Days and Nights in the Forest

Adapted from Sunil Gangopadhyay’s celebrated 1968 novel, Days and Nights in the Forest is one of director Satyajit Ray’s greatest achievements, a modern search for connection that conjures the timeless resonance of a folktale.

Desperate to flee Calcutta’s rat race, four friends, Ashim (Soumitra Chatterjee), Sanjoy (Subhendu Chatterjee), Hari (Samit Bhanja), and Shekhar (Rabi Ghosh), drive to Palamu, one of India’s rural “tribal lands,” where they bribe a watchman into letting them stay at a sylvan guesthouse. Despite vowing to get away from it all, the crew soon mixes with the locals, including a woodland family: the soulful yet mischievous Aparna (Sharmila Tagore) takes to the overconfident Ashim, while her widowed sister-in-law Jaya (Kaberi Bose) grows closer to the bookish Sanjoy. At the same time, Hari, fresh off a break-up, woos a Santal girl named Duli (Simi Garewal); and Shekhar, despite his own penchant for gambling, tries to rein in his companions’ boozy hedonism.

Filled with some of Ray’s most indelible characterizations and lavish images (shot by longtime cinematographer Soumendu Roy), Days and Nights in the Forest touches on masculine vulnerabilities and Indian class divisions with the graceful complexity of a master at his peak.

Restored in 4K in 2025 by The Film Foundation’s World Cinema Project and Film Heritage Foundation in collaboration with Janus Films – The Criterion Collection at L’Immagine Ritrovata laboratory, from the original camera and sound negatives provided by Purnima Dutta and the magnetic track preserved by BFI National Archive. Funding provided by the Golden Globe Foundation. Special thanks to Wes Anderson and Sandip Ray.

Adapted from Sunil Gangopadhyay’s celebrated 1968 novel, Days and Nights in the Forest is one of director Satyajit Ray’s greatest achievements, a modern search for connection that conjures the timeless resonance of a folktale.
Desperate to flee Calcutta’s rat race, four friends, Ashim (Soumitra Chatterjee), Sanjoy (Subhendu Chatterjee), Hari (Samit Bhanja), and Shekhar (Rabi Ghosh), drive to Palamu, one of India’s rural “tribal lands,” where they bribe a watchman into letting them stay at a sylvan guesthouse. Despite vowing to get away from it all, the crew soon mixes with the locals, including a woodland family: the soulful yet mischievous Aparna (Sharmila Tagore) takes to the overconfident Ashim, while her widowed sister-in-law Jaya (Kaberi Bose) grows closer to the bookish Sanjoy. At the same time, Hari, fresh off a break-up, woos a Santal girl named Duli (Simi Garewal); and Shekhar, despite his own penchant for gambling, tries to rein in his companions’ boozy hedonism.
Filled with some of Ray’s most indelible characterizations and lavish images (shot by longtime cinematographer Soumendu Roy), Days and Nights in the Forest touches on masculine vulnerabilities and Indian class divisions with the graceful complexity of a master at his peak.
Restored in 4K in 2025 by The Film Foundation’s World Cinema Project and Film Heritage Foundation in collaboration with Janus Films – The Criterion Collection at L’Immagine Ritrovata laboratory, from the original camera and sound negatives provided by Purnima Dutta and the magnetic track preserved by BFI National Archive. Funding provided by the Golden Globe Foundation. Special thanks to Wes Anderson and Sandip Ray.

  1. 1:30 pm

Harold and Maude

Join us as we continue or Tribute To Bud Cort series his wonderful performance in Hal Ashby’s Harold and Maude, making its annual return to The Frida Cinema. 

The young Harold (Bud Cort) lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude (Ruth Gordon) who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.

Beloved for its quirky humor and tender tone, Harold and Maude is fondly remembered as a black comedy with serious heart.

Beloved character actor Bud Cort built a career out of making the unusual unforgettable. From his odd bird performance in Brewster McCloud to his tender, offbeat turn in Harold And Maude, he gave us a lifetime of bringing humanity to the outsiders he inhabited. Join us in March 2026 as we pay tribute to his work.

Join us as we continue or Tribute To Bud Cort series his wonderful performance in Hal Ashby’s Harold and Maude, making its annual return to The Frida Cinema. 
The young Harold (Bud Cort) lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude (Ruth Gordon) who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.
Beloved for its quirky humor and tender tone, Harold and Maude is fondly remembered as a black comedy with serious heart.
Beloved character actor Bud Cort built a career out of making the unusual unforgettable. From his odd bird performance in Brewster McCloud to his tender, offbeat turn in Harold And Maude, he gave us a lifetime of bringing humanity to the outsiders he inhabited. Join us in March 2026 as we pay tribute to his work.

  1. 5:30 pm
  2. 8:00 pm

The Handmaiden

We’re getting revenge for Park Chan-Wook’s Academy Award snubs this year the only way we know how: bringing back a bona fide Frida Cinema classic–his 2016 twist-filled psychological drama The Handmaiden. 

1930s Korea, in the period of Japanese occupation, a new girl, Sookee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to steal her fortune.

A meticulously-crafted and lush tale of deception, The Handmaiden is the ultimate film about desire amongst shifting loyalties.

We’re getting revenge for Park Chan-Wook’s Academy Award snubs this year the only way we know how: bringing back a bona fide Frida Cinema classic–his 2016 twist-filled psychological drama The Handmaiden. 
1930s Korea, in the period of Japanese occupation, a new girl, Sookee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to steal her fortune.
A meticulously-crafted and lush tale of deception, The Handmaiden is the ultimate film about desire amongst shifting loyalties.

  1. 8:15 pm

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