A Fantasy, A Musical, A Place Where Dreams Come True.
Cinematic Void is back at The Frida Cinema for their Musical March series, and they’ve chosen to highlight Robert Greenwald’s critical-flop-turned-cult-classic Xanadu! And make sure to get there on time as actor and fitness instructor Angie Shriner will be doing a special introduction before the screening!
Xanadu is infamous for being one of Hollywood’s most beloved “so-bad-it’s-good” musicals. Upon release, it was widely panned by critics for its thin story, over-the-top performances, and bizarre combination of roller disco, Greek mythology, and Olivia Newton-John–led pop numbers. Yet its reputation has softened over time. Audiences now celebrate it as a campy, glitter-drenched delight, and the soundtrack, particularly hits from Electric Light Orchestra, remains on repeat in The Frida’s lobby.
And did we mention…Gene Kelly? Need we say more? Grab your friends and get ready to have some fun at the theater!
This event is co-presented by both Cinematic Void and The American Cinematheque!
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No miracle is ever too small.
Our Page To Screen series in March goes towards dark-edged fantasy with A Little Princess, director Alfonso Cuarón’s lush and emotional adaptation of A Little Princess by Frances Hodgson Burnett.
When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara’s creativity and sense of self-worth.
Visually rich and deeply felt, A Little Princess has grown into a beloved 90s classic, a reminder that a little bit of fantasy can transform even the darkest circumstances.
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In this house…if you’ve seen one ghost…you haven’t seen them all!
The Frida Cinema and OC Pride are teaming up to present a screening of Tim Burton’s 1988 ghoulish comedy Beetlejuice in honor of the late, great Catherine O’Hara!
As the gloriously pretentious, performance-artist-from-another-dimension Delia Deetz, O’Hara steals every scene she’s in, as she often did throughout her entire career. Her operatic commitment to absurdity turns Delia into one of cinema’s greatest comic creations, just one in a long list of characters she brought her immortal comic pulse to.
Burton’s film balances the macabre with the heartfelt in only a way that he could. Don’t miss a chance to see it on the big screen, one night only!
Just added: the icon, Isabella Xochitl, will be joining us before the screening to perform a pre-show number!
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What if the afterlife isn’t halos and harps…but a courtroom?
Flickrhappy is back at The Frida Cinema to present a special one-off screening of writer/director Albert Brooks’ ingenious 1991 comedy Defending Your Life!
Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller (Brooks) finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia (Meryl Streep) offers him a chance to finally feel alive.
Funny and unexpectedly profound, Defending Your Life blends sharp existential satire with genuine romantic warmth. With scene-stealing turns by Rip Torn and Lee Grant, and Brooks at his most vulnerable and witty, the film turns life’s biggest questions into something both hilarious and deeply human.
Join us for this unforgettable big-screen screening and discover why sometimes the only way forward…is to defend your life.
This program is a venue rental engagement. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff. Flickrhappy is allowing Frida Cinema members to use their regular discounts to this event!
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Only monsters play God.
Guillermo Del Toro’s Frankenstein, the movie he was born to make, is finally coming alive at The Frida Cinema starting on February 27th!
The story follows a brilliant but egotistical scientist (played by Oscar Isaac) who brings a monstrous creature to life in a daring experiment that ultimately leads to the undoing of both the creator and his tragic creation.
The film has now received 9 Academy Award nominations for the 98th Academy Awards (2026), including Best Picture, Best Adapted Screenplay, and Best Supporting Actor for Jacob Elordi’s transformative performance as The Monster. The film also scored major technical nominations for cinematography, original score, costume design, makeup/hairstyling, production design, and sound.
Thank you to Netflix for allowing us to play this gorgeous creation where it belongs to be seen: on the big screen.
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Each holds a secret power…together they face the ultimate evil!
We’re harnessing the supernova star power of cinema icons Maggie Cheung, Michelle Yeoh, and Anita Mui in a gloriously unrestrained action extravaganza double feature of The Heroic Trio + Executioners!
From genre maestro Johnnie To, the story follows three knife-throwing, shotgun-toting, kung-fu-fighting super-heroines who must overcome their dark pasts in order to defeat an evil, baby-snatching eunuch who is terrorizing Hong Kong. Eye-popping motorcycle stunts, brain-exploding skeletons, infant cannibals, and kinetically choreographed wire work are all part of the delirium in this unstoppably entertaining cult favorite (referenced in Cheung’s international breakthrough Irma Vep), a kick-butt showcase for three of the coolest women warriors to ever hit the screen.
There will be a ten minute intermission between each film. One ticket gets you access to both movies!
Our Hong Kong Action Essentials series explores the time from the mid-’80s through the early ’90s, where Hong Kong filmmakers rewrote the grammar of action cinema forever. Directors like John Woo, Tsui Hark, Jackie Chan, Sammo Hung, Ringo Lam, and Lau Kar-Leung fused balletic gunplay, risky stunts, martial arts virtuosity, and raw emotional intensity into a new cinematic language that would be oft-imitated but never replicated. (sorry, The Matrix, we love you too!) Join us every month in 2026 as we explore this golden age where style and emotion collided to change movies forever.
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Evil takes many forms.
Play It By Fear (@playitbyfear.33) continues their brand new Sunday Scaries series by delving into the dark world of Robert Eggers’ 2016 New England nightmare The VVitch.
In 1630, a farmer relocates his family to a remote plot of land on the edge of a forest where strange, unsettling things happen. With suspicion and paranoia mounting, each family member’s faith, loyalty and love are tested in shocking ways.
Never too far from our programming line, The VVitch has stood the test of time over the past ten years, forever changing the landscape of Indie Horror as we know it.
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On February 19th, our friends at Flickrhappy invite you to experience the unforgettable romantic fantasy Somewhere in Time on the big screen.
Starring the iconic duo of Christopher Reeve and Jane Seymour, the film follows a modern playwright who becomes obsessed with a mysterious woman from the past, and attempts an extraordinary experiment to reach her across time.
Elegantly shot at Michigan’s historic Grand Hotel and featuring a sweeping, iconic score by John Barry, Somewhere in Time blends romance and speculative fiction into a uniquely haunting experience. A beloved cult classic, the film rewards viewers with one of cinema’s most enduring themes: whether love can truly transcend time.
Just added: as a fun bonus, Flickrhappy is making this screening completely FREE for Frida Cinema Film Club members!
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Play It By Fear (@playitbyfear.33) continues their brand new series, Sunday Scaries, with a belated 40th anniversary celebration of Steve Miner’s House!
After the disappearance of his young son and a painful divorce, horror novelist Roger Cobb (William Katt) retreats to his late aunt’s spooky old mansion to write a book about his Vietnam War experiences. But solitude isn’t what he finds. The house is alive–filled with vengeful spirits, interdimensional portals, demonic entities, and at least one closet that REALLY needs a warning sign, man.
House is a gloriously bizarre blend of haunted-house horror and off-kilter comedy that only the 1980s could have produced. It’s a cult classic has earned a devoted following for one simple reason: it’s genuinely weird as hell.
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Conor Marsh lives a secluded life with his dog, Sandy, until one day he begins playing Obex, a new, state-of-the-art computer game. When Sandy goes missing, the line between reality and game blurs and Conor must venture into the strange world of OBEX to bring her home.
Baltimore-based writer-director Albert Birney (Strawberry Mansion, 2021 Sundance Film Festival) returns with another delightfully skewed and surreal lo-fi fantasy. Set in pre-internet 1987 and strikingly shot in monochromatic black and white, the film depicts Conor’s (Birney) lonely existence of solitary screen time, transfixed by early Macs with slowly rendering graphics and TVs aglow with the horror movie late show.
Matching these hypnotic images, Birney immerses us in a dense soundscape of warm droning synths, clacking keyboards, malevolent static, chirping cicadas, and the click and whine of dot matrix printers. The film’s dreamy nostalgia soon becomes an analog nightmare as Conor finds himself trapped in a low-tech but high-stakes video game.
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