What would you do if were framed for a murder…you had not committed yet?
The penultimate film in our Spielberg Summer series is the Tom Cruise-starrer Minority Report, a dazzling Sci Fi Thriller that imagines a world where crime can be stopped before it happens.
In Washington, D.C., of 2054, police captain John Anderton (Tom Cruise) leads a revolutionary unit that uses psychic visions to arrest murderers before they commit their crimes. But when Anderton himself is identified as a future killer, he goes on the run, determined to uncover the truth behind a system he once believed was infallible.
Based on the novel by Philip K. Dick, the film combines breathtaking action, Noir intrigue (something you’d think would be in more Spielberg projects), and startlingly prescient ideas about surveillance and predictive technology, making it one of smartest blockbusters of the 21st century.
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Our Spielberg Summer series ventures off-path and into the Fall as we visit the future in A.I. Artificial Intelligence, a haunting Science Fiction fairy tale that stands among the director’s most ambitious and deeply misunderstood works.
In a world where advanced robots live alongside humans, a young android named David (Haley Joel Osment) is programmed with the ability to love. When he is abandoned by the family he was created to join, David embarks on an extraordinary journey to become “real,” believing it is the only way to win back the affection he longs for.
Originally developed by Stanley Kubrick and ultimately realized by Spielberg, A.I. is an unsettling vision of technological loneliness. Over two decades later, its questions about what it means to love feel more relevant than ever, revealing a far more profound than many audiences recognized upon its release.
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Something has survived.
Our Spielberg Summer series ventures to The Lost World: Jurassic World, the oft-maligned sequel to the 1993 classic.
When mathematician Ian Malcolm (Jeff Goldblum) is pulled back into the dinosaur project after a second island is discovered, he joins a rescue expedition that quickly becomes a fight for survival as corporate greed and apex predators collide. What begins as a mission of observation spirals into full-scale chaos when dinosaurs prove, once again, who is higher on the food chain.
Darker and much more unruly than its predecessor, The Lost World: Jurassic Park explores the consequences of trying to manage wonder once it’s been unleashed. Spielberg leans into scale and spectacle, building some of the best set pieces of his career, each more intense than the last.
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An adventure 65 million years in the making.
Our Spielberg Summer series is taking a trip to Jurassic Park, the groundbreaking blockbuster that made audiences believe…and then run for their lives.
When a billionaire philanthropist unveils a revolutionary theme park filled with genetically resurrected dinosaurs, a small group of experts is invited to preview the island before opening day. But when the park’s security systems fail, paleontologists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern), along with mathematician Ian Malcolm (Jeff Goldblum), are forced to survive a prehistoric nightmare unleashed by the follies of human ambition.
A landmark in visual effects and suspense filmmaking, Jurassic Park remains one of cinema’s great “how did they do that?” experiences. Spielberg blends awe and terror in perfect balance, expanding his horizons to new themes that he would explore even more more in the second half of his career.
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He is afraid. He is totally alone. He is 3,000,000 light years from home.
Our Spielberg Summer series phones home with E.T. the Extra-Terrestrial, one of the most beloved family films ever made and a landmark of modern American cinema.
When a lonely young boy named Elliott discovers a stranded alien hiding near his home, the two form an unlikely friendship that changes both of their lives. As E.T. becomes part of Elliott’s family, the children must help their otherworldly companion evade government authorities and find a way back home before it’s too late.
Few films capture the wonder of childhood as beautifully as E.T. the Extra-Terrestrial. Spielberg transforms a simple story of friendship into something genuinely magical. Decades after audiences first watched that bicycle lift off against the moonlit sky, the film, like so many others from Spielberg, continues to inspire awe from audiences across the globe.
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We are not alone.
We’ve added some Spielberg Summer encores of the Director’s Cut of Close Encounters of the Third Kind, the director’s epically intimate Sci-Fi masterpiece!
After an inexplicable encounter with a mysterious object in the night sky, ordinary family man Roy Neary begins experiencing strange visions that consume his life and lead him toward a destiny he cannot understand. As reports of unexplained phenomena spread across the globe, Roy joins a growing search for answers that culminates in one of the most unforgettable finales in movie history.
Where many Sci Fi films imagine alien contact as a threat, Close Encounters of the Third Kind dares to imagine it as a miracle. Spielberg’s knack for groundbreaking visual effects with a deeply human sense of curiosity shine brightly here, paired, of course, with a brilliant score from the one and only John Williams. It’s a reminder of why we go to the movies in the first place.
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Dun dun dun dun dun. Dun dun dun dun dun. James Cameron’s block-busting Sci Fi/Action masterpiece, Terminator 2: Judgment Day, is headed to The Frida Cinema with a brand new 4K restoration just in time for July 4th!
A cyborg (Arnold Schwarzenegger) is sent into the past to protect Sarah Connor (Linda Hamilton) and her teen son John (Edward Furlong) from a new advanced model cyborg T-1000 (Robert Patrick) in a bid to stop a future war between humans and the intelligent machine SkyNet.
Hailed as one of the greatest sequels ever made, Terminator 2: Judgment Day remains the gold standard for action spectacle over 35 years after its initial release due to its cutting-edge visual effects and jaw-dropping stunts. But its that special James Cameron emotional punch that takes truly makes it next-level. Don’t miss it on the big screen!
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Play It By Fear is continuing their June Gloom programming as they present a Sunday Scaries screening of the black-and-white version of Frank Darabont and Stephen King’s The Mist!
After a violent storm, a dense cloud of mist envelops a small Maine town, trapping David Drayton and his five-year-old son in a local grocery store with other local residents. They soon discover that the mist conceals deadly horrors that threaten their lives, and worse, their sanity.
What can we say about The Mist that won’t spoil one of cinema’s best endings ever? It combines pulpy monster-movie thrills with a savage critique of fear-driven groupthink, and also features a career-defining turn from Marcia Gay Harden as the terrifyingly self-righteous Mrs. Carmody. Come see the version that Darabont always wanted audiences to see, as the black-and-white version proves superior for many fans!
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Mark Jenkin (Bait, Enys Men) is back with his latest mind-trip, Rose of Nevada, starring Callum Turner and George MacKay!
A mysterious boat returns to a village 30 years after vanishing. Two men join its crew hoping for better fortune. After one voyage, they find themselves transported back in time, mistaken for the original crew.
One of the most distinctive voices in contemporary UK art cinema, Mark Jenkin has made quite the name for himself for his handmade aesthetic, and Rose of Nevada looks to be more of that strange, melancholy folk-horror hybrid that we continue to be fascinated by.
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Power, space, time and a visitor.
We’re presenting a 4K restoration of the European Cut of Nicolas Roeg and David Bowie’s hypnotic masterwork The Man Who Fell to Earth, now celebrating 50 years since its initial release!
Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.
Fans of dreamlike, visually intoxicating cinema will find a lot to love in The Man Who Fell to Earth, which remains one of the cornerstones of 70s cult classic cinema.
Restoration: The restoration is based on a 4K scan of the original camera negative, followed by a full 4K workflow, with the approval of cinematographer Anthony Richmond.
Please note: we are screening the 139 minute European Cut of the film, also known as the Director’s Cut or Uncut version of the film!
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