Our Technicolor Summer takes a darker turn with the lush and haunting Leave Her to Heaven—a psychological thriller cloaked in sun-drenched, beautiful colors.

When novelist Richard Harland (Cornel Wilde) meets the striking and enigmatic Ellen Berent (Gene Tierney), it seems like a whirlwind romance straight out of a dream. But their fairy-tale love story quickly curdles into obsession as Ellen’s possessiveness spirals into something far more dangerous. She doesn’t want to share Richard’s affection with anyone—not his family, not his work, not even his past.

A noir dressed in Technicolor’s finest, Leave Her to Heaven is a masterclass in contrasts: light and shadow. It’s a chilling reminder that darkness can lurk even in the brightest places—and a true gem of Hollywood’s golden era.

In the early 1930s, the 3-strip Technicolor process was introduced to audiences, inviting them to experience a world dripping with vibrant saturation for the very first time. The Technicolor Summer series ranges from familiar classics to rarely-screened gems all Summer long!

For the first time in The Frida Cinema’s history, we are presenting a very special run of the 1993 Western classic Tombstone, with an emphasis on celebrating Val Kilmer’s electric performance as the legendary Doc Holliday! And to mark the occasion, we are, of course, running the brand new 4K restoration!

Directed by George P. Cosmatos (and, unofficially, co-directed by Kurt Russell), Tombstone tells the true-ish story of Wyatt Earp and his brothers as they attempt to leave the law behind and settle into a quiet life in Arizona—only to be drawn into a violent showdown with the outlaw gang known as the Cowboys. It’s lightning-fast, guns-blazing, and has an absolutely stacked cast.

In honor of Kilmer’s legendary performance and enduring legacy, we’re bringing the O.K. Corral back to the big screen—where legends belong.

Our Santo Sundays series gets a bit weirder with Los Leprosos y El Sexo!

When a group of lepers escape from their asylum, they fall under the influence of a band of outlaws who are terrorizing a small western town. The desperate sheriff calls for El Santo to defeat the bandits, defend the townsfolk, and help the exploited lepers.

This is the ‘sexy’ reworking of Santo vs. the Riders of Terror, which was created by the producers for the export market–all without the knowledge of the family friendly El Santo! For mature audiences only!

Trash-Mex is proud to collaborate with Permanencia Voluntaria Archivo Cinematográfico for a special screening series of Mexican icon El Santo. Join us every other Sunday this Summer for a total of eight of his greatest hits! All films will be presented in Spanish with English subtitles. Admission is $9. 

Celebrate 25 years of Wong Kar Wai’s In The Mood For Love with a brand new 4K restoration and a post-screening nine minute short film entitled In The Mood For Love 2001.

In The Mood For Love: Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu Wai) and Su Li-zhen (Maggie Cheung Man Yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping Bing, this film has been a major stylistic influence on the past 25 years of cinema.

In The Mood For Love 2001: Initially conceived as one third of a triptych about food, In the Mood for Love was expanded into a stand-alone feature that won immediate recognition as a modern-day classic. Another third—intended as the “dessert,” as Wong Kar Wai has put it—was, until now, only screened during his masterclass at the 2001 Cannes Film Festival. Now available in wide release for the first time, In the Mood for Love 2001 demonstrates the director’s masterful ability to generate palpable atmosphere and striking characterizations on a miniature canvas—with In the Mood for Love stars Tony Leung Chiu Wai and Maggie Cheung Man Yuk once again providing the sizzling chemistry— evoking the mystery of transient, unexpected connections in the modern city through his inimitable romantic touch.