Evil takes many forms.
Play It By Fear (@playitbyfear.33) continues their brand new Sunday Scaries series by delving into the dark world of Robert Eggers’ 2016 New England nightmare The VVitch.
In 1630, a farmer relocates his family to a remote plot of land on the edge of a forest where strange, unsettling things happen. With suspicion and paranoia mounting, each family member’s faith, loyalty and love are tested in shocking ways.
Never too far from our programming line, The VVitch has stood the test of time over the past ten years, forever changing the landscape of Indie Horror as we know it.
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On February 19th, our friends at Flickrhappy invite you to experience the unforgettable romantic fantasy Somewhere in Time on the big screen.
Starring the iconic duo of Christopher Reeve and Jane Seymour, the film follows a modern playwright who becomes obsessed with a mysterious woman from the past, and attempts an extraordinary experiment to reach her across time.
Elegantly shot at Michigan’s historic Grand Hotel and featuring a sweeping, iconic score by John Barry, Somewhere in Time blends romance and speculative fiction into a uniquely haunting experience. A beloved cult classic, the film rewards viewers with one of cinema’s most enduring themes: whether love can truly transcend time.
Just added: as a fun bonus, Flickrhappy is making this screening completely FREE for Frida Cinema Film Club members!
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Play It By Fear (@playitbyfear.33) continues their brand new series, Sunday Scaries, with a belated 40th anniversary celebration of Steve Miner’s House!
After the disappearance of his young son and a painful divorce, horror novelist Roger Cobb (William Katt) retreats to his late aunt’s spooky old mansion to write a book about his Vietnam War experiences. But solitude isn’t what he finds. The house is alive–filled with vengeful spirits, interdimensional portals, demonic entities, and at least one closet that REALLY needs a warning sign, man.
House is a gloriously bizarre blend of haunted-house horror and off-kilter comedy that only the 1980s could have produced. It’s a cult classic has earned a devoted following for one simple reason: it’s genuinely weird as hell.
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Conor Marsh lives a secluded life with his dog, Sandy, until one day he begins playing Obex, a new, state-of-the-art computer game. When Sandy goes missing, the line between reality and game blurs and Conor must venture into the strange world of OBEX to bring her home.
Baltimore-based writer-director Albert Birney (Strawberry Mansion, 2021 Sundance Film Festival) returns with another delightfully skewed and surreal lo-fi fantasy. Set in pre-internet 1987 and strikingly shot in monochromatic black and white, the film depicts Conor’s (Birney) lonely existence of solitary screen time, transfixed by early Macs with slowly rendering graphics and TVs aglow with the horror movie late show.
Matching these hypnotic images, Birney immerses us in a dense soundscape of warm droning synths, clacking keyboards, malevolent static, chirping cicadas, and the click and whine of dot matrix printers. The film’s dreamy nostalgia soon becomes an analog nightmare as Conor finds himself trapped in a low-tech but high-stakes video game.
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It’s as real as the feelings you feel.
This season, we honor the extraordinary legacy of Rob Reiner with some screenings of one of his most beloved films: the timeless and irresistibly funny fairy-tale adventure The Princess Bride.
When young Buttercup (Robin Wright in a luminous breakout performance) loses her true love Westley (Cary Elwes), she vows never to love again. Until fate, pirates, politics, giants, miracles, and rodents of unusual size intervene, of course. Told through the framing device of a grandfather (Peter Falk) reading a bedtime story to his skeptical grandson (Fred Savage), the film becomes a celebration of imagination itself.
Few filmmakers moved so effortlessly between genres as Rob Reiner. From coming-of-age classics to sharp-edged comedy to pulse-pounding thrillers, his filmography is a tour of American movie magic. But The Princess Bride remains his most universally cherished creation.
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We heard your voices! Or more specifically…we heard one person’s voice that’s been asking us to play Monkeybone every month for the past few years. And now it’s time to celebrate 25 years of Henry Selick’s cult classic!
After a car crash sends repressed cartoonist Stu into a coma, he and the mischievous Monkeybone, his hilarious alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu’s body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!
Upon release, Monkeybone was considered a commercial and critical failure. Audiences didn’t know what to make of its surreal blend of live action, stop-motion animation, adult humor, grim fantasy–the list goes on and on. But over time, that same strangeness became its appeal. Fans of “how did a major studio make this?” type of films should be lining up around the block for this one.
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A candy-coated fever dream of holiday excess, Jim Carrey’s How The Grinch Stole Christmas is finally making its way to our screens!
When it hit theaters in 2000, How the Grinch Stole Christmas wasn’t just another family holiday movie — it was a full-blown pop-culture phenomenon. Ron Howard and his crew turned Dr. Seuss’s 1957 classic into a live-action spectacle dripping with turn-of-the-millennium maximalism. Carrey’s Grinch is still one of the great comic performances of the era mixing weird creature effects with a full-blown existential meltdown. It’s the role that cemented him as the only actor unafraid (or unhinged enough) to try to out-Seuss Dr. Seuss.
Two decades later, How the Grinch Stole Christmas remains a strange and wonderful artifact of a bygone blockbuster era: a holiday movie made with the scale of a theme-park ride. It was easy to write off a movie like this at the time, but honestly? I don’t think we realized how good we had it.
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The Father, The Son, and The Holy Spirit? More like The Bat, The Cat, and The Penguin! Tim Burton’s 1992 pop masterpiece Batman Returns is coming back to The Frida Cinema! We believe wholeheartedly that it’s the ultimate Christmas movie, filled to the brim with gothic spectacle and holiday glam.
The monstrous Penguin, who dwells in the sewers beneath Gotham, joins up with corrupt mayoral candidate Max Shreck to topple the Batman once and for all. But when Shreck’s timid assistant Selina Kyle finds out, and Shreck tries to kill her, she’s transformed into the sexy Catwoman. She teams up with the Penguin and Shreck to destroy Batman, but sparks fly unexpectedly when she confronts the caped crusader.
With an all-star cast of Michael Keaton, Danny DeVito, Christopher Walken, and in incomparable Michelle Pfeiffer, Burton took the success of Batman (1989), and doubled down in the best way possible, creating the template that every sequel should strive for.
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Join Kermit, Miss Piggy, Gonzo, and the entire Muppet gang as we screen some special encores of The Muppet Christmas Carol!
Charles Dickens’ classic story gets the Muppet treatment as Ebenezer Scrooge (an extremely committed Michael Caine), a cold-hearted miser, is visited on Christmas Eve by the Ghosts of Christmas Past, Present, and Yet to Come. With help from Kermit’s Bob Cratchit, Miss Piggy’s Emily Cratchit, and a chorus of singing, joke-cracking Muppets, Scrooge is shown the impact of his greed — and given one last chance to open his heart and embrace the spirit of Christmas.
A little bit of Muppet mayhem is exactly what every holiday season needs. Don’t miss your chance to see this one on the big screen!
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Sex, bugs, and rock n’ roll! Our final In Defense Of…pick from 2026 comes courtesy of our Director Of Memberships, Bobby, as he’s chosen the 1996 cult comedy Joe’s Apartment!
Entirely a product of MTV’s weirdo golden age, Joe’s Apartment follows a fresh-faced transplant to New York who moves into the only place he can afford — a rundown East Village unit already occupied by an army of wisecracking, singing, dancing cockroaches.
Jerry O’Connell plays the perpetually overwhelmed Joe, whose attempts to survive city life quickly collapse under the chaos of his new six-legged roommates. With its mix of practical puppetry and anarchic cartoon energy, the film has become a cult favorite for anyone nostalgic for the heyday of midnight movies and VHS oddities.
About In Defense Of…: Who says critics and audiences get it right every time!? Revisit some of cinema’s most polarizing films, selected and presented by members of our staff!
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