We’re presenting a Kiyoshi Kurosawa double feature of the new restoration of 1998’s Serpent’s Path and his 2024 film Chime!

Serpent’s Path: Straight off Cure (1997), his international breakthrough, Kiyoshi Kurosawa directed two low-budget films using the same basic premise and the same lead actor (Sho Aikawa) to completely different ends. The experiment first resulted in Serpent’s Path (1998, later remade in 2024), a dark gangland thriller with philosophical overtones. Obsessed with avenging his young daughter’s murder, yakuza subordinate Miyashita (Teruyuki Kagawa) recruits Nijima (Aikawa), a brilliant yet strangely detached math teacher, to help carry outcarry out a scheme to kidnap and torture the man allegedly responsible. But the plan goes awry when their target, Otsuki (Yurei Yanagi), fingers another mobster as the mastermind behind Miyashita’s tragedy. As the two partners ascend the yakuza chain of command in search of the true culprit, Miyashita and Nijima follow the cold, calculating logic of revenge, descending into a moral abyss from which they may never surface. 

Chime: A masterclass in escalating dread and shocking violence, Chime reaffirms Kiyoshi Kurosawa as one of modern horror’s most innovative and unpredictable visionaries. During a class, culinary instructor Matsuoka (Mutsuo Yoshioka) witnesses the suicide of a young student (Seiichi Kohinata), driven to insanity by what he claims is a chiming sound that controls his mind. Soon, Matsuoka begins hearing it, too, and descends into a mental abyss that warps his perception of reality and gives vent to his darkest impulses. 

Watermelon Pictures is proud to present Palestine 36, their new humanist cinematic tour de force!

1936. As villages across Mandatory Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting in the largest and longest uprising against Britain’s 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.

One of the year’s most lauded and highly anticipated films, Palestine 36 has received universal audience and critical acclaim in its festival rollout, including a record-setting 23 minute standing ovation at TIFF, and a win for Best Film at The Tokyo International Film Festival, while holding a rating of 100% Fresh on Rotten Tomatoes.

Frida Cinema Film Club members are being treated to free 30th anniversary screenings of Mike Leigh’s Secrets & Lies!

An expert observer of unembellished humanity, writer-director Mike Leigh reached new levels of expressive power and intricacy with this exploration of the deceptions, small and large, that shape our relationships. When Hortense (Marianne Jean-Baptiste), a Black optometrist who was adopted as a child, begins the search for her birth mother, she doesn’t expect that it will lead her to Cynthia (Brenda Blethyn, winner of the Cannes Film Festival’s best actress award), a lonely white factory worker whose tentative embrace of her long-lost daughter sends shock waves through the rest of her already fragile family.

Born from a painstaking process of rehearsal and improvisation with a powerhouse ensemble cast, Secrets & Lies is a Palme d’Or–winning tour de force of sustained tension and catharsis that lays bare the emotional fault lines running beneath everyday lives.

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Our seaside horror Hallucinations mini series continues with a brand new 4K restoration of the 1961 gem Night Tide!

Night Tide presents a world in which undefined realms float around, blurring boundaries between reality and fantasy. Dennis Hopper is profoundly charming in his portrayal of Johnny, a young sailor who is spellbound by Mora, an enigmatic woman who performs as a mermaid at the Santa Monica Pier carnival.

Set near the water in Santa Monica and Venice Beach, Night Tide dives into the purgatory domain of dreamy love, which is cursed by doomed imagination, like a beautiful nightmare underwater.

Hosted by Polygon’s editor-in-chief Chris Plante, Hallucinations is a monthly event that spotlights movies that challenge our expectations of story, style, and “good taste”. We invite guests to bond over films that change what we expect from the medium, the world, and themselves. So come early, stay late, make friends, and watch something strange, surprising, or just shamelessly sick.