Our friends at See It On 16mm are back to spool up another screening of John Waters’ infamous cult classic Pink Flamingos.
In a twisted contest to determine “the filthiest person alive,” underground icon Divine stars as a criminal anti-heroine living in a trailer with her oddball family, battling a pair of jealous rivals for the title. What follows is an unholy parade of crime, perversion, and pop-art anarchy that rewrote the rules of independent cinema—and left censors reeling.
After 50 year since its initial release, Pink Flamingos is filthier and funnier than ever. An exercise in bad taste or a masterpiece of transgressive art? We’ll let you decide!
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Place your bets. Paul Schrader’s The Card Counter returns to The Frida as our first Volunteer Of The Month pick—this one courtesy of Jonathan!
William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk. But keeping Cirk on the straight-and-narrow proves impossible, dragging Tell back into the darkness of his past.
Produced by Martin Scorsese and written and directed by Schrader (First Reformed, Hardcore, American Gigolo), The Card Counter is a simmering psychological thriller where every move feels like penance.
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It’s still Spooky Season in our hearts, so we’re dusting off a few screenings of Frank Capra’s Arsenic and Old Lace!
Cary Grant stars as Mortimer Brewster, a newlywed whose trip home to visit his eccentric Brooklyn family turns into a macabre comedy of errors. His sweet, elderly aunts (Josephine Hull and Jean Adair) have a deadly hobby: poisoning lonely old men with elderberry wine and burying them in the basement. Add in a delusional brother who thinks he’s Teddy Roosevelt, another who’s an unhinged criminal dead ringer for Boris Karloff, and a frantic race to keep the police—and his new bride—none the wiser.
A twisted favorite of ours that’s bursting with screwball energy and classic Cary Grant charm, Arsenic and Old Lace proves that murder can be murderously funny?
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Frida Cinema Members are invited to a special early screening of American auteur Kelly Reichhardt’s (First Cow, Certain Women, Wendy & Lucy) newest film: The Mastermind! Starring Josh O’Connor and Alana Haim, is Reichardt’s detour into the crime/heist genre, told only the way that she can.
In a sedate corner of Massachusetts circa 1970, an unemployed carpenter turned amateur art thief plans his first big heist. When things go haywire, his life unravels.
The Mastermind is being hailed as one of Reichardt’s boldest gambits. With a standout central performance by Josh O’Connor and a director pushing her signature minimalism into new terrain, it’s one of our most anticipated releases of 2025.
Not a Frida Cinema Member yet? Sign up here to gain access to this and many other awesome screenings and discounts throughout the year!
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American auteur Kelly Reichhardt (First Cow, Certain Women, Wendy & Lucy) is back with her latest straight from the Cannes Film Festival! The Mastermind, starring Josh O’Connor and Alana Haim, is Reichardt’s detour into the crime/heist genre, told only the way that she can.
In a sedate corner of Massachusetts circa 1970, an unemployed carpenter turned amateur art thief plans his first big heist. When things go haywire, his life unravels.
The Mastermind is being hailed as one of Reichardt’s boldest gambits. With a standout central performance by Josh O’Connor and a director pushing her signature minimalism into new terrain, it’s one of our most anticipated releases of 2025.
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The Frida Cinema is excited to partner with the Production Designers Collective a very special screening of Spike Jonze’s 2002 masterwork Adaptation! And make sure to stick around after the screening for a very special Q&A with the film’s Production Designer–K.K. Barrett (Her, Marie Antoinette).
Charlie Kaufman is a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt “The Orchid Thief,” by Susan Orlean, Kaufman’s life spins from pathetic to bizarre. The lives of Kaufman, Orlean’s book, become strangely intertwined as each one’s search for passion collides with the others’.
A modern classic of postmodern cinema, Adaptation fuses Jonze’s inventive direction with Kaufman’s whip-smart script and self-referential chaos.
This event will be an official part of International Production Design Week.
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From the twisted mind of writer/director Ari Aster springs Eddington, his surrealist (or is it?) nightmare time capsule comedy. And thanks to our friends over at Production Designers Collective, stick around after the screening for a very special Q&A with the film’s Production Designer–Elliott Hostetter (The Neon Demon, Bones & All).
In May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico. Hindsight is 2020.
Starring an all-star cast of Joaquin Phoenix, Pedro Pascal, Emma Stone, and Austin Butler, the film debuted at this year’s Cannes Film Festival and was released just this past Summer.
This event will be an official part of International Production Design Week.
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Do you like scary movies?
Wes Craven’s Scream, the film that redefined the entire horror genre, slashes its way back onto our screen this Halloween!
The sleepy town of Woodsboro is shaken by a string of brutal murders committed by a masked killer known as Ghostface. At the center is Sidney Prescott (Neve Campbell), a teenager still reeling from her mother’s unsolved murder a year earlier. As Ghostface stalks her and her friends, Sidney must navigate suspicion, trauma, and a mounting body count—all while horror-savvy classmates riff on the “rules” of surviving a scary movie.
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We’re bringing back an encore of David Fincher’s murder masterpiece Se7en, celebrating thirty years since its initial release with a brand new 4K restoration courtesy of Warner Brothers!
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the “seven deadly sins” in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset (Morgan Freeman) researches each sin in an effort to get inside the killer’s mind, while his novice partner, Mills (Brad Pitt), scoffs at his efforts to unravel the case.
Oft imitated but never replicated, Se7en stands as one of the greatest (and darkest) thrillers of all time.
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This screening is open to Film Club Members only.
To learn more about the Frida Film Club or become a member, click here!
In anticipation of our upcoming run of the new 4K Restoration of visionary French filmmaker Leos Carax’s The Lovers on the Bridge (Sept 12 – 18), we are pleased to treat our Film Club Members with a rare opportunity to experience his 1986 masterpiece Mauvais sang (Bad Blood) on the big screen!
In a near-future Paris, residents are gripped with fear by a mysterious sexually transmitted plague. A dying gangster enlists young thief Alex (Denis Lavant) to steal the serum that could mean humanity’s salvation. Caught between underworld rivalries, the shadow of his late father, and the suffocating weight of expectation, Alex navigates a landscape of danger and deceit that becomes even more complicated when he encounters Anna (Juliette Binoche), the much younger mistress of his employer, sparking a chain of events that threaten both their lives.
A stylish and surreal blend of crime drama, romantic fable, and pop-art cinematic poetry, Carax’s 1986 award-winner is a feverish meditation on love, risk, and mortality that cemented him as one of cinema’s great modern romantics.
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