The Frida Cinema is proud to present the brand new 40th anniversary 4K restoration of Michael Mann’s Manhunter, which is officially titles Manhunter: The Final Cut!
A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a serial killer of families and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). The third feature written and directed by Michael Mann is a gripping adaptation of the first of Thomas Harris’s four novels featuring the iconic murderer Lecktor, and benefits from the filmmaker’s typically striking visuals as well as a top-notch supporting cast, including Tom Noonan as the hunted killer and three-time Oscar nominee Joan Allen as his blind love interest.
This new 4K Final Cut, overseen by Mann, enhances the film’s depth, visual clarity and sound, offering audiences the ultimate immersive version. Shot in 1986, Manhunter was on a frontier in both its subject matter and film form, initiating an impressive list of subsequent films and series.
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You have the right to remain silent…dead silent.
Prepare to question everything you thought you knew about roundhouse kicks, thongs, and katana beheadings as Samurai Cop is finally coming back to The Frida Cinema! And as an extra special added bonus, stick around after the screening for an in-person Q&A with the stars of the film: Matthew Karedas, Cranston Komuro, and Gerald Okamura!
Joe (Matt Hannon, Sylvester Stallone’s one-time bodyguard) is the Samurai Cop, a rock of a man who will do literally whatever it takes to punish criminals—even if that means taking dozens of innocent lives in the process. Teamed with a truly hilarious partner (Mark Frazer), Joe embarks on a mindmelting sex-and-violence-fueled adventure against evil ninjas, drug dealers, and genre legend Robert Z’Dar (Maniac Cop)!
Directed by prolific Iranian ex-pat Amir Shervan, this reckless and outrageous gem is a true treasure of the trash-action pantheon! Don’t miss out!
Our guests will be setting up when doors open at 5pM for a meet-and-greet signing opportunity. The film will start at 7PM. Q&A will be around 8:45PM!
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Hitch a ride to come and see FilmWeek’s screening of Michael Mann’s 2004 neo-noir thriller Collateral at The Frida Cinema! And stick around after the screening as host Larry Mantle welcomes special guests (TBA) to discuss the film’s lasting impact!
Collateral follows a Los Angeles taxi driver, Max (Jamie Foxx), who unwittingly picks up a cold-blooded contract killer, Vincent (Tom Cruise). Over the course of a single night, Max is taken hostage and forced to drive Vincent to multiple stops to assassinate targets connected to a federal drug cartel. As the night unfolds, Max attempts to break free, ultimately turning the tables on his captor to protect the final witness.
The film was a critical and box office success, reaching the top spot in its opening weekend and earning Academy Award nominations for Best Film Editing and Best Supporting Actor for Jamie Foxx’s performance as Max.
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You may be done with the DVD, but it’s not done with you.
Director Joseph Scrimshaw will be in the house for a Q&A as we present a very special Saturday night screening of his new film Dead Media!
The story of a troubled young woman, her lonely Gen X uncle, a haunted DVD, and a movie night that won’t die.
“Dead Media is an exciting homage to great horror, cult classics, and the bygone era of DVD bonus features.” -Twin Cities Geek
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Our Spielberg Summer series concludes with some post-Thanksgiving screenings of War of the Worlds, his hauntingly realistic reinvention of a Sci Fi classic that transforms an alien invasion into a terrifying story of survival.
When colossal extraterrestrial machines suddenly emerge from beneath the Earth and begin annihilating entire cities, divorced dockworker Ray Ferrier (Tom Cruise) is forced to protect his children as civilization collapses around them. As humanity struggles to comprehend the scale of the catastrophe, Ray’s desperate journey becomes a fight not to save the world, but simply to keep his family alive.
Released in the shadow of a newly changed America, War of the Worlds channels post-9/11 anxieties into some of the most intense and visceral spectacle of Spielberg’s career. Stripping away triumphalism in favor of fear, the film stands as one of his darkest works. It’s a reminder that even at his most pessimistic, Spielberg never loses sight of the human beings at the center of the story, making it the perfect film to conclude our 14 film retrospective of his work.
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What would you do if were framed for a murder…you had not committed yet?
The penultimate film in our Spielberg Summer series is the Tom Cruise-starrer Minority Report, a dazzling Sci Fi Thriller that imagines a world where crime can be stopped before it happens.
In Washington, D.C., of 2054, police captain John Anderton (Tom Cruise) leads a revolutionary unit that uses psychic visions to arrest murderers before they commit their crimes. But when Anderton himself is identified as a future killer, he goes on the run, determined to uncover the truth behind a system he once believed was infallible.
Based on the novel by Philip K. Dick, the film combines breathtaking action, Noir intrigue (something you’d think would be in more Spielberg projects), and startlingly prescient ideas about surveillance and predictive technology, making it one of smartest blockbusters of the 21st century.
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Revenge gets ripped.
We’ve some encores of Rose Glass’ 2024 “be gay, do crime” thriller Love Lies Bleeding!
Love Lies Bleeding follows a gym manager, Lou, that falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.
Celebrated for its intense tone, blending elements of a gritty crime thriller, dark comedy, and surreal body horror, Love Lies Bleeding is an experience tailor-made for the big screen!
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Dun dun dun dun dun. Dun dun dun dun dun. James Cameron’s block-busting Sci Fi/Action masterpiece, Terminator 2: Judgment Day, is headed to The Frida Cinema with a brand new 4K restoration just in time for July 4th!
A cyborg (Arnold Schwarzenegger) is sent into the past to protect Sarah Connor (Linda Hamilton) and her teen son John (Edward Furlong) from a new advanced model cyborg T-1000 (Robert Patrick) in a bid to stop a future war between humans and the intelligent machine SkyNet.
Hailed as one of the greatest sequels ever made, Terminator 2: Judgment Day remains the gold standard for action spectacle over 35 years after its initial release due to its cutting-edge visual effects and jaw-dropping stunts. But its that special James Cameron emotional punch that takes truly makes it next-level. Don’t miss it on the big screen!
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Play It By Fear is continuing their June Gloom programming as they present a Sunday Scaries screening of the black-and-white version of Frank Darabont and Stephen King’s The Mist!
After a violent storm, a dense cloud of mist envelops a small Maine town, trapping David Drayton and his five-year-old son in a local grocery store with other local residents. They soon discover that the mist conceals deadly horrors that threaten their lives, and worse, their sanity.
What can we say about The Mist that won’t spoil one of cinema’s best endings ever? It combines pulpy monster-movie thrills with a savage critique of fear-driven groupthink, and also features a career-defining turn from Marcia Gay Harden as the terrifyingly self-righteous Mrs. Carmody. Come see the version that Darabont always wanted audiences to see, as the black-and-white version proves superior for many fans!
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Cutter does everything his way. Fighting. Loving. Working. Tracking down a killer.
Our Hallucinations series is detouring to the world of sun-soaked neo-Noir with Cutter’s Way!
Alex Cutter is a boozy, belligerent and deeply cynical Vietnam veteran whose encounter with a landmine during the war has left him minus an eye, a leg and an arm. When his drifter playboy friend Richard Bone is falsely accused of murder, Cutter sets out for revenge in his own inimitable style.
Cutter’s Way is one of the great overlooked neo-Noirs of the 1980s and an extremely cynical portrait of a country where power always seems untouchable.
Hosted by Polygon’s editor-in-chief Chris Plante, Hallucinations is a monthly event that spotlights movies that challenge our expectations of story, style, and “good taste”. We invite guests to bond over films that change what we expect from the medium, the world, and themselves. So come early, stay late, make friends, and watch something strange, surprising, or just shamelessly sick.
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