Don’t miss out your chance to see La bola negra, the Oscars’ next big foreign language phenomenon, on the big screen at The Frida Cinema this November!

Spanning three different eras of Spanish history, La Bola Negra follows three men whose lives become mysteriously intertwined through secrets passed down through generations. From the shadow of the Spanish Civil War to a contemporary search for a forgotten family history, Los Javis (the name the two directors have lovingly been given over the years) weave together a sweeping queer epic about the people whose stories were erased.

The film’s Cannes premiere earned Los Javis the festival’s Best Director prize, it just won the prestigious Audience Award at the 2026 Toronto International Film Festival (the first non-English language film to do so in fifteen years) and now…the Oscar buzz is very real. With Spain officially putting La Bola Negra forward for the 99th Academy Awards, the question is no longer whether this is one of the year’s major international films, it’s how far this extraordinary, wildly ambitious movie can go in the Best Picture race. 

One of the greatest achievements in recent art house cinema and a seminal work of “slow cinema,” Sátántangó, based on the book by László Krasznahorkai is the third film in our Béla Tarr Retrospective.

The film follows members of a small, defunct agricultural collective living in a post-apocalyptic landscape after the fall of Communism who, on the heels of a large financial windfall, set out to leave their village. As a few of the villagers secretly conspire to take off with all of the earnings for themselves, a mysterious character, long thought dead, returns to the village, altering the course of everyone’s lives forever.

Shot in stunning black-and-white by Gábor Medvigy and filled with exquisitely composed and lyrical long takes, Sátántangó unfolds in twelve distinct movements, alternating forwards and backwards in time, echoing the structure of a tango dance. Tarr’s vision, aided by longtime partner and collaborator Ágnes Hranitzky, is enthralling and his portrayal of a rural Hungary beset by boozy dance parties, treachery, and near-perpetual rainfall is both transfixing and uncompromising.

 Sátántangó has been justly lauded by critics and audiences as a masterpiece and inspired none other than Susan Sontag to proclaim that she would be “glad to see it every year for the rest of [her] life”.

Sátántangó has been restored in 4K from the original 35mm camera negative by Arbelos in collaboration with The Hungarian Filmlab.

What would you do if were framed for a murder…you had not committed yet?

The penultimate film in our Spielberg Summer series is the Tom Cruise-starrer Minority Report, a dazzling Sci Fi Thriller that imagines a world where crime can be stopped before it happens.

In Washington, D.C., of 2054, police captain John Anderton (Tom Cruise) leads a revolutionary unit that uses psychic visions to arrest murderers before they commit their crimes. But when Anderton himself is identified as a future killer, he goes on the run, determined to uncover the truth behind a system he once believed was infallible.

Based on the novel by Philip K. Dick, the film combines breathtaking action, Noir intrigue (something you’d think would be in more Spielberg projects), and startlingly prescient ideas about surveillance and predictive technology, making it one of smartest blockbusters of the 21st century.