I Saw The TV Glow is back at The Frida to celebrate the upcoming release of Jane Schoenbrun’s new film, Teenage Sex & Death at Camp Miasma, opening at The Frida on 8/21!
Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious late-night TV show, a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
Only a couple years after after its initial release on our screens, I Saw The TV Glow has been one of our most requested bring-back titles. Bathed in neon light and aching nostalgia, Schoenbrun transforms the language of cult television and suburban adolescence into something deeply personal, crafting a film that is both an eerie fantasy and an emotionally devastating portrait of self-discovery. Few films have ever resonated so deeply with our audience.
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Oscar-nominated animated film Memoir Of A Snail has finally slithered its way to The Frida Cinema! And after the film, stick around for a pre-recorded Q&A with filmmaker Adam Elliot & George Miller!
Grace Pudel is a lonely misfit with an affinity for collecting ornamental snails and an intense love for books. At a young age, when Grace is separated from her twin brother Gilbert, she falls into a spiral of anxiety and angst. Despite a continued series of hardships, inspiration and hope emerge when she strikes up an enduring friendship with an elderly eccentric woman named Pinky, who is full of grit and lust for life. Memoir of a Snail is a poignant, heartfelt, hilarious chronicle of the life of an outsider finding her confidence and silver linings amongst the clutter of everyday life.
Adam Elliot is an Academy Award winning independent animator and visual artist based in Melbourne Australia. His animated films and imagery are what he calls, Clayographies, clay animated biographies based on the bittersweet lives of his family and friends. He has created seven animated films including, Memoir of a Snail, Mary and Max, Harvie Krumpet, Ernie Biscuit, Brother, Cousin and Uncle.
Please note: Memoir Of A Snail is rated R for Restricted!
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21st Century Cult moves along with Suspiria, Luca Guadagnino’s 2018 remake of the Dario Argento horror classic!
Young American dancer Susie Bannion (Dakota Johnson) arrives in 1970s Berlin to audition for the world-renowned Helena Markos Dance Company. When she vaults to the role of lead dancer, the woman she replaces breaks down and accuses the company’s female directors of witchcraft. Meanwhile, an inquisitive psychotherapist (Tilda Swinton) and a member of the troupe (Mia Goth) uncover dark and sinister secrets as they probe the depths of the studio’s hidden underground chambers.
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The bona fide Cannes classic, and a beloved gem, Slovenian film Valley Of Peace is making its way to The Frida Cinema for a special FREE SCREENING courtesy of our friends at SEEfest! Doors open at 5:00PM and the film begins at 5:15PM!
John Kitzmiller, an American GI from WWII, was the very first Black actor ever to win Best Actor Prize in Cannes in 1957! Virtually unknown in the U.S., John Kitzmiller’s celebration has long been overdue for his trailblazing path in the cinema of the 1950s and 60s. Kitzmiller’s star turn and a timeless war time story crowned Valley Of Peace one of the enduring Cannes Classics and masterpieces about humanity in war times.
Set during the final days of WWII, the story follows a young Slovenian boy and a German girl, both orphaned by bombing raids, as they embark on a quest to find a mythical “Valley of Peace.” Along the way they are joined by a black American pilot who has crash-landed behind German forces retreating from Italy. They represent a symbolic triangle of peace in this adventure happening in the middle of a war.
SEEfest program and activities are supported, in part, by the California Arts Council, a state agency; Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture; by a grant from the Department of Cultural Affairs, City of Los Angeles; ELMA Foundation for European Movies in America, and California Humanities. We are deeply grateful for their continued support of our programs.
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Frida Cinema members are invited to exclusive 50th anniversary screenings of the Gene Hackman neo-noir thriller Night Moves! Now in a brand new 4K restoration, the movie remains one of the underseen and underrated gems of the 1970s, wildly seen as the best decade in American cinema.
Private detective and former football player Harry Moseby gets hired on to what seems a standard missing person case, as a former Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her daughter. Harry travels to Florida to find her, but he begins to see a connection between the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light.
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The nationwide Science on Screen® program returns to The Frida with Christopher Nolan’s Oppenheimer, which will open with live presentation “Oppenheimer, Quantum Mechanics, and the Structure of Reality” presented by Dr. Jacob Barandes, philosopher of science and mathematical physicist at Harvard.
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James Ashcroft’s The Rule of Jenny Pen is a psychological horror film set in the unsettling confines of a retirement home where the lines between reality and delusion blur.
The story follows Judge Stefan Mortensen (Geoffrey Rush), a once-powerful legal mind now weakened by a stroke and struggling to adjust to life in the facility. There, he encounters Dave Crealy (John Lithgow), a seemingly harmless resident who uses a hand puppet named Jenny Pen to exert a disturbing influence over the other inhabitants. As Mortensen begins to suspect that Crealy’s antics are more sinister than they appear, he faces skepticism from staff and fellow residents, forcing him into a desperate battle to uncover the truth before he too falls under Jenny Pen’s rule.
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Delight in Jean-Luc Godard’s A Woman Is a Woman, a playful and unconventional homage to the American musical and a bold experiment in the language of cinema presented in a new 4K restoration!
The film follows Angela (Anna Karina), a vivacious Parisian striptease artist who desperately wants to have a child. However, her boyfriend Émile (Jean-Claude Brialy) is reluctant, leading Angela to flirt with his best friend Alfred (Jean-Paul Belmondo) in an attempt to provoke jealousy and perhaps find a willing father. Blending humor, romance, and self-aware cinematic tricks, Godard deconstructs genre conventions with his signature jump cuts, bold color compositions, and fourth-wall-breaking dialogue.
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Witness the dramatic side of dance with Bob Fosse’s All That Jazz, a semi-autobiographical musical drama that blurs the line between reality and fantasy in a dazzling, feverish spectacle, screening for The Frida Zinema in anticipation of their Musical March Madness issue! Copies will be available for purchase in the lobby.
The film follows Joe Gideon (Roy Scheider), a brilliant yet self-destructive Broadway director and choreographer, as he juggles his demanding career, multiple relationships, and an increasing dependence on drugs and alcohol. As he edits his latest film by day and rehearses a new stage production by night, his health deteriorates, leading him into a surreal, hallucinatory journey where he confronts his own mortality.
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Our Hallucinations series continues with Isao Fujisawa’s Bye Bye Love, a poignant Japanese road movie that captures the spirit of youthful rebellion and existential searching.
The film follows Utamaro, a disillusioned young drifter, who crosses paths with Giko, a mysterious and gender-fluid wanderer. Together, they embark on a journey across Japan, engaging in petty crimes and forging an intense, complicated relationship as they attempt to escape both the law and the constraints of societal expectations. As their journey unfolds, Utamaro is forced to confront his own notions of identity, love, and freedom, leading to moments of deep introspection and emotional reckoning.
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