The Frida Cinema is pumped to present Stephen Chow’s Shaolin Soccer as our Volunteer Of The Month pick for October courtesy of Nathan!
Nothing is as it seems on the field, where disgraced ex-players, washed-up coaches, and a ragtag crew of kung-fu brothers band together to reclaim their glory through the beautiful game. Watch as Shaolin monks bend physics, rocket soccer balls through the air like cannon fire, and unleash outrageous special moves that would make even Bruce Lee raise an eyebrow.
A gravity-defying kick of pure joy for martial arts maniacs and sports movie fanatics alike, Shaolin Soccer was a global smash and instant cult classic.
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Bad neighbors…beware! Tom Holland’s Fright Night, the wickedly funny cult classic that brought vampires screaming into the 1980s, returns to the big screen at The Frida for its 40th Anniversary!
All-American teen Charley Brewster (William Ragsdale) thinks he’s got it made—until he discovers that the mysterious stranger who just moved in next door is actually a vampire (Chris Sarandon, in suavely sinister form). With no one believing him, Charley turns to a washed-up late-night horror host, Peter Vincent (Roddy McDowall), for help. Together, they must take on the undead lurking right next door before Charley’s friends—and even his girlfriend—fall under the vampire’s thrall.
Loaded with practical effects and gothic atmosphere, Fright Night is both a love letter to classic horror and a blood-soaked thrill ride that still bites hard (in a good way).
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Wazzzzzzzzup!? This year marks 25 years of Scary Movie, the outrageous horror spoof that crushed box office records and left audiences crying with laughter. And now, it’s coming back to the big screen for one night only courtesy of our friends at Nostalgic Nebula! Stop by early for a themed photo op, jam to early 2000’s Halloween beats, and participate in a “Guess the Killer” game on stage!
Before Not Another Teen Movie or Shaun of the Dead, there was Scary Movie—a razor-sharp parody from director Keenen Ivory Wayans that skewered every slasher trope in sight. Mashing up Scream and I Know What You Did Last Summer and about a billion other movies (and commercials?), the film introduced the world to Cindy Campbell (Anna Faris in her breakout role), bumbling stoners, clueless cops, and the goofiest Ghostface ever put to screen, making it one of the most memorable turn-of-the-Millenium comedies.
This program is a venue rental engagement. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff.
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This screening is open to Film Club Members only.
To learn more about the Frida Film Club or become a member, click here!
Student Film Club Members are invited to a very special back to school screening of La Chimera, Alice Rohrwacher’s sun-drenched Italian adventure genre-masher!
La Chimera follows Arthur (Josh O’Connor), a disheveled British archaeologist recently released from prison, as he drifts back into the orbit of a ragtag band of tombaroli—tomb raiders who plunder ancient Etruscan ruins in search of artifacts to sell on the black market. Haunted by visions of his lost love and the ghosts of a vanished world, Arthur embarks on a journey that blurs the lines between past and present, myth and memory.
Infused with Rohrwacher’s signature blend of earthy magic realism, La Chimera is an excavation of the soul and an absolute can’t-miss on the big screen with your fellow Student Film Club members!
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What do you get when you have three generations of comedians in one family, and someone dies? If you guessed an independent autobiographical self-funded feature-length dark comedy, you’d be absolutely right. D(e)AD is written by and starring Isabella Roland (Dropout.tv, Sex Lives Of College Girls); and directed by and starring Isabella’s mom, Claudia Lonow (creator/showrunner of How to Live With Your Parents for the Rest of Your Life, Accidentally on Purpose, Good Girls Don’t and Rude Awakening); and also the rest of their family.
Tillie (Isabella Roland), a floundering young woman and her charismatic, alcoholic father (Craig Bierko), struggle to resolve their fractured relationship in the weirdest possible way: after he dies, his ghost appears in mirrors to haunt everyone in the family but Tillie. Tillie’s sister, Violet (Vic Michaelis), mother (Claudia Lonow), grandparents (Mark Lonow and Joanne Astrow), stepfather (Jonathan Schmock), and even Violet’s free-spirited baby daddy (Nick Marini), must do everything they can to make Tillie see her father… even employing a very reform rabbi (Eddie Peppitone) to exorcize him… or else they will be plagued by this ghost forever.
Just added: before the screening, we will be joined by Izzy Roland, Claudia Lonow, and Jonathan Schmock for a special in-person introduction!
Tickets are $15 for this special event and $40 for a ticket + exclusive poster for the film!
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Director Lauren Garroni’s new thriller Sugar Baby is coming to The Frida Cinema!
An enterprising Sugar Baby is offered $30,000 to move in with her Sugar Daddy for the week, but soon discovers the sinister secrets trapped within his home.
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Hot off of screening at Toronto International Film Festival, The Frida Cinema is excited to present weeklong run of Sam Hayes’ new film Pools.
Kennedy has one day to get her shit together or get kicked out of school for good. Instead of buckling down, she rallies a ragtag crew for a midnight pool-hopping adventure through the lavish estates of her college town. But under the surface, Kennedy is searching for answers to the questions tearing her up inside in the wake of her father’s death. As the secrets spill, this wild escape becomes a cathartic journey of self-discovery.
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Love, Brooklyn is about Brooklynite writer assigned with writing a piece on the borough’s renaissance post-COVID. With his work deadline looming, he bikes around the borough, and at the same navigates the complexities of intertangled relationships in his life, including with: Casey (Nicole Beharie), his gallerist ex-girlfriend whom he is trying to remain friends with and who is dealing with her own professional deadlines; Nicole (DeWanda Wise), his new situationship who is a recent widow and new single mother studying to be a massage therapist; and Alan (Roy Wood Jr.), his best friend who is increasingly interested in cheating on his wife. Like Brooklyn itself, our characters are at moments in their lives where they need to leap forward while also needing to hold onto the pasts that have shaped them.
Premiering at Sundance earlier this year, Love, Brooklyn is a deeply romantic film, focusing on the connections of these characters and how they choose to operate within a changing world, both individually and together. The film’s tone is remarkably lovely in a way that we so rarely get to see from romantic dramas.
The film is the debut feature from filmmaker Rachael Abigail Hodler, and a large part of her intention in achieving this tone was to tell a story of Black people that isn’t seeped in tragedy. As she put it in her director’s statement from the film’s Sundance press notes: “As a filmmaker, I want to tell stories about sensitive Black people who cry and feel, in life not tragic or saccharine… I hope to expand the representation of what it means to be Black and what’s cool about this moment of inclusion in storytelling is that I don’t have to try to represent Blackness as a whole or all Black people. I can be really specific with how I see people, how they love, hide from love and ultimately show up for it. I want to show the soft parts of the people who look like me. I want to show the sensitive bits that show up, not when we are in danger or inferior but when we are in love.”
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The Baltimorons is a mirthful and intimate holiday gem—Jay Duplass’s solo directorial debut since 2012—that transforms a cracked tooth into a night of transformative encounters. Against the wintry backdrop of Baltimore, an unlikely romance unfolds between a newly sober comedian and his reserved dentist in a walk-and-talk odyssey of quiet humor, emotional honesty, and offbeat charm.
Winner of SXSW’s Audience Award, this modestly magnetic film is both a gift to indie lovers and a tender celebration of connection in the most unexpected of hours.
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Directed and co-written by acclaimed actress Noémie Merlant (Portrait of a Lady on Fire), The Balconettes is her audacious second feature. Co-scripted with Céline Sciamma, it melds comedy, horror, thriller in a genre-smashing good time!
The story is set in a heat wave that brings a Marseille neighborhood to the boil, where three roommates gleefully meddle in the lives of their neighbors from their balcony. Until a late night drink turns into a bloody affair…
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