A24 Films is proud to present the newest film in their 2025 slate–Sorry, Baby.
Written, directed by, and starring Eva Victor, Sorry, Baby follows Agnes, a once-promising academic whose life is frozen in the aftermath of a shattering personal betrayal—known only as “the bad thing.” Over the course of five emotionally intricate chapters, the film traces Agnes’s attempts to move forward while stuck in place, navigating the small-town routines of her adult life in New England. When her childhood friend Lydie (Naomi Ackie) returns from New York, their reunion reignites buried tensions, old comforts, and the question of whether healing is possible—or if survival is enough.
A sharply observed and darkly funny portrait of internalized grief and human connection, Sorry, Baby is both intimate and expansive, capturing the textures of time, memory, and the strange ways people grow apart, then back together.
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We’re turning back the clocks alllll the way to the year 2022 to present Damien Chazelle’s feverish epic Babylon as the latest entry in our 21st Century Cult series! A three-hour overdose of movie madness, it’s a kaleidoscopic descent into 1920s Los Angeles where silent cinema is dying, talkies are rising, and everyone is clawing for immortality in the ruins.
Starring Margot Robbie, Brad Pitt, and Diego Calva, Babylon is as much a celebration of cinema’s chaotic birth as it is a cautionary tale about the price of ambition. With unhinged party scenes, stomach-turning slapstick, and some of the boldest filmmaking of the decade, Babylon is a film that dares to be too much—and dares you to look away.
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Agnes Varda’s Le Bonheur is celebrating its 60th anniversary this year, and we’re honored to be running it for a few screenings in August!
Though married to the good-natured, beautiful Thérèse (Claire Drouot), young husband and father François (Jean-Claude Drouot) finds himself falling unquestioningly into an affair with an attractive postal worker. One of Agnès Varda’s most provocative films, Le Bonheur examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world.
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The teasingly entwined ambiguities of love and death are explored in Misericordia, now coming to The Frida Cinema for a limited engagement!
Set in an autumnal, woodsy village in his native region of Occitanie, his latest follows the meandering exploits of Jérémie (Félix Kysyl), an out-of-work baker who has drifted back to his hometown after the death of his beloved former boss, a bakery owner. Staying long after the funeral, the seemingly benign Jérémie begins to casually insinuate himself into his mentor’s family, including his kind-hearted widow (Catherine Frot) and venomously angry son (Jean-Baptiste Durand), while making an increasingly surprising—and ultimately beneficial—friendship with an oddly cheerful local priest (Jacques Develay).
In director Alain Guiraudie’s quietly carnal world, violence and eroticism explode with little anticipation, and criminal behavior can seem like a natural extension of physical desire. The French director is at the top of his game in Misericordia, again upending all genre expectations.
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Join us for a special screening of Keith Gordon’s 1988 drama The Chocolate War, after which the film’s star, Ilan Mitchell-Smith, will be joining us for a post-screening Q&A!
A dark and moody adaptation of Robert Cormier’s controversial 1974 novel, The Chocolate War set in a strict Catholic boys’ school ruled by tradition, manipulation, and silent oppression. When Jerry Renault (Ilan Mitchell-Smith), a new student at Trinity High School, refuses to participate in the school’s annual chocolate sale, he unwittingly challenges the authority of both corrupt Brother Leon (a menacing John Glover), as well as a secret student society known as The Vigils. His defiance sparks a quiet revolution — but also a descent into psychological warfare, where conformity and cruelty are weaponized to devastating effect.
The directorial debut of then-26-year-old actor Keith Gordon, who undoubtedly gained valuable insight from having worked with auteur legends like Bob Fosse (All That Jazz), Brian De Palma (Home Movies and Dressed to Kill), and John Carpenter (Christine), The Chocolate War employs a distinct visual and narrative style to powerfully convey the novel’s unsettling themes of power, rebellion, and the price of individuality. Anchored by stark cinematography by Tom Richmond, and a haunting ’80s soundtrack steeped in yearning and melancholy, The Chocolate War remains a powerful coming-of-age story that dares to ask what happens when standing up means standing alone.
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Filmmaker Jim Hosking (The Greasy Strangler) is back in his bag for another absurdist fever dream with his new movie Ebony & Ivory! And stick around after the screening for a special in-person Q&A with Sky Elobar and Gil Gex, the stars of the film!
Two musical legends gather at a Scottish Cottage on The Mull Of Kintyre for a tense summit to discuss a potential collaboration that will ultimately result in a Global Number One smash hit single.
Absolute nonsense or pure brilliance? Ebony & Ivory walks the line with ease, practically daring you not to laugh throughout.
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Filmmaker Jim Hosking (The Greasy Strangler) is back in his bag with another absurdist fever dream with his new movie Ebony & Ivory!
Two musical legends gather at a Scottish Cottage on The Mull Of Kintyre for a tense summit to discuss a potential collaboration that will ultimately result in a Global Number One smash hit single.
Absolute nonsense or pure brilliance? Ebony & Ivory walks the line with ease, practically daring you not to laugh throughout.
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Part science fiction, part noir, part poetry—Jean-Luc Godard’s Alphaville remains a landmark of experimental French New Wave cinema. On its 60th anniversary, step into a hypnotic future now remastered in 4K for the perfect big screen experience!
Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”
Don’t miss this rare chance to see one of cinema’s most influential dystopias on the big screen—where its stark beauty and radical ideas truly belong.
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A twisted reimagining of a beloved fairytale that has emerged as one of the most buzzed-about horror films of 2025, The Ugly Stepsister comes to The Frida for two late night screenings!
Writer-director Emilie Blichfeldt’s visceral, aesthetically-sumptuous gothic body‑horror presents the Cinderella story as experienced through the eyes of her overlooked stepsister. Set in a decaying 18th‑century kingdom of “Swedlandia,” The Ugly Stepsister centers on awkward, bookish Elvira (a sensational Lea Myren, making her feature-film debut), whose ambitious mother Rebekka (Ane Dahl Torp) forces her into brutal cosmetic procedures and deadly beauty rituals, none of which will be spoiled here, all in a desperate bid to win Prince Julian’s affection over her radiant stepsister Agnes (Thea Sofie Loch Næss). It’s not all blood and gore, however; drawing from the darker undertones of the original Grimm tale, as well as her own struggles with body image, Blichfeldt masterfully employs symbolism, and Myren’s intense and fully-committed performance, to craft a film that stirs empathy just as powerfully as it unsettles.
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Fifteen years after it first shocked audiences and redefined the boundaries of art house cinema, Dogtooth returns in a stunning new 4K restoration to The Frida Cinema just in time to ruin your Summer. The breakthrough feature from visionary filmmaker Yorgos Lanthimos (The Lobster, The Killing Of A Sacred Deer, The Favourite, Poor Things) is as provocative, surreal, and disturbingly funny as ever — now sharper and stranger than ever before.
Winner of the Un Certain Regard prize at Cannes and an Academy Award nominee for Best Foreign Language Film, Dogtooth is a razor-edged parable of control and conditioning. Isolated behind a fence and raised under a regime of invented truths, three adult siblings have never stepped beyond the boundaries of their family home. Language is manipulated, reality is manufactured, and any curiosity is punished with surgical precision.
With its stark visual style, bone-dry humor, and bursts of surreal violence, Dogtooth remains a landmark of weird Greek cinema — a film that startles, unsettles, and invites endless interpretation.
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