Celebrate 25 years of Wong Kar Wai’s In The Mood For Love with a brand new 4K restoration and a post-screening nine minute short film entitled In The Mood For Love 2001.

In The Mood For Love: Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu Wai) and Su Li-zhen (Maggie Cheung Man Yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping Bing, this film has been a major stylistic influence on the past 25 years of cinema.

In The Mood For Love 2001: Initially conceived as one third of a triptych about food, In the Mood for Love was expanded into a stand-alone feature that won immediate recognition as a modern-day classic. Another third—intended as the “dessert,” as Wong Kar Wai has put it—was, until now, only screened during his masterclass at the 2001 Cannes Film Festival. Now available in wide release for the first time, In the Mood for Love 2001 demonstrates the director’s masterful ability to generate palpable atmosphere and striking characterizations on a miniature canvas—with In the Mood for Love stars Tony Leung Chiu Wai and Maggie Cheung Man Yuk once again providing the sizzling chemistry— evoking the mystery of transient, unexpected connections in the modern city through his inimitable romantic touch.

For the first time in The Frida Cinema’s history, we are presenting a very special run of the 1993 Western classic Tombstone, with an emphasis on celebrating Val Kilmer’s electric performance as the legendary Doc Holliday! And to mark the occasion, we are, of course, running the brand new 4K restoration!

Directed by George P. Cosmatos (and, unofficially, co-directed by Kurt Russell), Tombstone tells the true-ish story of Wyatt Earp and his brothers as they attempt to leave the law behind and settle into a quiet life in Arizona—only to be drawn into a violent showdown with the outlaw gang known as the Cowboys. It’s lightning-fast, guns-blazing, and has an absolutely stacked cast.

In honor of Kilmer’s legendary performance and enduring legacy, we’re bringing the O.K. Corral back to the big screen—where legends belong.

Frida Cinema members are invited to a very special 30th anniversary screening of Claude Chabrol’s masterfully unsettling La Cérémonie, now restored in a beautiful 4K restoration via Janus Films!

Set in the quiet countryside of Brittany, the story follows a wealthy family who hires a new housekeeper, the enigmatic Sophie (Sandrine Bonnaire). When Sophie strikes up a friendship with the town’s outspoken postal clerk, Jeanne (the legendary Isabelle Huppert), the two women form a volatile bond that builds to an unforgettable and shocking conclusion. With chilling performances and an atmosphere thick with quiet menace, La Cérémonie is a slow-burn thriller that builds to a devastating crescendo.

Winner of the César Award for Best Actress and widely considered one of Chabrol’s finest films, La Cérémonie is a must-see for fans of dark psychological drama and French cinema at its most provocative.

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Fans of atmospheric horror and psychological dread are in luck! The next film in our Hallucinations series is 1971’s Let’s Scare Jessica To Death! 

Recently released from a mental institution, Jessica moves to the countryside with her husband and a friend, hoping for peace and a fresh start. Instead, she finds whispers in the orchard, strangers in the lake, and the creeping suspicion that either she’s being haunted—or she’s slipping back into madness. Directed by John Hancock, scored with ghostly minimalism, and photographed like a faded dream, this is New England horror at its most hushed and haunting.

Released in 1971 to little fanfare and growing cult reverence, it remains one of the most quietly devastating and psychically destabilizing horror films of its era.

Hosted by Polygon’s editor-in-chief Chris Plante, Hallucinations is a monthly event that spotlights movies that challenge our expectations of story, style, and “good taste”. Plante will introduce each film with some behind-the-scenes history and critical context. With Hallucinations, The Frida Cinema wants to build a communal space for lovers of Weird Cinema. We invite guests to bond over films that change what we expect from the medium, the world, and themselves. So come early, stay late, make friends, and watch something strange, surprising, or just shamelessly sick.

Oliver Stone’s The Doors: The Final Cut is a psychedelic firestorm—a feverish vision of the ‘60s rock myth, driven by rebellion, poetry, and the endless search for something beyond the veil. But at the center of it all is Val Kilmer, vanishing into the role of Jim Morrison with such uncanny depth, voice, and electricity that even bandmates couldn’t tell where the frontman ended and the actor began.

Following Morrison’s meteoric rise—from UCLA film student to rock god to haunted wanderer—the film pulses with chaos, charisma, and the tragic gravity of a man burning too bright, too fast. It’s a swirling mix of surreal imagery, concert ecstasy, and Stone’s trademark intensity, backed by iconic music that still rattles the bones.

Come celebrate another one of Kilmer’s most celebrated performances loud on the big screen!