David Cronenberg delivers an entirely new take on body horror, reinventing the game yet again with his new film The Shrouds. This dramatic sci-fi thriller is a reflective stunner that combines the maestro’s signature body horror with profound elder-statesman reflection. Entering his 80s, Cronenberg (The Fly, Dead Ringers, History of Violence) continues to find new ways to innovate what can be done with bodies in cinema, losing none of his edge while demonstrating a true sense of empathy; the result is a film that astonishes while also being his most accessible film since Eastern Promises. 

In an eerie, deceptively placid near-future, a techno-entrepreneur named Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to bear witness to the gradual decay of loved ones dead and buried in the earth. While Karsh is still reeling from the loss of his wife (Diane Kruger) from cancer—and falling into a peculiar sexual relationship with his wife’s sister (also Kruger)—a spate of vandalized graves utilizing his “shroud” technology begins to put his enterprise at risk, leading him to uncover a potentially vast conspiracy.

We are concluding our four month David Lynch retrospective by presenting The Elephant Man, his haunting sophomore feature, now in a breathtaking new 4K restoration from Paramount Pictures. One of the most emotionally resonant and visually arresting films of the 20th century, this is the perfect way to pay our final tributes.

Shot in stark, luminous black-and-white by the legendary Freddie Francis, and produced by Mel Brooks (yes, that Mel Brooks), this Victorian-era tragedy tells the true story of John Merrick (An unforgettable John Hurt), a severely deformed man exploited in a freak show before being taken under the wing of a sympathetic surgeon, Dr. Frederick Treves (a quietly commanding Anthony Hopkins). What follows is a delicate, devastating exploration of what it means to be human in a society obsessed with appearances.

With The Elephant Man, Lynch (Eraserhead, Blue Velvet, Mulholland Drive) stepped into the mainstream without sacrificing a shred of his uncanny sensibility—crafting a deeply compassionate portrait of otherness that still stuns over four decades later.

Join us as our friends at VAALA present a very special screening of Daydreamers, the brand new, highly-stylized, and extremely dramatic Vietnamese vampire film. from director Timothy Linh Bui. And as an added bonus, stick around after the screening for an in-person Q&A with the director himself!

Saigon, present day. Vampires, once predators of the night, are all but extinct. The few who remain cling to a desperate truce to not kill. But in the shadows, a brother’s thirst awakens, igniting a dark desire that will pit him against his own kind, shattering the fragile peace and plunging the city into a bloody new era.

Thank you to our friends at Dark Star Pictures for setting us up with this awesome screening!

Our 21st Century Cult series dives headfirst into psychological horror and comes out with one of the most claustrophobic, nerve-shredding films of the 2000s—Bug. Adapted from Tracy Letts’ stage play (he also wrote the screenplay), this fevered two-hander finds director William Friedkin (The French Connection, The Exorcist, Sorcerer, To Live and Die in L.A.) stripping things down to the bone: one motel room, two broken people, and a mounting delusion that morphs into full-blown apocalypse.

Ashley Judd gives a career-best performance as Agnes, a lonely, traumatized waitress holed up in a cheap Oklahoma motel. When she meets Peter (an always-electrifying Michael Shannon), a drifter with a haunted past and a theory about government-implanted bugs living under his skin, the two fall into a spiral of shared madness. What begins as a strange romance rapidly mutates into something terrifying, intimate, and hallucinatory—culminating in an operatic crescendo of love, paranoia, and self-immolation.