Memory of Princess Mumbi

The brand new Afrofuturist film Memory of Princess Mumbi is coming to The Frida Cinema!

In 2093, filmmaker Kuve travels to Umata to document the aftermath of a war that revived ancient kingdoms. There, he meets Mumbi, who challenges him to make his film without the use of AI. As Kuve searches for his own voice, he begins to realize that even in a broken world, beauty can be found in the small human moments we often overlook.

The film premiered at Venice Days (Giornate degli Autori) in 2025 and went on to TIFF, BFI London, Zurich Film Festival (where it won the Critics’ Jury Award for Best Swiss Film), and San Francisco International Film Festival (where it received an Honorable Mention in the Global Visions category).

The brand new Afrofuturist film Memory of Princess Mumbi is coming to The Frida Cinema!
In 2093, filmmaker Kuve travels to Umata to document the aftermath of a war that revived ancient kingdoms. There, he meets Mumbi, who challenges him to make his film without the use of AI. As Kuve searches for his own voice, he begins to realize that even in a broken world, beauty can be found in the small human moments we often overlook.
The film premiered at Venice Days (Giornate degli Autori) in 2025 and went on to TIFF, BFI London, Zurich Film Festival (where it won the Critics’ Jury Award for Best Swiss Film), and San Francisco International Film Festival (where it received an Honorable Mention in the Global Visions category).

  1. 10:00 am

Indiana Jones and the Temple of Doom

Our Spielberg Summer series goes a little darker with Indiana Jones and the Temple of Doom, the wildly pulpy sequel that pushed blockbuster adventure into uncharted territory.

When Indiana Jones finds himself in a remote Indian village stripped of its children and sacred stones, he follows the trail to a sinister cult operating beneath an ancient palace. Joined by a skeptical nightclub singer and a brave young boy, Indy descends into a nightmare as he fights to free the enslaved children and recover the stolen Sankara stones.

Stripped of the comfort and romance of its predecessor, Temple of Doom is a literal roller coaster cimeatic event. It’s Spielberg at his most unrestrained, mixing fairy-tale darkness with explosive spectacle.

Our Spielberg Summer series goes a little darker with Indiana Jones and the Temple of Doom, the wildly pulpy sequel that pushed blockbuster adventure into uncharted territory.
When Indiana Jones finds himself in a remote Indian village stripped of its children and sacred stones, he follows the trail to a sinister cult operating beneath an ancient palace. Joined by a skeptical nightclub singer and a brave young boy, Indy descends into a nightmare as he fights to free the enslaved children and recover the stolen Sankara stones.
Stripped of the comfort and romance of its predecessor, Temple of Doom is a literal roller coaster cimeatic event. It’s Spielberg at his most unrestrained, mixing fairy-tale darkness with explosive spectacle.

  1. 12:00 pm

Teenage Sex and Death at Camp Miasma

Certified Frida Favorite Jane Schoenbrun (We’re All Going To The World’s Fair, I Saw The TV Glow) is back with their latest mindf**k, Teenage Sex and Death at Camp Miasma, starring the supernova duo of Hannah Einbender and Gillian Anderson!

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original’s star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

Premiering at the Cannes Film Festival in 2026, the early reviews for Camp Miasma were passionate, promising a wildly entertaining exploration of the slasher film, erotic pleasure, and everything in between. The words “gonzo” and “pop art” were also being thrown around, which you know we love!

Certified Frida Favorite Jane Schoenbrun (We’re All Going To The World’s Fair, I Saw The TV Glow) is back with their latest mindf**k, Teenage Sex and Death at Camp Miasma, starring the supernova duo of Hannah Einbender and Gillian Anderson!
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original’s star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
Premiering at the Cannes Film Festival in 2026, the early reviews for Camp Miasma were passionate, promising a wildly entertaining exploration of the slasher film, erotic pleasure, and everything in between. The words “gonzo” and “pop art” were also being thrown around, which you know we love!

  1. 2:30 pm
  2. 5:00 pm

Collateral: Hosted by Larry Mantle: Co-Presented by FilmWeek

Hitch a ride to come and see FilmWeek’s screening of Michael Mann’s 2004 neo-noir thriller Collateral at The Frida Cinema! And stick around after the screening as host Larry Mantle welcomes special guests (TBA) to discuss the film’s lasting impact! 

Collateral follows a Los Angeles taxi driver, Max (Jamie Foxx), who unwittingly picks up a cold-blooded contract killer, Vincent (Tom Cruise). Over the course of a single night, Max is taken hostage and forced to drive Vincent to multiple stops to assassinate targets connected to a federal drug cartel. As the night unfolds, Max attempts to break free, ultimately turning the tables on his captor to protect the final witness.

The film was a critical and box office success, reaching the top spot in its opening weekend and earning Academy Award nominations for Best Film Editing and Best Supporting Actor for Jamie Foxx’s performance as Max.

Hitch a ride to come and see FilmWeek’s screening of Michael Mann’s 2004 neo-noir thriller Collateral at The Frida Cinema! And stick around after the screening as host Larry Mantle welcomes special guests (TBA) to discuss the film’s lasting impact! 
Collateral follows a Los Angeles taxi driver, Max (Jamie Foxx), who unwittingly picks up a cold-blooded contract killer, Vincent (Tom Cruise). Over the course of a single night, Max is taken hostage and forced to drive Vincent to multiple stops to assassinate targets connected to a federal drug cartel. As the night unfolds, Max attempts to break free, ultimately turning the tables on his captor to protect the final witness.
The film was a critical and box office success, reaching the top spot in its opening weekend and earning Academy Award nominations for Best Film Editing and Best Supporting Actor for Jamie Foxx’s performance as Max.

  1. 7:00 pm

Henry: Portrait of a Serial Killer: Presented by HorrorBuzz

He’s not Freddy, he’s not Jason…he’s real. HorrorBuzz continues its 2026 series with the 40th anniversary of one of the most unsettling and influential films of the 1980s: Henry: Portrait of a Serial Killer.

Loosely inspired by the confessions of real-life murderer Henry Lee Lucas, the movie follows drifter Henry (played by iconic silver screen “that guy” Michael Rooker) and his volatile accomplice Otis as they navigate a bleak Chicago landscape. When Otis’s sister Becky moves in, Henry’s flat affect and unpredictable behavior begin to reveal something far darker beneath the surface.

Horror Movie Night takes filmgoing to another level with a full night of entertainment, including a themed HMN Video Pres-how, Trivia, Games, Prizes, and another outstanding horror short from HorrorBuzz’s The Screaming Room Film Festival at Midsummer Scream.

Doors open and video pre-show video begins promptly at 7:30 pm. Games, prizes, and short film begin at 8:00PM. Feature starts at 8:30PM.

This program is a venue rental engagement. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff.

He’s not Freddy, he’s not Jason…he’s real. HorrorBuzz continues its 2026 series with the 40th anniversary of one of the most unsettling and influential films of the 1980s: Henry: Portrait of a Serial Killer.
Loosely inspired by the confessions of real-life murderer Henry Lee Lucas, the movie follows drifter Henry (played by iconic silver screen “that guy” Michael Rooker) and his volatile accomplice Otis as they navigate a bleak Chicago landscape. When Otis’s sister Becky moves in, Henry’s flat affect and unpredictable behavior begin to reveal something far darker beneath the surface.
Horror Movie Night takes filmgoing to another level with a full night of entertainment, including a themed HMN Video Pres-how, Trivia, Games, Prizes, and another outstanding horror short from HorrorBuzz’s The Screaming Room Film Festival at Midsummer Scream.
Doors open and video pre-show video begins promptly at 7:30 pm. Games, prizes, and short film begin at 8:00PM. Feature starts at 8:30PM.
This program is a venue rental engagement. The views and opinions expressed in this program do not necessarily reflect the views or positions of The Frida Cinema or its staff.

  1. 8:30 pm

Nowhere

Let the love feast begin.

We’re concluding Gregg Araki’s legendary Teen Apocalypse Trilogy with Nowhere, a delirious, end-of-the-millennium fever dream that’s turned up to eleven.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they’ll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

The most visually audacious entry in the trilogy, Nowhere is Araki experimenting with science fiction, queer romance as a euphoric celebration of outsiders, making it the perfect culmination of one of the boldest trilogies in American independent cinema.

Let the love feast begin.
We’re concluding Gregg Araki’s legendary Teen Apocalypse Trilogy with Nowhere, a delirious, end-of-the-millennium fever dream that’s turned up to eleven.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they’ll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
The most visually audacious entry in the trilogy, Nowhere is Araki experimenting with science fiction, queer romance as a euphoric celebration of outsiders, making it the perfect culmination of one of the boldest trilogies in American independent cinema.

  1. 10:30 pm

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