Frida Cinema favorite Kiyoshi Kurosawa is back, yet again, with his latest epic: The Samurai and the Prisoner!
When Lord Murashige (Masahiro Motoki) rises up against the tyrannical Oda (Bando Shingo), he finds himself besieged within the walls of his own castle. Isolated, he is confronted with a series of mysterious crimes that shatter the fragile order of his court, plunging the fortress into fear and suspicion. With Oda’s army closing in and a traitor hiding among his ranks, Murashige is forced into an uneasy alliance with Kanbei Kuroda (Masaki Suda), a brilliant yet dangerous strategist held prisoner in the dungeon. Helped by his wife Chiyoho (Yuriko Yoshitaka) and his most loyal generals, Murashige must uncover the truth before the castle falls.
A restrained samurai mystery that uses the genre to explore morality, The Samurai and the Prisoner boasts an impressive 94% on Rotten Tomatoesand was one of the major standouts at this year’s Cannes Film Festival. Don’t miss your chance to see it on the big screen!
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Join us for a very special screening of the new indie film Winter Hymns, featuring a post-screening Q&A with its director, Nathan Deming!
Over one Winter day, a series of dying patients and their families meet with Dr. Linda Vobernik, a palliative care physician fighting for compassion in a system built for efficiency and other priorities.
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We’re presenting the brand new 4K restoration of Letty Lynton, starring the incomparable Joan Crawford, on September 19th! And joining us for a special pre-screening introduction for the film will be Kim Luperi, the co-author of the TCM/Running Press book Pre-Code Essentials: Must-See Cinema from Hollywood’s Untamed Era, 1930-1934!
Socialite Letty Lynton is returning to New York, abandoning one-time lover Emile Renaul in South America, when she strikes up a shipboard romance with Jerry Darrow. Renault is waiting for her in New York and will not leave her alone, so she poisons him. When detectives take her to the D.A.’s office, Jerry cooks up an alibi.
After a 1936 copyright lawsuit found that MGM had plagiarized the play Dishonored Lady, the studio was barred from distributing the film. Unlike most “lost” films, Letty Lynton survived physically, but it was effectively unavailable legally for about 90 years. That long absence turned it into a holy grail for classic film fans. Join us in celebration!
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She’s not “a lot”. You’re just underprepared.
Horsegirls, an official selection of the Tribeca Film Festival in 2025, is coming to The Frida Cinema! And make sure to stick around after the screening for a very special Q&A with the films writer and director, Lauren Meyering!
The film stars Lillian Carrier as Margarita, a 22-year-old autistic woman navigating early adulthood, a new job, and her mother’s uncertain health diagnosis. When she discovers the world of competitive hobby horsing, it becomes the unexpected lifeline that helps her find her footing and grow into her independence.
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Hitch a ride to come and see FilmWeek’s screening of Michael Mann’s 2004 neo-noir thriller Collateral at The Frida Cinema! And stick around after the screening as host Larry Mantle welcomes special guests (TBA) to discuss the film’s lasting impact!
Collateral follows a Los Angeles taxi driver, Max (Jamie Foxx), who unwittingly picks up a cold-blooded contract killer, Vincent (Tom Cruise). Over the course of a single night, Max is taken hostage and forced to drive Vincent to multiple stops to assassinate targets connected to a federal drug cartel. As the night unfolds, Max attempts to break free, ultimately turning the tables on his captor to protect the final witness.
The film was a critical and box office success, reaching the top spot in its opening weekend and earning Academy Award nominations for Best Film Editing and Best Supporting Actor for Jamie Foxx’s performance as Max.
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Let the love feast begin.
We’re concluding Gregg Araki’s legendary Teen Apocalypse Trilogy with Nowhere, a delirious, end-of-the-millennium fever dream that’s turned up to eleven.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they’ll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
The most visually audacious entry in the trilogy, Nowhere is Araki experimenting with science fiction, queer romance as a euphoric celebration of outsiders, making it the perfect culmination of one of the boldest trilogies in American independent cinema.
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Sex. Violence. Whatever.
The explosive second chapter of Gregg Araki’s Teen Apocalypse Trilogy, The Doom Generation is back on our big screens with a new 4K restoration!
After an impulsive encounter with the mysterious drifter Xavier, teenage couple Amy Blue and Jordan White are pulled into a violent cross-country odyssey filled with escalating chaos. As the trio drifts from one surreal nightmare to the next, Araki transforms the American road movie into a candy-colored vision of a society on the verge of collapse.
A nihilistic fever dream that only he could dream up, The Doom Generation cemented Araki’s reputation as one of independent cinema’s true provocateurs. Wildly funny and shockingly violent, it remains one of the defining films of 1990s counterculture.
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Don’t worry, you’ll like it.
Gregg Araki’s long-awaited return to the big screen, I Want Your Sex, is coming to The Frida Cinema!
When fresh-faced Elliot (Cooper Hoffman) lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Olivia Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
More than thirty years after the Teen Apocalypse Trilogy shocked independent cinema, I Want Your Sex proves Araki hasn’t lost his appetite for challenging audiences, reminding us why he is one of American cinema’s most fearless and singular voices.
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Another homo movie by Gregg Araki.
The unhinged first chapter in the groundbreaking Teen Apocalypse Trilogy, Totally F***ed Up, is back at The Frida Cinema!
Shot on grainy 16mm with the raw energy of a punk mixtape, the film follows six queer teenagers searching for connection while navigating a world that seems determined to reject them. Told through diary confessions, the film captures the exhilaration and uncertainty of growing up on the margins at the height of the AIDS crisis.
An independent filmmaking landmark, Totally F**ed Up announced Gregg Araki as one of American cinema’s boldest new voices. More than thirty years later, its restless spirit and unapologetic celebration of queer youth remain every bit as vital, making it the perfect place to begin our journey through one of the most singular filmographies of the last three decades.
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In the summer of 1983, a 17-year-old Elio (Timothée Chalamet) spends his days in his family’s villa in Italy. One day Oliver, a graduate student, arrives to assist Elio’s father, a professor of Greco-Roman culture. Soon, Elio and Oliver discover a summer that will alter their lives forever.
With its lush landscapes, unforgettable performances, and achingly human sense of time slipping away, Call Me by Your Name captures the exhilaration and heartbreak of first love with extraordinary sensitivity. Guadagnino crafts a world so vivid that audiences can practically feel the Summer heat.
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