An entire civilization must confront its destiny in alternative-animation pioneer René Laloux’s final feature, Gandahar, a cult classic of mind-bending science fiction that has been restored in 4K thanks to fine folks at Janus Films!
In a distant world, a merciless army of automata attacks Gandahar, turning its peace-loving people to stone. Hoping to discover the source of these Men of Metal, a council of matriarchs enlists the brave yet inexperienced warrior Sylvain (Pierre-Marie Escourro), who, while journeying through his planet’s outer regions, teams up with the Deformed, a race cast out from Gandahar after failed science experiments rendered them mutants. Soon, Sylvain learns that a gargantuan brain called Metamorphis (Georges Wilson) is responsible for his utopian society’s strife, and together with the beautiful Airelle (Catherine Chevallier), travels through time to defeat him, in the process risking their lives and Gandahar’s very existence.
Featuring stunningly surreal creatures and wondrously bizarre environments designed by renowned comic-book artist Caza, Gandahar is a visceral, visionary head-trip in which animation opens a gateway to the furthest reaches of the imagination.
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The bittersweet end to this year’s Walt Disney Studies series is the beloved animated classic Lady and the Tramp! And as an early holiday present, Theodore (Theo) Gluck will be joining us to give a very informative and entertaining post-screening presentation entitled “Walt on the Wide Screen”!
The film follows dog’s-eye-view adventures of Lady, a lovingly pampered cocker spaniel, and Tramp, a freewheeling mutt with a heart of gold in Walt Disney’s beloved classic—the first animated feature ever produced in the widescreen CinemaScope process. This heartwarming tale now charms a new generation of families and fans with its exquisite animation, unforgettable songs and one of the dog-gonedest love stories of all time.
“Walt on the Wide Screen”: Film authority Theo Gluck offers an overview of the era of the widescreen revolution as Hollywood—a response to the looming specter of television. Disney, like all the other studios, was not immune to this innovation, so they answered the call to mutually combat this threat by quickly gearing up to offer widescreen product.
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Our Walt Disney Studies series charters new territory with a double feature of the 2008 documentary Walt & Grupo, followed by the 1942 short film Saludos Amigos in an evening we’re calling South of the Border with Walt Disney! And during the interval between the features, a discussion and Q&A with the director, Theodore Thomas, will be hosted and moderated by Disney Historian Jeff Kurtti.
Walt & El Grupo: It was 1941, a critical time for the world and for the Walt Disney Studio. When the U.S. Government asked Walt to be a cultural ambassador to South America, the stage was set for his very own real-life adventure. With a group of handpicked artists, later called “El Grupo,” Walt’s road trip achieved the impossible: goodwill. And in the process, it paved the way for two classic Disney films, Saludos Amigos and The Three Caballeros.
Saludos Amigos: A whimsical blend of live-action and animation, Saludos Amigos is a colorful kaleidoscope of art, adventure and music set to a toe-tapping samba beat. From high Andes peaks and Argentina’s pampas to the sights and sounds of Rio de Janeiro, your international traveling companions are none other than those famous funny friends, Donald Duck and Goofy. They keep things lively as Donald encounters a stubborn llama and “El Gaucho” Goofy tries on the cowboy way of life…South American style.
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From the most delinquent duo in animation comes…Beavis and Butt-Head Do America, celebrating its 30th anniversary at The Frida Cinema!
Beavis and Butt-Head are back! And this time, they’re hitting the road! When their beloved TV is stolen, the two slackers set off across America in search of it, stumbling into a bizarre conspiracy that may have much bigger consequences than either of them could possibly comprehend.
Beavis and Butt-Head Do America is a gloriously stupid, endlessly quotable time capsule of ’90s MTV culture. Mike Judge expands his beloved animated series to the big screen without losing its gleefully juvenile sense of humor, sending America’s favorite metalhead idiots on a chaotic cross-country adventure. Come see it on the big screen with new and old fans alike!
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Our Walt Disney Studies series is headed down the rabbit hole as present a brand new 4K restoration of the original 1951 classic Alice in Wonderland! And make sure to get their early as our host for the evening, Jeff Kurtti, will be giving a very special presentation before the film!
In this beloved and oft-filmed story, bored young schoolgirl Alice falls down a rabbit hole and lands in a strange world where nonsense rules. She encounters “curiouser and curiouser” characters as she travels through Wonderland, trying to learn the logic of the place and find her way out.
Made under the supervision of Walt Disney himself, Alice in Wonderland and its animation are often regarded as some of the finest work in Disney Studio history, despite the lackluster, even hostile, reviews it originally received, though it did receive an Academy Award nomination for Best Original Score!
In the presentation “Walt in Wonderland”, Jeff Kurtti tells the story of Walt Disney’s lifelong affection for the Lewis Carroll heroine, and how the stories wove a pathway through a lifetime of Disney projects, from the 1923 Disney “Alice in Cartoonland” shorts to coming to life in Disneyland.
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Based on the beloved fantasy novel by Peter S. Beagle, 1982’s The Last Unicorn is a beautiful – and beautifully strange – animated fantasy. The film follows a solitary unicorn (Mia Farrow) who learns that she may be the last of her kind. Setting out to find other surviving unicorns, she encounters bumbling magician Schmendrick (Alan Arkin) and spirited Molly Grue (Tammy Grimes), who join her on a journey that leads to the castle of the sinister King Haggard (Christopher Lee). Featuring iconic storybook animation by Rankin/Bass, The Last Unicorn has endured as a singular cult classic, equally beloved as a cherished family favorite and a genuinely strange piece of 1980s fantasy.
Part of our Unsung 80’s Soundtracks series, The Last Unicorn’s is built around an unlikely collaboration between composer Jimmy Webb and the the harmony-rich folk-rock of America, who perform the film’s songs. Webb wrote the score as well as the songs, including the haunting title track, “The Last Unicorn,” which became one of America’s most enduring songs from the film. America also performs “Now That I’m a Woman,” “In the Sea,” and “That’s All I’ve Got to Say,” while Webb’s orchestral score gives the film much of its wistful, dreamlike quality. A ’70s soft-rock trio scoring an animated medieval fantasy may seem like an unlikely pairing, but somehow, it works perfectly.
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Our Broadway Thursdays: Segerstrom Center at The Frida kicks off with the greatest love story ever told…the original 1991 Beauty and the Beast!
When the bright and bookish Belle takes her father’s place as the prisoner of a mysterious Beast, she discovers that the fearsome creature and his enchanted household are hiding a heartbreaking secret. As Belle and the Beast slowly learn to look beyond appearances, an unlikely friendship blossoms into one of Disney’s most enduring love stories.
A landmark in animation storytelling, Beauty and the Beast remains every bit as magical as it was upon its original release. Featuring unforgettable songs by Alan Menken and Howard Ashman and breathtaking hand-drawn animation, it’s a timeless reminder that some fairy tales are simply meant to be experienced together in a movie theater.
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Virgilio Villoresi’s hand-crafted and entrancing take on the myth of Orpheus, Orfeo is our new release pick for Art House Theater Day 2026!
Since he was a child, Orpheus has imagined stories about an abandoned villa across the street from his house. A solitary and visionary pianist, during an evening at the Polypus, the club where he plays, he meets Eura’s gaze. An unconditional love blossoms between them, but she’s concealing a secret. Then she disappears. One evening, Orpheus sees her enter a small door on Via Saterna, in front of the villa. He follows her. Before the threshold, he encounters the Green Man, an enigmatic figure who seems to know the mysteries of that passageway. Once through the door, Orpheus enters a visionary afterlife…
Art House Theater Day (AHTD) is an annual program of AHC that brings audiences together to celebrate all that art house theaters, and independent film, contribute to our cultural landscape: ambitious and innovative art that provokes, challenges, entertains, and inspires.
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In remembrance of filmmaker and artist Marjane Satrapi, we’re bringing you a one-week run of her 2007 animated masterpiece Persepolis.
Growing up in revolutionary Iran, young Marjane is outspoken, curious, and determined to chart her own path in a world growing increasingly restrictive. Sent abroad by her family for safety, she navigates adolescence, exile, love, and loss while struggling to reconcile the person she has become with the homeland she left behind. Through it all, Marjane searches for a place to belong.
Rendered in striking black-and-white animation, Persepolis captures both the upheaval of political change and the intimate joys and heartbreaks of growing up. It stands as a testament to Satrapi’s singular voice: a filmmaker who turned memory into art and invited audiences around the world to see history through the eyes of one unforgettable life.
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One life. One hundred years.
Jinsei, the new anime masterpiece from first-time director Ryuya Suzuki, is coming to The Frida Cinema!
Our hero (voiced by rapper ACE COOL), called by a different name in each chapter of his life, becomes a J-pop idol, an outcast, a leader, and an oracle in this hundred-year chronicle spanning the past, present, and future. Through a chance encounter with a transfer student, he trains to become an idol, starting his search for self-identity and a journey toward greatness beyond superstardom.
Written, directed, edited and entirely hand-drawn by newcomer Ryuya Suzuki over eighteen months, Jinsei (meaning “life” in Japanese) is an anime tour-de-force that announces Suzuki to the world as a bold new talent in independent animation.
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