Join us this May for Neon Nightmares 2022 a month-long series of neon-soaked thrillers and art films!
Read MoreTag: Horror
Frida writing team member Austin Jaye dives into the digital rabbit hole of Jane Schoenbrun’s Sundance breakout, We’re All Going to the World’s Fair.
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Frida guest writer Sam Feldstein analyzes the meaning (or lack thereof) of The Lighthouse, Robert Eggers’ cryptic 2019 thriller.
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In anticipation of Eli Roth’s 50th birthday, Frida writing team member Justina Bonilla explores Hostel’s treatment of Latino identity through Jay Hernandez’s character Paxton.
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Love is in the air, but so is something else this month at the Frida! Our second WTF Wednesday screening commemorates the 40th anniversary of Altered States with a vibrant new 4K restoration of the film!
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It’s hard to believe that the first month of 2020 is already almost over, but we’re ending January at the Frida with a bang! Alongside Bong Joon-Ho’s monster hit Parasite, we’re presenting a weeklong run of Richard Stanley’s Color Out of Space! Starring Nicolas Cage, it’s looking to be his wildest movie since Mandy, which blew Frida guests away with its gritty story and kaleidoscopic color scheme when it played here a little over a year ago.
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Keep an out for monsters though as they’ll be lurking in the pine trees and doing their best to give you a holiday fright. If you stay strong and brave the scares, you’ll get to see three of the most off-the-wall movies to ever grace the holiday season.
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True to its nickname, the British company pumped out a series of horror films that terrified audiences around the world throughout the ’50s, ’60s, and ’70s. Breaking sharply from the stagy, black and white paradigm established by Universal’s Monster Movies, Hammer breathed new life into the genre with a flashy style that can best be described as Technicolor Gothic.
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The Frida Cinema’s Volunteer Pick for July: Bill Paxton’s FRAILTY! A film Stephen King called “unique, thought-provoking, edge-of-the seat entertainment.”
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