Greenwhich Entertainment’s newest release, Went Up The Hill, is coming to The Frida Cinema!

In this chilling ghost story, a recently deceased woman haunts her estranged son Jack (Dacre Montgomery of Stranger Things) and her grieving widow Jill (Vicky Krieps of Phantom Thread and Corsage). When the woman’s spirit inhabits the survivors, the living must grapple with the destruction she left behind while fighting for their own survival.

Went Up The Hill debuted earlier this year at the  Toronto International Film Festival.

The Toxic Avenger is back—bigger, louder, and more radioactive than ever! This 2025 reboot brings the beloved Troma antihero into the modern era with a fresh dose of outrageous gore, dark humor, and socially charged mayhem!

A horrible toxic accident transforms downtrodden janitor Winston Gooze into a new evolution of hero: The Toxic Avenger! Now wielding a glowing mop with super-human strength, he must race against time to save his son and stop a ruthless and power-hungry tyrant bent on harnessing toxic superpowers to strengthen his polluted empire.

Expect wild practical effects, outrageous action, and a satirical edge that’s as sharp as ever.

Back by popular demand, Punch-Drunk Love—Paul Thomas Anderson’s strangest, sweetest, and most unexpectedly explosive film, is back at The Frida Cinema for one night only. Starring Adam Sandler in the performance of his career, this isn’t just a love story—it’s a pressure cooker disguised as a rom-com, wrapped in harmonium chords and shimmering blue light.

Sandler is Barry Egan, a painfully lonely novelty toilet plunger salesman with seven sisters, a hair-trigger temper, and a secret stash of pudding cups he’s collecting to hack a frequent flyer program. Enter Lena (Emily Watson), and suddenly, Barry’s life teeters from implosion to unlikely redemption—while being chased by phone sex scammers and Philip Seymour Hoffman at full “shut up shut up shut up” intensity.

Punch-Drunk Love is PTA at his most deceptively small, strangely romantic, and vibrantly unhinged.

Our annual Segerstrom at the Frida series showcases films that inspired upcoming stage adaptations at OC’s Segerstrom Center for the Arts! Join us as we present a couple of encores of Baz Luhrmann’s eye-popping 2001 musical Moulin Rouge!

A fever dream of romance, music, and heartbreak in turn-of-the-century Paris, Moulin Rouge! stars Ewan McGregor as Christian, a penniless writer who falls madly in love with the dazzling courtesan Satine (Nicole Kidman), star performer at the titular famed cabaret. Set against the backdrop of the bohemian underworld and bursting with mash-ups of modern pop songs reimagined through Luhrmann’s hyper-stylized lens, Luhrmann’s vision is a sensory whirlwind of color, musica, and passion that blends theatrical spectacle with melodramatic tragedy, as love and art collide under the threat of greed and ambition.  Winner of the Academy Awards for Best Art Direction and Best Costume Design, the film was also nominated for Best Actress (Nicole Kidman), Best Cinematography, Best Editing, Best Makeup, Best Sound, and Best Picture of the Year.

We’re bringing back encores of Kaneto Shindô’s 1964 eerie classic Onibaba! This visceral, hypnotic tale set in Japan’s medieval past, is about two women – an older mother and her young daughter-in-law-living in isolation, killing lost samurai and trading their armor for food. But when a mysterious mask enters their world, desire, jealousy, and supernatural terror take root.

Shot in striking black and white, Shindo’s film blurs the lines between eroticism and horror, realism and folklore. Tall reeds sway ominously, the wind howls, and the mask – once worn to intimidate- becomes a symbol of inner torment and karmic consequence. It’s one of the most iconic and unsettling films of Japanese cinema.

Arthouse 101: Japanese Cinema is a curated 12-film trip through the evolution of Japan—from the quiet post-war resilience of the 1940s all the way to the radical reinventions of the 1990s. Each Monday this July-September, we will explore a new facet of this incredible nation’s cinematic journey throughout the 20th century. All films will be presented in their original Japanese language with English subtitles, at a reduced ticket price of $8.

From the scorched deserts of California to the inner depths of one man’s ambition comes There Will Be Blood, a monumental American saga—and one of the greatest films of the 21st century, now getting a few encores as part of our One Banger After Another: The Films Of Paul Thomas Anderson series.

Daniel Day-Lewis delivers a titanic, Oscar-winning performance as Daniel Plainview, a silver miner turned oilman whose thirst for power burns brighter than the derricks he erects across the West. As towns rise and morals fall, Plainview wages war—against the land, against the Church, and eventually, against his own humanity. Across from him: Paul Dano, pulling double duty as twin brothers and spiritual adversaries, locked in a violent dance of faith and greed.

Shot by Robert Elswit in apocalyptic beauty and scored with nerve-jangling dread by Jonny Greenwood, There Will Be Blood is a film that doesn’t just depict America’s creation myth—it bleeds it.