Jump straight in to the electrifying world of psychic espionage with Push, our In Denfense Of… pick for April, courtesy of Martin, our Director Of Operations.
After his father, an assassin, is brutally murdered, Nick Gant vows revenge on Division, the covert government agency that dabbles in psychic warfare and experimental drugs. Hiding in Hong Kong’s underworld, Nick assembles a band of rogue psychics dedicated to destroying Division. Together with Cassie, a teenage clairvoyant, Nick goes in search of a missing girl and a stolen suitcase that could be the key to accomplishing their mutual goal.
Critically maligned at the time, has the film held over better over time? Hear Martin’s plea and be the judge for yourself.
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Kicking off our A24orror series, celebrating 10 years of A24 horror since the Sundance premiere of The VVitch, is writer/director Ari Aster’s Hereditary, a film that shocked an entire generation of new horror fans.
This chilling, family-centered nightmare follows Annie (Toni Collette), a mother reeling from the death of her estranged mother, and her family as they begin to unravel dark, supernatural secrets. As tragedy and terror pile on, the Graham family’s dark legacy comes to light in ways that will make your skin crawl.
With Hereditary, Aster doesn’t just bring jump scares—he dives deep into grief, trauma, and generational curses, crafting a horror experience that sticks with you long after the credits roll. Toni Collette gives an iconic, Oscar-worthy performance (snub of the century, anybody?) that’ll leave you shaken up long after the credits roll.
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Our Spielberg Summer series is kicking off exactly where you’d think: with July 4th weekend screenings of his industry-changing, pop culture-shifting, era-defining masterpiece Jaws!
When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town’s chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.
The film that invented the modern Summer blockbuster remains just as crowd-pleasing as ever over 50 years later. Powered by nerve-shredding suspense and Steven Spielberg’s astonishing command of tone and performance (especially for only being 27 years old at the time of production), Jaws is a masterclass in modern American filmmaking.
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The Los Angeles Kurdish Film Festival presents Ayse Polat’s new film In The Blind Spot!
A German crew is filming a documentary in north-eastern Turkey, more precisely in a remote Kurdish village, where they witness an elderly woman performing a recurring ritual to keep the memory of her missing son alive. The German team’s Kurdish translator is also the nanny of Melek, a seven-year-old Turkish girl. Her father, Zafer, works for a sinister organisation, and is caught between loyalty and fear for his family’s well-being when his daughter seems to be pursued by a mysterious force. Three different perspectives that, when intersected, develop a destructive power. In The Blind Spot reveals a complex web of conspiracy, paranoia, and generational trauma. The film develops its own formal language to express the unspeakable, playing with familiar references from horror films and political thrillers.
The Los Angeles Kurdish Film Festival (LAKFF) is a vibrant cultural celebration showcasing the rich diversity of Kurdish stories from Kurdistan and the Kurdish diaspora. Through compelling films, this festival brings to light the complexities of Kurdish identity, history, and the ongoing struggles faced by Kurdish communities worldwide. With a diverse lineup of feature films, documentaries, and short films, LAKFF offers a platform for Kurdish filmmakers to share their voices, fostering dialogue and understanding around universal themes like displacement, resilience, and cultural preservation.
This film will be presented in its original German and Kurdish languages with English subtitles.
This program is a venue rental engagement. Member discounts and Frida Cinema comp passes not valid. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff.
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Witness The Rule Of Jenny Pen, the twisted new Horror-Thriller from filmmaker James Ashcroft starring the iconic duo of John Lithgow and Geoffrey Rush!
Confined to a secluded rest home and trapped within his stroke-ridden body, a former Judge must stop an elderly psychopath who employs a child’s puppet to abuse the home’s residents with deadly consequences.
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Metrograph Pictures presents Santosh, the new film from acclaimed filmmaker Sandhya Suri.
A government scheme sees newly widowed Santosh inherit her husband’s job as a police constable in the rural badlands of Northern India. When a low-caste girl is found raped and murdered, she is pulled into the investigation under the wing of charismatic feminist inspector Sharma.
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Greetings, boils and ghouls! Join Nostalgic Nebula on March 18th at the Frida Cinema for a special 30th anniversary screaming of Tales from the Crypt: Demon Knight. And make sure to stick around afterwards for an in-person Q&A with Emmy award-winning Special FX & Makeup Artist Todd Masters!
Show up early for the 8:00 PM pre-show to celebrate the Cryptkeeper’s directorial debut with Crypt trivia, lost and forgotten Crypt clips from commercials, movies and television, and if you can hack it, win yourself some goodies by trying your best Cryptkeeper impersonation! You’ll have to be dead on to win yourself a reprint of the original Tales from the Crypt comic book.
The story follows Ex-soldier Frank Brayker is the guardian of an ancient key that can unlock tremendous evil; the sinister Collector is a demon who wants the key so he can initiate the apocalypse. On the run from wicked mercenaries for almost 90 years, Brayker finally stops in at a boarding house in New Mexico where — with the help of its residents — he plans to face off against the Collector and his band of ghouls, preventing them from ever seizing the key.
Are you ready for your deadtime story?
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James Ashcroft’s The Rule of Jenny Pen is a psychological horror film set in the unsettling confines of a retirement home where the lines between reality and delusion blur.
The story follows Judge Stefan Mortensen (Geoffrey Rush), a once-powerful legal mind now weakened by a stroke and struggling to adjust to life in the facility. There, he encounters Dave Crealy (John Lithgow), a seemingly harmless resident who uses a hand puppet named Jenny Pen to exert a disturbing influence over the other inhabitants. As Mortensen begins to suspect that Crealy’s antics are more sinister than they appear, he faces skepticism from staff and fellow residents, forcing him into a desperate battle to uncover the truth before he too falls under Jenny Pen’s rule.
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Join us for a one-night-only screening of 2018 neo-noir crime thriller Destroyer, followed by an in-person discussion with the director of the film, Karyn Kusama (Jennifer’s Body, The Invitation, Girlfight) and author Marya E Gates (Cinema Her Way: Visionary Female Directors in Their Own Words)!
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As a part of our ongoing tribute to cinema legend David Lynch, we are adding three encore screenings of Blue Velvet, his surrealist 1986 masterwork.
The film follows Jeffrey Beaumont (Kyle MacLachlan), a college student who returns to his small hometown of Lumberton after his father is injured. While walking, he discovers a severed human ear and becomes involved in investigating its origins. As Jeffrey dives deeper into the dark world of crime, voyeurism, and desire, he struggles with the blurred lines between innocence and corruption, while also developing a romantic relationship with Sandy (Laura Dern), a local cop’s daughter. Isabella Rossellini and Dennis Hopper also star in this unforgettable trip into the dark underbelly of suburban life, a trademark attributed directly to David Lynch to this very day.
Blue Velvet is a touchstone for modern surrealist cinema and is widely discussed in film studies for its exploration into its psychological complexity, and the intersection of innocence and corruption. It garnered Lynch an Oscar nomination for both Best Director and Best Original Screenplay, but its grip on modern pop culture branches far beyond its accolades.
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