Ghost in the Cell

The walls are closing in with Ghost in the Cell, the wild new Indonesian horror film from acclaimed filmmaker Joko Anwar (Satan’s Slaves, Impetigore)!

Inside a brutal high-security prison ruled by rival gangs and corrupt guards, a series of gruesome murders begins leaving inmates dead in increasingly horrific…and impossible…ways. When it becomes clear that an invisible supernatural force is stalking the prison, enemies are forced to put aside their differences and work together to figure out what is killing them before they’re next.

Mixing supernatural horror with prison drama and adding in absolutely outrageous gore, Ghost in the Cell is the latest genre free-for-all from one of Indonesia’s most exciting filmmakers. 

The walls are closing in with Ghost in the Cell, the wild new Indonesian horror film from acclaimed filmmaker Joko Anwar (Satan’s Slaves, Impetigore)!
Inside a brutal high-security prison ruled by rival gangs and corrupt guards, a series of gruesome murders begins leaving inmates dead in increasingly horrific…and impossible…ways. When it becomes clear that an invisible supernatural force is stalking the prison, enemies are forced to put aside their differences and work together to figure out what is killing them before they’re next.
Mixing supernatural horror with prison drama and adding in absolutely outrageous gore, Ghost in the Cell is the latest genre free-for-all from one of Indonesia’s most exciting filmmakers. 

  1. 10:00 am
  2. 3:00 pm

The History of Concrete

The rumors are true! John Wilson’s The History of Concrete is coming to The Frida Cinema!

The plot is super normal and simple: after attending a workshop on how to write and sell a Hallmark movie, filmmaker John Wilson tries to use the same formula to sell a documentary about concrete.

Don’t miss this extremely informative documentary on the big screen!

Enhanced Accessibility: this film has Closed Captioning capability!

The rumors are true! John Wilson’s The History of Concrete is coming to The Frida Cinema!
The plot is super normal and simple: after attending a workshop on how to write and sell a Hallmark movie, filmmaker John Wilson tries to use the same formula to sell a documentary about concrete.
Don’t miss this extremely informative documentary on the big screen!
Enhanced Accessibility: this film has Closed Captioning capability!

  1. 11:00 am
  2. 2:00 pm
  3. 8:30 pm

Filipiñana

Filipiñana is coming to The Frida Cinema!

Amid stifling heat and pervasive drought, Isabel (Jorrybell Agoto), a 17-year-old Ilokana from the rural north, works at a posh country club outside Manila, lining up golf balls for powerful men to drive into the verdant horizon. New to the job, she wanders the immaculate grounds sampling its luxuries as members, including an industrialist and his expatriate niece, the club president and his pampered wife, and a slew of Chinese tourists, engage in a complex dance with the club’s doting and subservient staff.

“A masterwork. Rafael Manuel opens new vistas in the future of the cinema.” –Richard Brody, The New Yorker

“Impossibly gorgeous shot after impossibly gorgeous shot. It’s not an exaggeration to say that quite literally every frame is a work of art.” -Taylor Gates, Collider

Filipiñana is coming to The Frida Cinema!
Amid stifling heat and pervasive drought, Isabel (Jorrybell Agoto), a 17-year-old Ilokana from the rural north, works at a posh country club outside Manila, lining up golf balls for powerful men to drive into the verdant horizon. New to the job, she wanders the immaculate grounds sampling its luxuries as members, including an industrialist and his expatriate niece, the club president and his pampered wife, and a slew of Chinese tourists, engage in a complex dance with the club’s doting and subservient staff.
“A masterwork. Rafael Manuel opens new vistas in the future of the cinema.” –Richard Brody, The New Yorker
“Impossibly gorgeous shot after impossibly gorgeous shot. It’s not an exaggeration to say that quite literally every frame is a work of art.” -Taylor Gates, Collider

  1. 12:30 pm

Possession

Please note: the 10:00PM screening on Friday, October 16th will have an intro by our friends at Cinematic Void and The American Cinematheque!

Andrzej Żuławski’s unforgettable cult classic Possession is the next film in our Art House of Horrors: Presented by MUBI series!

When Mark (Sam Neill) returns home to West Berlin, he discovers that his wife Anna (Isabelle Adjani) wants a divorce, and that something far stranger than another man may be tearing their marriage apart. As their relationship spirals into obsession, jealousy, and violence, Mark begins to suspect that Anna is hiding a horrifying secret.

It’s unclassifiable, and yet…it’s a total masterpiece that finds its way back to our screens at least once a year. It’s is a fever dream of marital breakdown, anchored by two astonishing performances. Isabelle Adjani (winner of Best Actress at the Cannes Film Festival that year) throws herself into one of cinema’s most legendary displays of emotional and physical extremity, while the late, great Sam Neill gives a raw performance that helped introduce audiences to a face they would come to know and love for the next forty years.

Please note: the 10:00PM screening on Friday, October 16th will have an intro by our friends at Cinematic Void and The American Cinematheque!
Andrzej Żuławski’s unforgettable cult classic Possession is the next film in our Art House of Horrors: Presented by MUBI series!
When Mark (Sam Neill) returns home to West Berlin, he discovers that his wife Anna (Isabelle Adjani) wants a divorce, and that something far stranger than another man may be tearing their marriage apart. As their relationship spirals into obsession, jealousy, and violence, Mark begins to suspect that Anna is hiding a horrifying secret.
It’s unclassifiable, and yet…it’s a total masterpiece that finds its way back to our screens at least once a year. It’s is a fever dream of marital breakdown, anchored by two astonishing performances. Isabelle Adjani (winner of Best Actress at the Cannes Film Festival that year) throws herself into one of cinema’s most legendary displays of emotional and physical extremity, while the late, great Sam Neill gives a raw performance that helped introduce audiences to a face they would come to know and love for the next forty years.

  1. 5:00 pm

Daughters of Darkness + The Vampire Lovers

We’re giving you a double dose of lesbian vampire cinema with our  Daughters of Darkness + The Vampire Lovers showcase!

First, travel to a secluded Belgian hotel for Harry Kümel’s Daughters of Darkness (1971), where newlyweds Stefan and Valerie encounter the mysterious Countess Elizabeth Báthory (Delphine Seyrig) and her beautiful companion Ilona. What begins as an uneasy encounter soon becomes a decadent nightmare with all kinds of twist and turns. And then, after a 10 minute intermission…

Sink your teeth into Hammer’s The Vampire Lovers (1970), Roy Ward Baker’s lush adaptation of Sheridan Le Fanu’s Carmilla. Ingrid Pitt stars as the seductive and deadly Carmilla, who sets her sights on a succession of young women, including the innocent Emma Morton (Madeline Smith), in one of Hammer’s most unabashedly sensual horror films.

One ticket gets you access to both films. There will be a ten minute intermission. Frida Cinema discounts and comp passes DO apply!

We’re giving you a double dose of lesbian vampire cinema with our  Daughters of Darkness + The Vampire Lovers showcase!
First, travel to a secluded Belgian hotel for Harry Kümel’s Daughters of Darkness (1971), where newlyweds Stefan and Valerie encounter the mysterious Countess Elizabeth Báthory (Delphine Seyrig) and her beautiful companion Ilona. What begins as an uneasy encounter soon becomes a decadent nightmare with all kinds of twist and turns. And then, after a 10 minute intermission…
Sink your teeth into Hammer’s The Vampire Lovers (1970), Roy Ward Baker’s lush adaptation of Sheridan Le Fanu’s Carmilla. Ingrid Pitt stars as the seductive and deadly Carmilla, who sets her sights on a succession of young women, including the innocent Emma Morton (Madeline Smith), in one of Hammer’s most unabashedly sensual horror films.
One ticket gets you access to both films. There will be a ten minute intermission. Frida Cinema discounts and comp passes DO apply!

  1. 8:00 pm

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