Moneyball

MLB playoffs are heating up…Christian’s Staff Pick for the month is in…man, how could you not be romantic about baseball?

That’s right, we’re screening Moneyball for our October Staff Pick! 

Billy Beane (Brad Pitt) is the general manager of the Oakland A’s, and he has a problem: after losing his best players to wealthier teams, he’s got almost no money to rebuild. His answer is unconventional–partner with young statistician Peter Brand (Jonah Hill) and use data to find undervalued players that everyone else has overlooked.

Based on Michael Lewis’s bestselling book, Bennett Miller’s Moneyball turns the seemingly dry world of baseball statistics into a gripping underdog story about challenging conventional wisdom. With a sharp screenplay from Steven Zaillian and Aaron Sorkin, a terrific ensemble featuring Philip Seymour Hoffman and Chris Pratt, and Brad Pitt giving one of his most effortlessly charismatic performances, the film became a modern sports classic.

MLB playoffs are heating up…Christian’s Staff Pick for the month is in…man, how could you not be romantic about baseball?
That’s right, we’re screening Moneyball for our October Staff Pick! 
Billy Beane (Brad Pitt) is the general manager of the Oakland A’s, and he has a problem: after losing his best players to wealthier teams, he’s got almost no money to rebuild. His answer is unconventional–partner with young statistician Peter Brand (Jonah Hill) and use data to find undervalued players that everyone else has overlooked.
Based on Michael Lewis’s bestselling book, Bennett Miller’s Moneyball turns the seemingly dry world of baseball statistics into a gripping underdog story about challenging conventional wisdom. With a sharp screenplay from Steven Zaillian and Aaron Sorkin, a terrific ensemble featuring Philip Seymour Hoffman and Chris Pratt, and Brad Pitt giving one of his most effortlessly charismatic performances, the film became a modern sports classic.

  1. 2:00 pm

Something Wild

It’ll come as no surprise to any Jonathan Demme fan to find one of his films in our Unsung 80’s Soundtracks series. From the filmmaker who gave us Q Lazzarus’ “Goodbye Horses,” Bruce Springsteen’s Oscar-winning “Streets of Philadelphia,” and, of course, the electrifying sounds of Talking Heads in Stop Making Sense, comes 1986’s Something Wild, a quirky romantic comedy that gradually turns into…well, something quite wild.

Jeff Daniels stars as Manhattan businessman Charles Driggs, a relatively square individual whose uneventful life is upended when he meets the mysterious and free-spirited Lulu (Melanie Griffith). After she impulsively “kidnaps” him from a restaurant, the two head out on a road trip that becomes increasingly unpredictable adventure when they cross paths with Lulu’s dangerous ex-husband, Ray Sinclair (Ray Liotta). Funny, sexy, strange, and surprisingly unsettling, Something Wild is one of the great genre-shifting movies of the 1980s, and an early showcase for the late, great Liotta.

Demme fills his film with a remarkably eclectic mix of ’80s new wave, punk, rock, and pop, featuring Talking Heads, New Order, The Feelies, The Pretenders, and others. The music doesn’t simply serve as background decoration; it helps chart the film’s transformation from playful road movie to something darker. The soundtrack was released as a compilation alongside the film, and like so much of Demme’s work, it reflects a director with an unusually sharp ear for music, and a knack for finding exactly the right song for the moment.

It’ll come as no surprise to any Jonathan Demme fan to find one of his films in our Unsung 80’s Soundtracks series. From the filmmaker who gave us Q Lazzarus’ “Goodbye Horses,” Bruce Springsteen’s Oscar-winning “Streets of Philadelphia,” and, of course, the electrifying sounds of Talking Heads in Stop Making Sense, comes 1986’s Something Wild, a quirky romantic comedy that gradually turns into…well, something quite wild.
Jeff Daniels stars as Manhattan businessman Charles Driggs, a relatively square individual whose uneventful life is upended when he meets the mysterious and free-spirited Lulu (Melanie Griffith). After she impulsively “kidnaps” him from a restaurant, the two head out on a road trip that becomes increasingly unpredictable adventure when they cross paths with Lulu’s dangerous ex-husband, Ray Sinclair (Ray Liotta). Funny, sexy, strange, and surprisingly unsettling, Something Wild is one of the great genre-shifting movies of the 1980s, and an early showcase for the late, great Liotta.
Demme fills his film with a remarkably eclectic mix of ’80s new wave, punk, rock, and pop, featuring Talking Heads, New Order, The Feelies, The Pretenders, and others. The music doesn’t simply serve as background decoration; it helps chart the film’s transformation from playful road movie to something darker. The soundtrack was released as a compilation alongside the film, and like so much of Demme’s work, it reflects a director with an unusually sharp ear for music, and a knack for finding exactly the right song for the moment.

  1. 5:00 pm

The Haunting

We’ve added a Sunday evening encore of the terrifying 1963 version of The Haunting!

Dr. John Markway assembles a small group of guests to investigate the notoriously haunted Hill House, a sprawling mansion with a dark history of death and tragedy. Among them is Eleanor Vance, a shy and emotionally fragile woman who soon finds herself increasingly convinced that the house has chosen her as its next victim.

Directed by Robert Wise, The Haunting is widely regarded as one of the greatest haunted house films ever made, creating terror almost entirely through suggestion and atmosphere rather than explicit horror. With its disorienting camera work and unsettling sound design, the movie has survived as one of the most genuinely spooky movies ever made!

We’ve added a Sunday evening encore of the terrifying 1963 version of The Haunting!
Dr. John Markway assembles a small group of guests to investigate the notoriously haunted Hill House, a sprawling mansion with a dark history of death and tragedy. Among them is Eleanor Vance, a shy and emotionally fragile woman who soon finds herself increasingly convinced that the house has chosen her as its next victim.
Directed by Robert Wise, The Haunting is widely regarded as one of the greatest haunted house films ever made, creating terror almost entirely through suggestion and atmosphere rather than explicit horror. With its disorienting camera work and unsettling sound design, the movie has survived as one of the most genuinely spooky movies ever made!

  1. 7:30 pm

Possession

Please note: the 10:00PM screening on Friday, October 16th will have an intro by our friends at Cinematic Void and The American Cinematheque!

Andrzej Żuławski’s unforgettable cult classic Possession is the next film in our Art House of Horrors: Presented by MUBI series!

When Mark (Sam Neill) returns home to West Berlin, he discovers that his wife Anna (Isabelle Adjani) wants a divorce, and that something far stranger than another man may be tearing their marriage apart. As their relationship spirals into obsession, jealousy, and violence, Mark begins to suspect that Anna is hiding a horrifying secret.

It’s unclassifiable, and yet…it’s a total masterpiece that finds its way back to our screens at least once a year. It’s is a fever dream of marital breakdown, anchored by two astonishing performances. Isabelle Adjani (winner of Best Actress at the Cannes Film Festival that year) throws herself into one of cinema’s most legendary displays of emotional and physical extremity, while the late, great Sam Neill gives a raw performance that helped introduce audiences to a face they would come to know and love for the next forty years.

Please note: the 10:00PM screening on Friday, October 16th will have an intro by our friends at Cinematic Void and The American Cinematheque!
Andrzej Żuławski’s unforgettable cult classic Possession is the next film in our Art House of Horrors: Presented by MUBI series!
When Mark (Sam Neill) returns home to West Berlin, he discovers that his wife Anna (Isabelle Adjani) wants a divorce, and that something far stranger than another man may be tearing their marriage apart. As their relationship spirals into obsession, jealousy, and violence, Mark begins to suspect that Anna is hiding a horrifying secret.
It’s unclassifiable, and yet…it’s a total masterpiece that finds its way back to our screens at least once a year. It’s is a fever dream of marital breakdown, anchored by two astonishing performances. Isabelle Adjani (winner of Best Actress at the Cannes Film Festival that year) throws herself into one of cinema’s most legendary displays of emotional and physical extremity, while the late, great Sam Neill gives a raw performance that helped introduce audiences to a face they would come to know and love for the next forty years.

  1. 8:00 pm

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