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Bird

The long-awaited return to fiction filmmaking from Academy Award-winner Andrea Arnold, Bird is a tender, striking and extraordinarily surprising coming-of-age fable about marginalized life in the fringes of contemporary society.

12-year-old Bailey (astounding newcomer Nykiya Adams) lives with her devoted but chaotic single dad Bug (Barry Keoghan, Saltburn) and wayward brother Hunter in a squat in Gravesend, north Kent. Approaching puberty and seeking attention and adventure, Bailey’s fractured home life is transformed when she encounters Bird (Franz Rogowski, Passages), a mysterious stranger on a journey of his own.

The long-awaited return to fiction filmmaking from Academy Award-winner Andrea Arnold, Bird is a tender, striking and extraordinarily surprising coming-of-age fable about marginalized life in the fringes of contemporary society.
12-year-old Bailey (astounding newcomer Nykiya Adams) lives with her devoted but chaotic single dad Bug (Barry Keoghan, Saltburn) and wayward brother Hunter in a squat in Gravesend, north Kent. Approaching puberty and seeking attention and adventure, Bailey’s fractured home life is transformed when she encounters Bird (Franz Rogowski, Passages), a mysterious stranger on a journey of his own.

  1. 2:00 pm
  2. 5:00 pm
  1. 2:00 pm
  2. 5:00 pm

The Virgin Suicides

The next entry in our Party Like It’s 1999 series is The Virgin Suicides, Sofia Coppola’s dreamlike directorial debut.

The story of five sisters, and their mysterious existence growing up in the 1970s. The film follows the chain of events initiated by one of the Lisbon sisters’ suicide attempt, and its effects on their family, their suburban town and most importantly, the young men who loved the Lisbons from afar and whose words provide the narrative for the film.

The next entry in our Party Like It’s 1999 series is The Virgin Suicides, Sofia Coppola’s dreamlike directorial debut.
The story of five sisters, and their mysterious existence growing up in the 1970s. The film follows the chain of events initiated by one of the Lisbon sisters’ suicide attempt, and its effects on their family, their suburban town and most importantly, the young men who loved the Lisbons from afar and whose words provide the narrative for the film.

  1. 8:00 pm

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