Greenwhich Entertainment’s newest release, Went Up The Hill, is coming to The Frida Cinema!
In this chilling ghost story, a recently deceased woman haunts her estranged son Jack (Dacre Montgomery of Stranger Things) and her grieving widow Jill (Vicky Krieps of Phantom Thread and Corsage). When the woman’s spirit inhabits the survivors, the living must grapple with the destruction she left behind while fighting for their own survival.
Went Up The Hill debuted earlier this year at the Toronto International Film Festival.
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Join us for a night of chilling camp, psychological suspense, and Old Hollywood fireworks as our Classic Movie Nights series delves into the deranged world of What Ever Happened to Baby Jane?
Bette Davis and Joan Crawford—two screen legends whose off-screen rivalry was just as infamous as their on-screen performances (but we’ll let Bekah really fill you on the details here)—square off in this deliciously macabre tale of faded fame. Davis is unforgettable (and unhinged) as Baby Jane Hudson, a former child star rotting in her own delusions, while Crawford brings heartbreaking restraint as Blanche, her wheelchair-bound sister, trapped with a woman teetering between guilt and madness.
A cult classic of high-wire hysteria from director Robert Aldrich, What Ever Happened To Baby Jane? paved the way for “psycho-biddy” cinema and gave aging actresses roles they could sink their teeth into—sometimes literally.
Make sure to get to the screening early, as our Marketing Director Bekah will be doing a very informative and entertaining presentation on the film before it starts!
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Good Boy, the buzzy new horror film told from the perspective of a dog, finally scampers its way to The Frida!
A loyal dog (played by dog actor Indy, the director’s real life pet) moves to a rural family home with his owner Todd, only to discover supernatural forces lurking in the shadows. As dark entities threaten his human companion, the brave pup must fight to protect the one he loves most.
Premiering at this year’s South By Southwest, the film’s trailer gathered one million views in just its first four days, with its global interest only further piqued by its current 95% Rotten Tomatoes rating! Catch it on the big screen at The Frida!
The Frida will be donating a portion of ticket proceeds from our Thursday, October 2nd screening of Good Boy to OC Animal Allies! OC Animal Allies is a nonprofit organization founded with the mission to save animal lives and strengthen the human-animal bond in Orange County by providing emergency financial support, education, referral services, and therapy programs.
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Our December edition of Hallucinations is the Christmas classic Dial Code Santa Claus aka Deadly Games aka 3615 code Père Noël aka Hide and Freak.
Before Home Alone… there was Dial Code Santa Claus, a French holiday thriller where a tech-savvy kid must defend his mansion from a psychotic man in a Santa suit. What starts as whimsical turns tense, then brutal, then full-on survival horror—all under twinkling lights and fake snow. It’s a fairy tale slasher mixed with a hyperactive 80s toy commercial from hell.
’Tis the season for tinsel, trauma, and booby traps.
Hosted by Polygon’s editor-in-chief Chris Plante, Hallucinations is a monthly event that spotlights movies that challenge our expectations of story, style, and “good taste”. We invite guests to bond over films that change what we expect from the medium, the world, and themselves. So come early, stay late, make friends, and watch something strange, surprising, or just shamelessly sick.
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Step into the gritty, electric world of 1970s Harlem as Flickrhappy presents Black Caesar, with a very special Q&A after the film with the legendary Fred Williamson!
Directed by exploitation auteur Larry Cohen, this hard-hitting gangster epic follows Tommy Gibbs, a shoeshine boy turned ruthless crime boss, in a tale packed with ambition, betrayal, and a legendary funk score by James Brown. Don’t miss this rare big-screen presentation featuring Fred “The Hammer” Williamson live in-person for a post-screening Q&A! Hear behind-the-scenes stories and firsthand reflections from the icon himself, in a conversation moderated by Josiah Howard, author of Blaxploitation Cinema: The Essential Reference Guide.
Whether you’re a longtime fan or discovering this cult classic for the first time, Black Caesar delivers a cinematic punch you won’t forget.
This program is a venue rental engagement. Member discounts and Frida Cinema comp passes not valid. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff.
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Join us for the Orange County premiere of the new indie thriller Plight, and stick around afterwards for a special Q&A with the film’s director, M.J. Alhabeeb Jr. and lead actor Matthew J. Plumb!
When a tragic hit-and-run leaves a young couple shattered, a grieving father and a resilient caregiver forge an unlikely alliance. Plight follows Valentina, a Ukrainian woman searching for peace, and Joe, a working-class man losing faith in justice, as they uncover secrets buried in a forgotten Pennsylvania steel town. Bound by loss, their pursuit of truth reveals just how far people will go when justice slips away.
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The bold, genre-defying horror-Mermaid-musical mashup The Lure is August’s Frida Cinema Members Only screening!
In this playful and confident debut of Polish director Agnieszka Smoczynska — a pair of carnivorous mermaid sisters are drawn ashore in an alternate ’80s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska’s imagining. In a visceral twist on Hans Christian Andersen’s original Little Mermaid tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. A savage coming-of-age fairytale with a catchy new-wave soundtrack, lavishly grimy sets, and outrageous musical numbers, The Lure explores its themes of sexuality, exploitation, and the compromises of adulthood with energy and originality.
Not a member yet? Sign up here: https://thefridacinema.org/memberships/
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On prom night, the world will know her name. Our friends at See It On 16mm are unspooling Brian De Palma’s 1976 masterpiece Carrie!
One of the most iconic and emotionally devastating horror films ever made—Carrie is a coming-of-age tragedy turned psychic revenge nightmare. Based on Stephen King’s debut novel, the film follows shy, repressed teen Carrie White (Sissy Spacek) as she navigates the cruelty of her peers, the torment of her religious zealot mother (a terrifying Piper Laurie), and the terrifying discovery of her own telekinetic powers.
With its split-screen fury, dreamlike slow-motion, and that unforgettable final shock, Carrie is both a high school horror story and a meditation on shame, isolation, and the explosive power of rage. Now…don’t be late. You have a date with Carrie!
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The teasingly entwined ambiguities of love and death are explored in Misericordia, now coming to The Frida Cinema for a limited engagement!
Set in an autumnal, woodsy village in his native region of Occitanie, his latest follows the meandering exploits of Jérémie (Félix Kysyl), an out-of-work baker who has drifted back to his hometown after the death of his beloved former boss, a bakery owner. Staying long after the funeral, the seemingly benign Jérémie begins to casually insinuate himself into his mentor’s family, including his kind-hearted widow (Catherine Frot) and venomously angry son (Jean-Baptiste Durand), while making an increasingly surprising—and ultimately beneficial—friendship with an oddly cheerful local priest (Jacques Develay).
In director Alain Guiraudie’s quietly carnal world, violence and eroticism explode with little anticipation, and criminal behavior can seem like a natural extension of physical desire. The French director is at the top of his game in Misericordia, again upending all genre expectations.
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Slick. Sweaty. Deadly. William Friedkin’s To Live and Die in L.A. turns 40 years old this year—and it still hits like a bullet to the chest.
Coming off the heels of The French Connection and Sorcerer, Friedkin delivered this sun-scorched, Reagan-era crime thriller with the intensity of a punk rock opera. When a reckless Secret Service agent (William Petersen in his breakout role) sets out to take down a ruthless counterfeiter (a cold-blooded Willem Dafoe), the lines between justice and obsession dissolve in a haze of money, betrayal, and blood.
With its iconic Wang Chung synth score, daring car chases, and razor-sharp style, To Live and Die in L.A. is pure ’80s noir heat!
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