Join us in celebrating Art House Theater Day 2025 with a special screening of Céline Sciamma’s powerful coming-of-age film Tomboy–a landmark work in contemporary queer and arthouse cinema.
A luminous exploration of gender identity and childhood, Tomboy follows 10-year-old Laure, who introduces himself as Mickäel after moving to a new neighborhood during summer break. As friendships blossom and playtime gives way to self-discovery, Laure navigates a world of freedom and tension that arises from living between gender expressions in a society still learning how to respond.
On this day dedicated to the power of independent and artist-driven film, Tomboy reminds us why arthouse theaters matter: they make space for stories that are deeply human.
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Join us for a special one-off screening of indie darling Guacamole Yesterdays, and stick around after the show for an in-person Q&A with director Jordan Noel and writer/producer Hudson Phillips!
After a devastating separation, cartoonist Ames (Sophie Edwards, This World Alone) begins therapy with a specialist (Adetinpo Thomas, Hawkeye) who employs an experimental technology that enables Ames to relive and reshape the memories of her relationship with her husband, Franklin (Randy Havens, Stranger Things). As Ames revisits moments from their first date to their final goodbye, the boundaries between memory and reality start to dissolve. To avoid losing herself completely, she must confront the truth she’s been desperately avoiding.
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Our annual Segerstrom at the Frida series showcases films that inspired upcoming stage adaptations at OC’s Segerstrom Center for the Arts! Join us as our 2025 series continues with 2004 tearjerker The Notebook!
Directed by Nick Cassavetes and based on the novel by Nicholas Sparks, The Notebook tells the decades-spanning love story of Noah (Ryan Gosling) and Allie (Rachel McAdams), two young lovers from different social worlds who fall deeply for one another during a summer in the 1940s. Their bond is tested by class divides, war, and the passage of time, but through it all, Noah remains steadfast in his devotion. Framed by an elderly man reading their story from a notebook to a woman in a nursing home, the film explores memory, endurance, and the transformative power of love. Highlighted by lush cinematography and sweeping emotion, The Notebook has become a hallmark of early 2000s romantic cinema.
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Our annual Segerstrom at the Frida series showcases films that inspired upcoming stage adaptations at OC’s Segerstrom Center for the Arts! Join us as we present a couple of encores of Baz Luhrmann’s eye-popping 2001 musical Moulin Rouge!
A fever dream of romance, music, and heartbreak in turn-of-the-century Paris, Moulin Rouge! stars Ewan McGregor as Christian, a penniless writer who falls madly in love with the dazzling courtesan Satine (Nicole Kidman), star performer at the titular famed cabaret. Set against the backdrop of the bohemian underworld and bursting with mash-ups of modern pop songs reimagined through Luhrmann’s hyper-stylized lens, Luhrmann’s vision is a sensory whirlwind of color, musica, and passion that blends theatrical spectacle with melodramatic tragedy, as love and art collide under the threat of greed and ambition. Winner of the Academy Awards for Best Art Direction and Best Costume Design, the film was also nominated for Best Actress (Nicole Kidman), Best Cinematography, Best Editing, Best Makeup, Best Sound, and Best Picture of the Year.
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The final film in our Technicolor Summer series reaches the celestial with A Matter of Life and Death—a visionary romance that floats between worlds, from war-torn Earth to the halls of a fantastical afterlife, in one of the most inventive films ever made.
David Niven stars as Peter Carter, a British RAF pilot who miraculously survives a doomed jump from his burning plane—only to fall in love with June (Kim Hunter), the American radio operator who heard his final words. But Peter was meant to die, and when the otherworldly authorities realize their clerical error, he must plead his case for life in a cosmic courtroom, where love itself becomes the ultimate argument.
Directed by Michael Powell and Emeric Pressburger, this genre-defying masterpiece blends romance, fantasy, and philosophical inquiry with dazzling visual artistry.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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Our Technicolor Summer series heads to the rolling green hills of Ireland with The Quiet Man—a sweeping romantic classic brimming with fiery passions, heartfelt tradition, and postcard-perfect landscapes.
John Wayne stars as Sean Thornton, a retired American boxer who returns to his Irish roots in the village of Innisfree, hoping to leave his past behind and live a quiet life. But peace proves elusive when he falls for the strong-willed Mary Kate Danaher (Maureen O’Hara), whose pride and fiery spirit are matched only by the land itself. Their courtship is as tempestuous as the Irish weather, complicated by local customs, family pride, and a brother with a grudge.
Directed by John Ford with deep affection and painterly vision, The Quiet Man is as much a love letter to Ireland as it is a love story between two unforgettable characters.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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Our Technicolor Summer series turns rich with mid-century emotion in All That Heaven Allows—a swooning melodrama from master filmmaker Douglas Sirk that’s as emotionally vivid as it is visually stunning.
Jane Wyman stars as Cary Scott, a well-to-do widow in a quiet New England town whose world is upended when she falls for her much younger gardener, Ron Kirby (Rock Hudson). What begins as a tender connection soon draws the judgmental glare of her country club peers and disapproving adult children. As Cary wrestles with the pressures of conformity and the cost of personal happiness, the film paints her inner conflict in bold, breathtaking hues.
Elegant, emotional, and quietly radical, All That Heaven Allows is a shining example of how Technicolor could elevate not just the world we see, but the feelings we carry. A true classic of color, style, and heart.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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Our Technicolor Summer series slows down for a sun-drenched romantic escape with Summertime—a bittersweet story set against the breathtaking backdrop of Venice.
Katharine Hepburn stars as Jane Hudson, a middle-aged American schoolteacher fulfilling a lifelong dream of visiting Italy. Independent, curious, and slightly adrift, Jane arrives in Venice with her camera and sensible shoes, eager to soak in the beauty but wholly unprepared for what she finds: a chance at unexpected romance with Renato (Rossano Brazzi), a charming Italian antiques dealer.
Directed with warmth and restraint by David Lean, Summertime achingly romantic a perfect midsummer reverie in vivid, glowing color.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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Our Technicolor Summer takes a darker turn with the lush and haunting Leave Her to Heaven—a psychological thriller cloaked in sun-drenched, beautiful colors.
When novelist Richard Harland (Cornel Wilde) meets the striking and enigmatic Ellen Berent (Gene Tierney), it seems like a whirlwind romance straight out of a dream. But their fairy-tale love story quickly curdles into obsession as Ellen’s possessiveness spirals into something far more dangerous. She doesn’t want to share Richard’s affection with anyone—not his family, not his work, not even his past.
A noir dressed in Technicolor’s finest, Leave Her to Heaven is a masterclass in contrasts: light and shadow. It’s a chilling reminder that darkness can lurk even in the brightest places—and a true gem of Hollywood’s golden era.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!
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The preeminent dramatist of China’s rapid 21st-century growth and social transformation, Jia Zhangke has taken his boldest approach to narrative yet with his marvelous Caught by the Tides.
The film mostly adheres to the perspective of Qiaoqiao (Jia’s immortal muse Zhao Tao) as she wanders an increasingly unrecognizable country in search of long-lost lover Bin (Li Zhubin), who left their home city of Datong seeking new financial prospects. The always captivating Zhao carries the film with her delicate expressiveness, while Jia constantly evokes cinema’s ability to capture the passage of time and the persistence of change: of people, landscapes, cities, politics, ideas.
Assembled from footage shot over a span of 23 years—a beguiling mix of fiction and documentary, featuring a cascade of images taken from previous movies, unused scenes, and newly shot dramatic sequences—Caught by the Tides is a free-flowing work of unspoken longing, carried along more by music than dialogue as it looms around the edges of a poignant love story.
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