dazzling” (Deadline) Some Like it Hot! Visit scfta.org/events/2025/some-like-it-hot for info and tickets!
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The final film in our Technicolor Summer series reaches the celestial with A Matter of Life and Death—a visionary romance that floats between worlds, from war-torn Earth to the halls of a fantastical afterlife, in one of the most inventive films ever made.
David Niven stars as Peter Carter, a British RAF pilot who miraculously survives a doomed jump from his burning plane—only to fall in love with June (Kim Hunter), the American radio operator who heard his final words. But Peter was meant to die, and when the otherworldly authorities realize their clerical error, he must plead his case for life in a cosmic courtroom, where love itself becomes the ultimate argument.
Directed by Michael Powell and Emeric Pressburger, this genre-defying masterpiece blends romance, fantasy, and philosophical inquiry with dazzling visual artistry.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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Our Technicolor Summer series heads to the rolling green hills of Ireland with The Quiet Man—a sweeping romantic classic brimming with fiery passions, heartfelt tradition, and postcard-perfect landscapes.
John Wayne stars as Sean Thornton, a retired American boxer who returns to his Irish roots in the village of Innisfree, hoping to leave his past behind and live a quiet life. But peace proves elusive when he falls for the strong-willed Mary Kate Danaher (Maureen O’Hara), whose pride and fiery spirit are matched only by the land itself. Their courtship is as tempestuous as the Irish weather, complicated by local customs, family pride, and a brother with a grudge.
Directed by John Ford with deep affection and painterly vision, The Quiet Man is as much a love letter to Ireland as it is a love story between two unforgettable characters.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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Our Technicolor Summer series gets delightfully glamorous with Indiscreet—a sparkling romantic comedy that pairs the incomparable Ingrid Bergman and Cary Grant in a dance of charm, wit, and stylish deception.
Bergman plays Anna Kalman, a successful London stage actress who’s all but given up on love—until she meets Philip Adams (Grant), a suave economist with a roguish smile and a secret: he claims he’s married and can’t divorce. Anna, swept off her feet despite herself, embarks on a love affair with no strings…until the truth begins to unravel.
Directed with breezy elegance by Stanley Donen, Indiscreet is a romantic farce where misunderstandings are played for sophistication, and every line sparkles with mid-century wit. But it’s the chemistry between Bergman and Grant—radiant in Technicolor—that makes this film truly irresistible.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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