Hot off of screening at Toronto International Film Festival, The Frida Cinema is excited to present weeklong run of Sam Hayes’ new film Pools. 

Kennedy has one day to get her shit together or get kicked out of school for good. Instead of buckling down, she rallies a ragtag crew for a midnight pool-hopping adventure through the lavish estates of her college town. But under the surface, Kennedy is searching for answers to the questions tearing her up inside in the wake of her father’s death. As the secrets spill, this wild escape becomes a cathartic journey of self-discovery.

Love, Brooklyn is about Brooklynite writer assigned with writing a piece on the borough’s renaissance post-COVID. With his work deadline looming, he bikes around the borough, and at the same navigates the complexities of intertangled relationships in his life, including with: Casey (Nicole Beharie), his gallerist ex-girlfriend whom he is trying to remain friends with and who is dealing with her own professional deadlines; Nicole (DeWanda Wise), his new situationship who is a recent widow and new single mother studying to be a massage therapist; and Alan (Roy Wood Jr.), his best friend who is increasingly interested in cheating on his wife. Like Brooklyn itself, our characters are at moments in their lives where they need to leap forward while also needing to hold onto the pasts that have shaped them.

Premiering at Sundance earlier this year, Love, Brooklyn is a deeply romantic film, focusing on the connections of these characters and how they choose to operate within a changing world, both individually and together. The film’s tone is remarkably lovely in a way that we so rarely get to see from romantic dramas.

The film is the debut feature from filmmaker Rachael Abigail Hodler, and a large part of her intention in achieving this tone was to tell a story of Black people that isn’t seeped in tragedy. As she put it in her director’s statement from the film’s Sundance press notes: “As a filmmaker, I want to tell stories about sensitive Black people who cry and feel, in life not tragic or saccharine… I hope to expand the representation of what it means to be Black and what’s cool about this moment of inclusion in storytelling is that I don’t have to try to represent Blackness as a whole or all Black people. I can be really specific with how I see people, how they love, hide from love and ultimately show up for it. I want to show the soft parts of the people who look like me. I want to show the sensitive bits that show up, not when we are in danger or inferior but when we are in love.”

FanMail Cinema Club is invading The Frida for the first time as they are presenting a very special screening of the 2004 animated classic Shrek 2, featuring themed mini-cakes by Keelys Cake Studio, face painting by La Rainbow Fiesta, merch and photo ops by FanMail Cinema Club, a cosplay contest, and so much more! 

Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona’s mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there’s tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.

Don’t miss this laugh riot on the big screen with a rowdy crowd full of Shrek fans! Doors open at 7:00PM and the movie will start at 8:15PM sharp!

Do you know anything about witches? A technicolor nightmare bathed in neon light and scored to the pounding, otherworldly rhythms of Goblin, Dario Argento’s Suspiria is a singular, sensory assault and one of the most iconic horror films ever made. 

Suzy (Jessica Harper) travels to Germany to attend ballet school. When she arrives, late on a stormy night, no one lets her in, and she sees Pat (Eva Axén), another student, fleeing from the school. What happens after that is a descent into colorful mystery madness that only Argento could deliver.

Released in 1977 and still unlike anything before or since, Suspiria is the film Argento will be remembered for: a Giallo that transcends the genre, dripping with dread, saturated in color, and terrifying in ways that defy logic. It’s horror as high art—and high art as hallucination. Don’t miss this certified Frida Cinema favorite loud and proud on the big screen where it belongs!

Just added: Writer/Director Joe Begos will be joining us for the 11PM Friday night screening of Jimmy & Stiggs!

Writer/Director Joe Begos (VFW, Bliss, Christmas Bloody Christmas) is back! And this time, he’s brought his A-game with a drug-fueled, wall-to-wall frenzy that pulls no punches from the moment it begins. Channeling the hectic, chaotic brilliance of Jackson, Raimi, and other masters, Begos infuses his own unique tone and craftsmanship into Jimmy & Stiggs!

A shitstorm of bad news sends out of work filmmaker Jimmy Lang (Joe Begos) spiraling into an out of control bender, during which he claims to have been abducted by aliens. Fearing they’ll come back, he contacts his old friend Stiggs (Matt Mercer) to help him gear up for war. When the sun sets, the duo are thrown into a hallucinatory explosion of aliens, drugs, booze, and all out carnage.