Just added: Mood Poison is giving away a custom Santa Sangre pin to all ticket-holders coming to the Thursday night show!
Forget everything you have ever seen…
Santa Sangre is finally coming back to The Frida Cinema, and this time we are joined by our friends at Mood Poison, who will be selling a brand new, custom pin from the film as well as giving away exclusive prizes to lucky ticket-holders, all in celebration of their 10 year anniversary
The film is a tale of a young circus performer, the crime of passion that shatters his soul, and a macabre journey back to the world of his armless mother.
Fifteen years after Alejandro Jodorowsky’s El Topo and The Holy Mountain unlocked our collective third eye, the legendary provocateur made his 1980s comeback with this staggering odyssey of ecstasy, anguish, belief, blasphemy, beauty, and madness. The film continues to enrapture both Jodorowsky newbies and dedicated fans alike.
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Utopia proudly presents I Live Here Now, the feature film debut from writer/director Julie Pacino, who will be joining us after the movie for an in-person Q&A!
The story follows Rose, an aspiring actress, checks into a remote California motel, seeking solace from the chaos of her life. But the walls of the motel pulse with the echoes of her past, with each room a distorted reflection of her fears, desires and regrets. As reality warps and fractures, Rose must confront the haunting specters of her trauma, identity and the oppressive forces that have shaped her existence.
I Live Here Now is described as a visually arresting journey into the labyrinth of the female psyche. Shot on 35mm, it blends surrealist horror with psychological depth, drawing comparisons to Lynchian narratives and films like Black Swan.
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Yellow Veil Pictures presents the new psychosexual horror sci-fi comedy Touch Me, playing one night only at The Frida Cinema on April 4th! And as an added bonus, stick around after the film for a special in-person Q&A the writer/director Addison Heimann!
TThe story follows two emotionally tangled best friends, Joey and Craig (played by Olivia Taylor Dudley and Jordan Gavaris), who are drifting through life when a strange opportunity appears. Joey’s ex-boyfriend Brian (Lou Taylor Pucci) suddenly reenters her life. Oh, also…he’s an alien.
An official selection at the Sundance Film Festival, SXSW, and Fantasia International Festival, Touch Me is an homage to the 1970s Japanese “pink films” and exploitation cinema, blending outrageous sexuality, surreal humor, and practical creature effects.
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Just added: guests that dress up like Aunt Gladys to either of our 10:15PM screenings will receive a free small popcorn!
Last night at 2:17 AM, every child from Mrs. Gandy’s class woke up, got out of bed, went downstairs, opened the front door, and walked into the dark.
The Frida Cinema is proud to present Zach Cregger’s suburban horror masterpiece Weapons, hot off the heels of its win at the 2026 Academy Awards, where Amy Madigan won Best Supporting Actress for your unforgettable performance as the terrifying Aunt Gladys.
Weapons tells the story of the quiet town of Maybrook, where a single, terrifying event shatters the community overnight. After seventeen children from the same elementary school class mysteriously vanish from their homes, their community is launched into chaos, with everyone wanting answers. What begins as a baffling missing-children case slowly spirals into something far more disturbing, as the town is forced to confront the possibility that the disappearances may be tied to a darker, more supernatural force lurking beneath the surface.
One of the biggest hits of the year as far as original stories are concerned, Weapons is exactly the type of bold, big-budgeting genre filmmaking we need to be celebrating right now. Don’t miss your chance to see it (or see it again) on the big screen!
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Just added: these two screenings of Dead Lover will now be presented in scratch-and-sniff Stink-O-Vision!
Love conquers death in director Grace Glowicki’s deliriously dark new film Dead Lover, opening up for a special two night run at The Frida Cinema on April 3rd!
A lonely gravedigger who stinks of corpses finally meets her dream man, but their whirlwind affair is cut short when he tragically drowns at sea. Grief-stricken, she goes to morbid lengths to resurrect him through madcap scientific experiments, resulting in grave consequences and unlikely love.
A love story unlike any other, Dead Lover is a mix of Mario Bava, John Waters, and Guy Maddin, promising one of the goriest and smelliest movie experiences of the year!
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Before you die, you see…
The Ring (2002) is our next Sunday Scaries movie, presented by Play It By Fear (@playitbyfear.33)!
Director Gore Verbinski’s chilling American reimagining of a Japanese nightmare follows a journalist (Naomi Watts) who investigates a mysterious videotape linked to a string of sudden deaths. As she races to uncover the tape’s origins, the line between urban legend and supernatural curse begins to dissolve.
Rain-soaked and deeply unnerving, The Ring helped redefine studio horror for the 2000s, continuing this month’s theme of when PG-13 movies were actually scary!
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The Dolphin Hotel invites you to stay in any of its stunning rooms. Except one.
Remember when PG-13 movies were actually scary? Play It By Fear (@playitbyfear.33) continues their Sunday Scaries series with a descent into one of the most unsettling hotel rooms in horror: 1408, based on a story by Stephen King!
A skeptical paranormal writer who debunks hauntings for a living books a stay in the infamous Room 1408 of New York’s Dolphin Hotel, determined to prove the legends false. But once inside, he finds himself trapped in a shifting psychological nightmare where the room itself seems to know his fears…and how to use them.
A stripped-down, actor-driven chiller, 1408 stands out for turning a single location into a relentless mind game, proving that sometimes the scariest places aren’t abandoned houses or dark woods, but a room you can’t ever check out of.
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Join us for the final film of our Pre-Code Day celebration as we present a brand new 4K restoration of Edgar G. Ulmer’s The Black Cat! Joining us for a special pre-screening introduction for the film will be Kim Luperi, the co-author of the TCM/Running Press book Pre-Code Essentials: Must-See Cinema from Hollywood’s Untamed Era, 1930-1934!
Unlike the gothic fantasy tone of many early Universal horrors, The Black Cat leans into a modern, post-World War I despair. The story is steeped in trauma and betrayal, with Boris Karloff playing one of the era’s coldest villains and Bela Lugosi giving a truly haunted performance.
For a 1934 studio horror, it’s shockingly dark and less of a monster movie as it is a morbid meditation on war and human corruption.
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You joined us for our Friday The 13th and Friday The 13th: Part 2 double feature last month, so in March…let’s do it again! Only this time…we’ll be returning to Camp Crystal Lake for Friday The 13th: Part 3 and Friday The 13th: The Final Chapter!
Friday the 13th: Part 3 – A new group of friends heads to a lakeside cabin expecting sun, booze, and bad decisions…instead they find themselves stalked by the unstoppable Jason Voorhees!
And after a brief ten minute intermission, it’s time for Friday the 13th: The Final Chapter – Crystal Lake isn’t done with terror yet, as another group of locals and visitors faces a night of relentless suspense in one of the series’ fastest, fiercest entries.
Together, these two films continued the slasher phenomenon into new territory, and they’re an absolute blast to watch with a crowd on the big screen. Join us on Friday The 13th of March and celebrate this holiday tradition that won’t seem to die…
There will be a ten minute intermission between each film. One ticket gets you access to both movies!
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Darkness has awakened. The Containment is coming to The Frida Cinema!
A girl is possessed by a dark and mysterious entity. She will fight with all the elements at her disposal to get rid of it. Neither her mother, nor traditional medicine, nor a supposed expert in exorcisms, will be able to make the demon disappear, until a nun gets involved in the case and sows a doubt more terrible than the possession itself.
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