Certified Frida Favorite Jane Schoenbrun (We’re All Going To The World’s Fair, I Saw The TV Glow) is back with their latest mindf**k, Teenage Sex and Death at Camp Miasma, starring the supernova duo of Hannah Einbender and Gillian Anderson!

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original’s star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

Premiering at the Cannes Film Festival in 2026, the early reviews for Camp Miasma were passionate, promising a wildly entertaining exploration of the slasher film, erotic pleasure, and everything in between. The words “gonzo” and “pop art” were also being thrown around, which you know we love!

The brand new Afrofuturist film Memory of Princess Mumbi is coming to The Frida Cinema!

In 2093, filmmaker Kuve travels to Umata to document the aftermath of a war that revived ancient kingdoms. There, he meets Mumbi, who challenges him to make his film without the use of AI. As Kuve searches for his own voice, he begins to realize that even in a broken world, beauty can be found in the small human moments we often overlook.

The film premiered at Venice Days (Giornate degli Autori) in 2025 and went on to TIFF, BFI London, Zurich Film Festival (where it won the Critics’ Jury Award for Best Swiss Film), and San Francisco International Film Festival (where it received an Honorable Mention in the Global Visions category).

Our Spielberg Summer series goes a little darker with Indiana Jones and the Temple of Doom, the wildly pulpy sequel that pushed blockbuster adventure into uncharted territory.

When Indiana Jones finds himself in a remote Indian village stripped of its children and sacred stones, he follows the trail to a sinister cult operating beneath an ancient palace. Joined by a skeptical nightclub singer and a brave young boy, Indy descends into a nightmare as he fights to free the enslaved children and recover the stolen Sankara stones.

Stripped of the comfort and romance of its predecessor, Temple of Doom is a literal roller coaster cimeatic event. It’s Spielberg at his most unrestrained, mixing fairy-tale darkness with explosive spectacle.

Let the love feast begin.

We’re concluding Gregg Araki’s legendary Teen Apocalypse Trilogy with Nowhere, a delirious, end-of-the-millennium fever dream that’s turned up to eleven.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they’ll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

The most visually audacious entry in the trilogy, Nowhere is Araki experimenting with science fiction, queer romance as a euphoric celebration of outsiders, making it the perfect culmination of one of the boldest trilogies in American independent cinema.