Witness the dramatic side of dance with Bob Fosse’s All That Jazz, a semi-autobiographical musical drama that blurs the line between reality and fantasy in a dazzling, feverish spectacle, screening for The Frida Zinema in anticipation of their Musical March Madness issue! Copies will be available for purchase in the lobby.

The film follows Joe Gideon (Roy Scheider), a brilliant yet self-destructive Broadway director and choreographer, as he juggles his demanding career, multiple relationships, and an increasing dependence on drugs and alcohol. As he edits his latest film by day and rehearses a new stage production by night, his health deteriorates, leading him into a surreal, hallucinatory journey where he confronts his own mortality.

Witness The Rule Of Jenny Pen, the twisted new Horror-Thriller from filmmaker James Ashcroft starring the iconic duo of John Lithgow and Geoffrey Rush!

Confined to a secluded rest home and trapped within his stroke-ridden body, a former Judge must stop an elderly psychopath who employs a child’s puppet to abuse the home’s residents with deadly consequences.

1940’s Dance, Girl, Dance, directed by Dorothy Arzner, is a groundbreaking and feminist-tinged drama that explores the struggles of women in the entertainment industry.

The film follows Judy O’Brien (Maureen O’Hara), a classically trained ballet dancer with dreams of artistic success, who finds herself working alongside the bold and ambitious Bubbles (Lucille Ball), a brassy burlesque performer. As their careers take divergent paths — Judy yearning for legitimacy while Bubbles embraces the spotlight — the two women become rivals in both dance and love, particularly over the affections of a wealthy playboy (Louis Hayward).

I Saw The TV Glow is back already as part of our 21st Century Cult series! Join us for a limited engagement as we revisit our favorite first run film of 2024!

Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Not even a full year after its initial release at our cinema, I Saw The TV Glow has been one of our most requested bring-back titles. It may have been snubbed at the Oscars, but it will live on in our hearts forever! 

Up next in our Chantal Akerman Month series is Je Tu Il Elle, her 1974 feature film debut.

The movie follows a young woman (played by Akerman herself) as she withdraws into solitude, rearranging her sparse room, writing and rewriting letters, and engaging in mundane rituals of self-imposed confinement. Eventually, she leaves and hitches a ride with a truck driver, sharing a series of charged yet distant interactions before arriving at the home of a former lover, where the film culminates in an intense, extended love scene.

Stripped of conventional narrative structure, Je Tu Il Elle is a raw and minimalist meditation on loneliness, longing, and the fluidity of relationships, showcasing Akerman’s bold, uncompromising vision.