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Diciannove

The Italian coming-of-age film Diciannove is making its way to The Frida Cinema!

The highs and lows of a restless youth collide headlong into the concrete realities of adulthood when Leonardo, a teenager from Palermo leaves home for the first time. His studies land him in Siena, by way of London, where he clashes with his instructor, the curriculum, and most chaotically, with himself. Produced by Luca Guadagnino, Diciannove (nineteen), marks the feature filmmaking debut of writer-director Giovanni Tortorici, a bold, brash and bemusing filmmaking talent.

Winner of the Queer Lion Award at Venice International Film Festival in 2024, Diciannove has been celebrated all over the world and is finally coming stateside!

The Italian coming-of-age film Diciannove is making its way to The Frida Cinema!
The highs and lows of a restless youth collide headlong into the concrete realities of adulthood when Leonardo, a teenager from Palermo leaves home for the first time. His studies land him in Siena, by way of London, where he clashes with his instructor, the curriculum, and most chaotically, with himself. Produced by Luca Guadagnino, Diciannove (nineteen), marks the feature filmmaking debut of writer-director Giovanni Tortorici, a bold, brash and bemusing filmmaking talent.
Winner of the Queer Lion Award at Venice International Film Festival in 2024, Diciannove has been celebrated all over the world and is finally coming stateside!

  1. 12:00 pm

The Cook, the Thief, His Wife & Her Lover

This August, The Frida Cinema proudly presents Greenaway & Nyman, a film series celebrating four of the most iconic collaborations between filmmaker Peter Greenaway and composter Michael Nyman. We close our series with Greenaway’s 1989 masterpiece The Cook, The Thief, His Wife & Her Lover, a lurid, operatic masterpiece of gluttony, sumptuous beauty, and brutal vengeance, all set to Nyman’s famously haunting score, and almost entirely within the lavish confines of a French restaurant.

Albert Spica (Michael Gambon), a grotesquely boorish gangster, terrorizes guests and staff with his vulgarity and violence night after night at a fancy restaurant named Le Hollandais. His long-suffering wife Georgina (Helen Mirren), who quietly endures his abuse, begins a passionate affair with a gentle bookseller (Alan Howard), meeting him in secret among the restaurant’s corridors, kitchens, and storerooms. What unfolds is a richly stylized operatic tragedy, with color-coded sets that shift with each room, vibrant costumes by Jean-Paul Gaultier, and one of Michael Nyman’s most iconic scores.

This August, The Frida Cinema proudly presents Greenaway & Nyman, a film series celebrating four of the most iconic collaborations between filmmaker Peter Greenaway and composter Michael Nyman. We close our series with Greenaway’s 1989 masterpiece The Cook, The Thief, His Wife & Her Lover, a lurid, operatic masterpiece of gluttony, sumptuous beauty, and brutal vengeance, all set to Nyman’s famously haunting score, and almost entirely within the lavish confines of a French restaurant.
Albert Spica (Michael Gambon), a grotesquely boorish gangster, terrorizes guests and staff with his vulgarity and violence night after night at a fancy restaurant named Le Hollandais. His long-suffering wife Georgina (Helen Mirren), who quietly endures his abuse, begins a passionate affair with a gentle bookseller (Alan Howard), meeting him in secret among the restaurant’s corridors, kitchens, and storerooms. What unfolds is a richly stylized operatic tragedy, with color-coded sets that shift with each room, vibrant costumes by Jean-Paul Gaultier, and one of Michael Nyman’s most iconic scores.

  1. 12:00 pm
  2. 7:30 pm

The Quiet Man

Our Technicolor Summer series heads to the rolling green hills of Ireland with The Quiet Man—a sweeping romantic classic brimming with fiery passions, heartfelt tradition, and postcard-perfect landscapes.

John Wayne stars as Sean Thornton, a retired American boxer who returns to his Irish roots in the village of Innisfree, hoping to leave his past behind and live a quiet life. But peace proves elusive when he falls for the strong-willed Mary Kate Danaher (Maureen O’Hara), whose pride and fiery spirit are matched only by the land itself. Their courtship is as tempestuous as the Irish weather, complicated by local customs, family pride, and a brother with a grudge.

Directed by John Ford with deep affection and painterly vision, The Quiet Man is as much a love letter to Ireland as it is a love story between two unforgettable characters.

In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!

Our Technicolor Summer series heads to the rolling green hills of Ireland with The Quiet Man—a sweeping romantic classic brimming with fiery passions, heartfelt tradition, and postcard-perfect landscapes.
John Wayne stars as Sean Thornton, a retired American boxer who returns to his Irish roots in the village of Innisfree, hoping to leave his past behind and live a quiet life. But peace proves elusive when he falls for the strong-willed Mary Kate Danaher (Maureen O’Hara), whose pride and fiery spirit are matched only by the land itself. Their courtship is as tempestuous as the Irish weather, complicated by local customs, family pride, and a brother with a grudge.
Directed by John Ford with deep affection and painterly vision, The Quiet Man is as much a love letter to Ireland as it is a love story between two unforgettable characters.
In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!

  1. 2:30 pm

Clueless

As if! It’s been 30 years since Cher Horowitz first schooled us in the art of high school survival—and we’re celebrating it in style.

Amy Heckerling’s Clueless remains the ultimate ’90s teen comedy: sharp, stylish, and endlessly quotable. Follow Cher, Dionne, and the gang through Beverly Hills’ hallways and malls as they navigate friendship, fashion, and, of course, the quest to find the perfect date.

Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school’s pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was — and falls for him.

As if! It’s been 30 years since Cher Horowitz first schooled us in the art of high school survival—and we’re celebrating it in style.
Amy Heckerling’s Clueless remains the ultimate ’90s teen comedy: sharp, stylish, and endlessly quotable. Follow Cher, Dionne, and the gang through Beverly Hills’ hallways and malls as they navigate friendship, fashion, and, of course, the quest to find the perfect date.
Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school’s pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was — and falls for him.

  1. 2:45 pm

The Vengeance of the Crying Woman

Santo Sundays keeps on truckin’ with Santo Y Mantequilla Nápoles En La Venganza De La Llorona!

El Santo & boxer Mantequilla Nápoles  assist a professor in finding a medallion that will be used to help local children. The medallion is worn by a mummy in a cave, known as “The Crying Woman”. The mummy soon comes to life & terrorizes the locals!

Trash-Mex is proud to collaborate with Permanencia Voluntaria Archivo Cinematográfico for a special screening series of Mexican icon El Santo. Join us every other Sunday this Summer for a total of eight of his greatest hits! All films will be presented in Spanish with English subtitles. Admission is $9.

Santo Sundays keeps on truckin’ with Santo Y Mantequilla Nápoles En La Venganza De La Llorona!
El Santo & boxer Mantequilla Nápoles  assist a professor in finding a medallion that will be used to help local children. The medallion is worn by a mummy in a cave, known as “The Crying Woman”. The mummy soon comes to life & terrorizes the locals!
Trash-Mex is proud to collaborate with Permanencia Voluntaria Archivo Cinematográfico for a special screening series of Mexican icon El Santo. Join us every other Sunday this Summer for a total of eight of his greatest hits! All films will be presented in Spanish with English subtitles. Admission is $9.

  1. 5:00 pm

The Lure: Members Only

The bold, genre-defying horror-Mermaid-musical mashup The Lure is August’s Frida Cinema Members Only screening!

In this playful and confident debut of Polish director Agnieszka Smoczynska — a pair of carnivorous mermaid sisters are drawn ashore in an alternate ’80s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska’s imagining. In a visceral twist on Hans Christian Andersen’s original Little Mermaid tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. A savage coming-of-age fairytale with a catchy new-wave soundtrack, lavishly grimy sets, and outrageous musical numbers, The Lure explores its themes of sexuality, exploitation, and the compromises of adulthood with energy and originality.

Not a member yet? Sign up here: https://thefridacinema.org/memberships/

The bold, genre-defying horror-Mermaid-musical mashup The Lure is August’s Frida Cinema Members Only screening!
In this playful and confident debut of Polish director Agnieszka Smoczynska — a pair of carnivorous mermaid sisters are drawn ashore in an alternate ’80s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska’s imagining. In a visceral twist on Hans Christian Andersen’s original Little Mermaid tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. A savage coming-of-age fairytale with a catchy new-wave soundtrack, lavishly grimy sets, and outrageous musical numbers, The Lure explores its themes of sexuality, exploitation, and the compromises of adulthood with energy and originality.
Not a member yet? Sign up here: https://thefridacinema.org/memberships/

  1. 5:15 pm

Four Flies on Grey Velvet + Door Into Darkness

We’re cutting a little deeper with the second film in our Black Gloves & Crimson Blood series, straight into the subconscious of filmmaker Dario Argento with the nightmarish pairing of Four Flies On Grey Velvet and Door Into Darkness!

In Four Flies on Grey Velvet, the final entry in Argento’s “Animal Trilogy,” a rock drummer becomes ensnared in a blackmail plot that spirals into surreal paranoia and psychedelic dread. Rarely screened and long shrouded in cult mystique, it’s a slippery, dreamlike thriller featuring one of Argento’s most unforgettable death sequences.

Then: Door into Darkness, Argento’s rare foray into television. Acting as both host and creative force, he delivers a chilling episode that strips murder down to its most primal, procedural elements!

There will be a 15 minute intermission between the movies. One ticket purchase gets you access to both films.

We’re cutting a little deeper with the second film in our Black Gloves & Crimson Blood series, straight into the subconscious of filmmaker Dario Argento with the nightmarish pairing of Four Flies On Grey Velvet and Door Into Darkness!
In Four Flies on Grey Velvet, the final entry in Argento’s “Animal Trilogy,” a rock drummer becomes ensnared in a blackmail plot that spirals into surreal paranoia and psychedelic dread. Rarely screened and long shrouded in cult mystique, it’s a slippery, dreamlike thriller featuring one of Argento’s most unforgettable death sequences.
Then: Door into Darkness, Argento’s rare foray into television. Acting as both host and creative force, he delivers a chilling episode that strips murder down to its most primal, procedural elements!
There will be a 15 minute intermission between the movies. One ticket purchase gets you access to both films.

  1. 7:15 pm

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