A Kubrick Christmas kicks off with 2001: A Space Odyssey, the director’s 1969 science fiction trip!

Opening in prehistoric times, the film jumps from early man’s discovery of a strange monolith and subsequent development of weaponry to hundreds of thousands of years into the future when humanity has mastered space travel. As the rest of their crew rests in hibernation, scientists Dave and Frank lead a mission to Jupiter to retrieve a mysterious ancient artifact, accompanied by sentient computer system HAL 9000. When HAL’s intellect and ego are challenged, the journey takes an ominous turn as the craft races closer to its cryptic destination.

Y2K, directed by Kyle Mooney, is a comedic romp through the chaos and absurdity of the turn-of-the-millennium panic.

Set on New Year’s Eve 1999, the film follows two slacker friends, played by Jaeden Martell and Mason Gooding, who find themselves in the middle of a wild house party as they try to save their hacker friend (Rachel Zegler) from the havoc she inadvertently unleashed on the world’s computer systems. As midnight approaches and Y2K hysteria peaks, the trio faces hilarious mishaps, bizarre party antics, and unexpected revelations, all while attempting to prevent a seemingly catastrophic meltdown.

A24 presents Queer, a romantic period drama by Luca Guadagnino set in Mexico City.

The film follows William Lee, portrayed by Daniel Craig, an American expatriate who leads a solitary existence among a small American community. His life takes a turn upon meeting Eugene Allerton, a young student played by Drew Starkey, igniting an intense and complex relationship. As Lee becomes infatuated with Allerton, the narrative delves into themes of desire, obsession, and the search for connection in a foreign land.

Our Kubrick Christmas and Page to Screen series crossover for A Clockwork Orange, the director’s 1971 adaptation of the Anthony Burgess novel!

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that’ll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?